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Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h49365
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.5k246
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.4k586
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k549
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.8k374
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.9k363
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k173
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.5k898
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k125
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.7k204
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.4k624
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.4k182
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.5k189
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k227
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.6k1.1k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k243
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k275
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.4k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.5k2.1k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h38840
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k713
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h2.9k375
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k203
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k203
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h50463
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30223
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h262
7d956
30d61936
2 shows
2 tapes
1989
Sources
Transferrer: Charlie Miller
2:59:14
SBD
Rating:
7.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-15.139107.UltraMatrixSBD.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is 139106 24 bit -> 16 bit
Transferrer: Charlie Miller
2:59:14
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-15.139106.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Charlie Miller
2:57:04
SBD
Rating:
6.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-15.sbd.miller.97307.sbeok.flac16
Source:
Set 1 Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Cassette -> Dat -> Cassette -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Tape flips in drums and end of Stella Blue -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 14
2:50:50
SBD
Rating:
8.53 / 19 ratings
SHNID:
gd89-07-15.sbd.11266.sbeok.shnf
Source:
SBD > MR > DAT > C > DAT > CDR
Taper Notes:
View NotesSBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki
Taper: Pete Ebel
2:58:10
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1989-07-15.141072.TSBeyer-CM101.ebel.flac2496
Source:
<b/>flac24/96 </b> Source Info:TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's)Transfer Info:Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)Taped & Transfers by Pete Ebel
Taper Notes:
View NotesNotes: Set #1 Missing Audio used from Sennheiser 441 #139293 to fill tape flip After Peggy' O and Queen Jane Intro (37:46->38:56) Set #2 Is Seemless Start of Set #2 Tuning->Foolish Heart Audio used from Nakamichi CM300/CP4 #125721 (0:00->1:10) and Tape Flip Start Of Drumz (46:33->49:31) and cut (54:23->56:16) also Tape Switch at start of Sugar Magnolia (135:33->1:35:46). All cross faded to make as little of a Audible difference.
Taper: Doug Lamarre
2:52:11
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1989-07-15.139293.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:52:11
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1989-07-15.139292.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Baker
2:55:01
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-15.Nak300CP4.Baker.Keo.125722.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!In a couple of songs there is some minimal loss of music due to recorder problems, Still all and all a fine share from Mr. Baker's collection of masters and summer 1989!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Baker
2:55:01
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-15.Nak300CP4.Baker.Keo.125721.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!In a couple of songs there is some minimal loss of music due to recorder problems, Still all and all a fine share from Mr. Baker's collection of masters and summer 1989!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Robert Mullen
2:48:49
Rating:
9.00 / 2 ratings
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1989-07-15.118804.aud-mtx.dak5245-pzm.flac16
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. Located in the designated "taper" section. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesNote: This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8). Comments: Decided to go alone to just outside Indianapolis for another show. It was a bit tricky finding this place as I was not familiar with the area. Thought I'd offer this version as the mix was good this evening near the cornfields. Enjoy the recording folks. Please: Convert to lossy format only for personal use. Please: Do Not Buy or Sell This Recording. Please: Trade Freely, Keeping The Recorder And Lineage Information Intact. Please: Relax and Enjoy! * I was able to get the equipment up and running about a minute or so into the opener, Bertha. Band Members: Jerry Garcia – lead guitar, vocals Bob Weir – rhythm guitar, vocals Brent Mydland – keyboards, vocals Phil Lesh – bass, vocals Bill Kreutzmann – drums Mickey Hart – drums REMEMBER IT'S ONLY A MEMORY IF IT WAS NOT RECORDED AND STAY STEALTHY MY FRIENDS
Taper: Dave Cohen and Justin Lee
2:55:59
Rating:
8.00 / 1 rating
Taper:
Dave Cohen and Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-07-15.nak.cohen-lee.106500.flac16
Source:
2 Nakamichi CM300s/ CP1s X-Y @ 90degrees w/1 Nakamichi CM300/CP2 bisecting the X-Y Pair> Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. Front Row of Lawn 8 foot stand
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Greg Holtz
2:52:03
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-07-15.nak100.holtz.jaz.100391.flac16
Source:
Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C
Lineage:
Master Cassettes (Maxell MX90 Metal Dolby B) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Prepared in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8
Taper: cousinit
2:52:46
Rating:
8.67 / 6 ratings
Taper:
cousinit
Transferrer:
cousinit
SHNID:
gd1989-07-15.aud.cousinit.97691.flac16
Source:
NAK550>2 CM300\'s w/CP4 Shotguns, 1 CM300 (Center Mic)
Taper Notes:
View Notes"Close Encounters of the Third Kind" theme during Space Tape flip at end of pre-drums jam and before Stella Blue
Taper: Eddie Wahba and Pat Volkerding
3:02:11
Taper:
Eddie Wahba and Pat Volkerding
SHNID:
gd1989-07-15.nak300.wahba-volkerding.96609.sbeok.flac16
Source:
Nak300 (4 mic mix; 2 shotgun, 2 cardioid) > Tandy 4 channel mixer > Sony TC-D5M (pass thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS)
Lineage:
Yamaha MT120S (dbx type II decode) > Tascam DA-20 (A>D conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Firewire > Amarok > CDWAV > FLAC
Taper Notes:
View NotesKnown Flaws: Tape flip in the pre-drums jam, and again immediately before Stella Blue. 4 mic mix has a bit of a phasing problem... Crackle during the first half of Greatest Story that sounds like a speaker blowing out, but is also present on the soundboard recording.