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June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1989
7/17/89
01 Tuning
1:08
02 Let The Good Times Roll
4:08
03 Feel Like A Stranger
8:29
04 Built To Last
6:33
05 Me And My Uncle
3:14
06 Cumberland Blues
6:47
07 It's All Over Now
9:31
08 Row Jimmy
11:07
09 When I Paint My Masterpiece
7:06
10 When Push Comes To Shove
5:18
11 The Music Never Stopped
9:17
12 China Cat Sunflower
6:22
13 I Know You Rider
6:02
14 Playing In The Band
8:42
15 Uncle John's Band
8:43
16 Standing On The Moon
9:16
17 Drums
11:29
18 Space
10:44
19 The Wheel
4:41
20 Gimme Some Lovin'
4:32
21 Goin' Down The Road Feeling Bad
6:17
22 Not Fade Away
10:53
23 And We Bid You Goodnight
3:28
24 Johnny B Goode
4:15
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:48:02
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-07-17.138355.UltraMatrixSBD.miller.flac16
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- This is 138345 24 bit -> 16 bit
Transferrer: Charlie Miller
2:48:02
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-07-17.138345.sbd.miller.flac24
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete
Transferrer: Matrix by Kevin Tobin
2:42:52
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1989-07-17.150009.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-MAY-2020 - Trader Little Helper - Tagged 30-MAY-2020 - Tag&Rename --------------------------------------------------------- rBrain Pro was used for 96/24 > 44/16 encoding. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:41:15
SBD
Rating:
8.00 / 1 rating
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1989-07-17.150008.mtx.tobin.flac24
Source:
SBD + AUD Matrix 2 Source Mix (96/24)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-MAY-2020 - Trader Little Helper - Tagged 30-MAY-2020 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: hansokolow
2:46:48
SBD
Rating:
10.00 / 2 ratings
Transferrer:
hansokolow
SHNID:
gd1989-07-17.mtx.hansokolow.96230.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: DSBD: shnid=17702 Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source. ----------------------------------- AUD: shnid=92457 Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 27, 2008 Notes: Crossfades applied at tape flip after All Over Now and before the encores. There was a cut in d1t03 Built To Last at 3:16 ----------------------------------- My Notes: I think these can't be traded, as it conflicts with the policy regarding official releases, but I did this one anyway, as it's such a spectacular run of shows. I didn't actually rip any sound from the Downhill From Here release, so maybe it can be traded. Sadly there is some minimal phasing here and there, but mostly it turned out well. -Tano ([email protected])
Source 6 of 16
2:38:01
SBD
Rating:
9.61 / 77 ratings
Source:
SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT
Taper Notes:
View NotesSource: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source.
Transferrer: stink kind
2:34:54
SBD
Rating:
8.00 / 2 ratings
Transferrer:
stink kind
SHNID:
gd1989-07-17.sbd.stink-kind.433.shnf
Source:
SBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN
Taper Notes:
View Notes*slight digi-noise at 10s and 30s **with Bob Weir China Cat Suflower tease %clipped on MSBD
Taper: Ted Mattes
2:49:35
Rating:
10.00 / 2 ratings
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-07-17.142297.Lawn.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller
Lineage:
DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted for sharing his recordings. - Thanks to Charlie for being events coordinator. - Officially released as "Downhill from Here" (partial) - Final When Push Comes to Shove - MNS appears on "Fallout From The Phil Zone" - Oh yeah, there was a full moon rising during Standing on the Moon. - Close Encounters space before The Wheel. - Last performance of We Bid You Goodnight was 12-31-78 [756] - with the NFA chant in full chorus, Babz made the call for WBYG. Best call I ever witnessed.
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:42:51
Rating:
10.00 / 2 ratings
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-07-17.150011.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-MAY-2020 - Trader Little Helper - Tagged 30-MAY-2020 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Pete Ebel
2:46:37
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1989-07-17.149270.beyerCM101.ebel.x.flac2496
Source:
TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's)
Lineage:
Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)
Taper Notes:
View NotesNotes: Set #2 Is Seamless
Taper: Dave Boedicker
2:47:58
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1989-07-17.144302.Dak.boedicker.flac1644
Source:
Dak Shotgun Mics>Sony WM-D6C Cassette Master(Maxell MX-90 Minute Metal Cassette For 1st Set,TDK MA 110 Minute
Lineage:
Metal Cassette For 2nd Set)>Sony TC-D5M Cassette Deck(PlaybacK)>Edirol R-09 HR(24/44.1 KHZ)>Edirol R-09 HR(Playback)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,On The Lawn About 30 Yards Up.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Its All Over Now"(No Music Missed On Next Song "Row Jimmy") 2)Tape Flip During "Space" Enjoy!!
Taper: Baker
2:43:58
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-17.Nak300CP4.Baker.Keo.125724.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Some higher recording levels mostly in the second half of set 2, also some small bits of music loss in a few songs due to recorder problems.Still all and all another fine share from Mr. Baker's collection of Grateful Dead Master audiences and Summer 1989 tour!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!
Taper: Baker
2:43:59
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-17.Nak300CP4.Baker.Keo.125723.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Some higher recording levels mostly in the second half of set 2, also some small bits of music loss in a few songs due to recorder problems.Still all and all another fine share from Mr. Baker's collection of Grateful Dead Master audiences and Summer 1989 tour!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!
Taper: Dave Cohen and Justin Lee
2:44:14
Taper:
Dave Cohen and Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-07-17.nak.cohen-lee.106654.flac16
Source:
2 Nakamichi CM300s/ CP1's X-Y @ 90degrees w/1 Nakamichi CM300/CP1 bisecting the X-Y Pair> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. Front Row of Lawn 8 foot stand.
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Greg Holtz
2:44:37
Rating:
9.20 / 6 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-07-17.nak300.holtz.jaz.106490.flac16
Source:
Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M ("1st two nights we were up on the lawn shooting at the repeater stacks from very close range")
Lineage:
Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename
Taper: Casey Coniff
2:39:39
Rating:
9.67 / 7 ratings
Taper:
Casey Coniff
Transferrer:
Bill Koucky
SHNID:
gd1989-07-17.senn441.coniff.gmb.92457.flac16
Source:
Sennheiser 441 > Marantz PDM 340 w/ dbx (Cassette Master Maxell MX-S 90)
Lineage:
Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Taper Notes:
View NotesCrossfades applied at tape flip after All Over Now and before the encores There was a cut in d1t03 Built To Last at 3:16