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June 16th
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24.7k
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27k
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21k
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42.4k
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31.2k
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71.1k
91 shows
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21.7k
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89.9k
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33.7k
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8k
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639
2 shows
2 tapes
1989
7/19/89
01 Tuning
2:49
02 Hell In A Bucket
6:42
03 Sugaree
13:26
04 Mama Tried
2:39
05 Mexicali Blues
6:19
06 Althea
9:51
07 Victim Or The Crime
7:44
08 West LA Fadeaway
8:14
09 Desolation Row
12:05
10 Deal
9:48
11 Tuning
1:22
12 Box Of Rain
4:53
13 Foolish Heart
11:52
14 Looks Like Rain
8:53
15 Terrapin Station
15:29
16 Drums
9:43
17 Space
10:41
18 The Other One
7:53
19 The Wheel
4:09
20 Morning Dew
12:07
21 Encore Break
1:13
22 Turn On Your Lovelight
10:10
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:59:50
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-19.dts.tobin.125862.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Lineage:
Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-OCT-2013 - Trader Little Helper - Tagged 09-OCT-2013 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video. 2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing. 3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video. 4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video. 5) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video. 6) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video. 7) Before the start of Box Of Rain, 1 minutes and 47.132 seconds were missing from the audience and was filled in with audio from the video. 8) About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space. 9) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video. 10) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video. 11) Speedwise the soundboard was slightly slower than the video at about .300 seconds per minute while the audience was extremely faster at about 2 seconds per minute. 12) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show. ----------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db MTX Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1db MTX -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:59:50
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-19.mat.tobin.125861.flac16
Source:
Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Lineage:
Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin
Taper Notes:
View Notes- Mixed by [email protected] - FLAC conversion 09-OCT-2013 - Trader Little Helper - Tagged 09-OCT-2013 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0.5 AUD 0 SET TWO Stereo Matrix SBD -0.5 AUD 0 --------------------------------------------------------- Audio Patches: 1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video. 2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing. 3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video. 4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video. 5) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video. 6) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video. 7) Before the start of Box Of Rain, 1 minutes and 47.132 seconds were missing from the audience and was filled in with audio from the video. 8) About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space. 9) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video. 10) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video. 11) Speedwise the soundboard was slightly slower than the video at about .300 seconds per minute while the audience was extremely faster at about 2 seconds per minute. 12) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show. Brokedown House Production
Transferrer: Kevin Tobin
2:59:50
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-19.upg-sbd.tobin.125854.flac16
Source:
DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 08-OCT-2013 - Trader Little Helper - Tagged 08-OCT-2013 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video. 2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing. 3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video. 4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video. 5) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video. 6) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video. 7) Speedwise the soundboard was slightly slower than the video at about .300 seconds per minute. Brokedown House Production
Transferrer: hansokolow
2:53:06
SBD
Rating:
9.14 / 7 ratings
Transferrer:
hansokolow
SHNID:
gd1989-07-19.mtx.hansokolow.96232.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: DSBD: shnid=437 DSBD -> DAT -> CD -> eac -> SHN Seeded by Walstib ----------------------------------- AUD: shnid=92447 Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 Notes: Crossfades applied at tape flip after Althea and before Lovlight. Most of the Drums were cut and the Space was cut into. For this reason no crossfade was applied and drums were faded out and Space faded in. Audio problems at beginning of Hell In A Bucket from PA. Beer Barrel Polka Tuning after Althea ----------------------------------- My Notes: I think these can't be traded, as it conflicts with the policy regarding official releases, but I did this one anyway, as it's such a spectacular run of shows. I didn't actually rip any sound from the Downhill From Here release or from Fallout From The Phil Zone, so maybe it can be traded. This show is a monster. -Tano ([email protected])
Taper: Ted Mattes
3:04:24
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-07-19.142299.Lawn.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller
Lineage:
DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted for sharing his recordings & braving the elements. - Thanks to Charlie for being events coordinator. - Occasional wind burst & rain drops are captured by the mics (wouldn't have it any other way). - West LA, Desolation Row & Deal appear on the video "Downhill from Here" - Box of Rain appears on "Fallout From The Phil Zone" - Officially released as The Fifth Annual Grateful Dead Meet Up at the Movies (May 04, 2015 - one night only) - While there are many Morning Dew's, there is only one Alpine Dew. - Final show at Alpine Valley (20)
Transferrer: Kevin Tobin
2:59:50
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-19.upg-aud.tobin.125855.flac16
Source:
(original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Lineage:
Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 08-OCT-2013 - Trader Little Helper - Tagged 08-OCT-2013 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video. 2) About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space. 3) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video. 4) Speedwise the the audience was extremely fast at about 2 seconds per minute. 5) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show. Brokedown House Production
Taper: Baker
2:51:05
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-19.Nak300CP4.Baker.Keo.125506.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!As I recall the tales of this run of shows and this night and the rain, this was recorded inside a tent from back on the lawn.I'm not sure if the microphones were in side the tent or not, but very little rain is heard if any, though the recording is a bit bassy in areas and some distortion in the "Morning Dew" and "Lovelight".Still all and all another excellent share from Mr. Baker's collection of Masters!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!
Taper: Baker
2:51:05
Rating:
10.00 / 1 rating
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-19.Nak300CP4.Baker.Keo.125505.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!As I recall the tales of this run of shows and this night and the rain, this was recorded inside a tent from back on the lawn.I'm not sure if the microphones were in side the tent or not, but very little rain is heard if any, though the recording is a bit bassy in areas and some distortion in the "Morning Dew" and "Lovelight".Still all and all another excellent share from Mr. Baker's collection of Masters!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!