Bands
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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1989
Sources
Transferrer: Charlie Miller
2:59:14
SBD
Rating:
7.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-15.139107.UltraMatrixSBD.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is 139106 24 bit -> 16 bit
Transferrer: Charlie Miller
2:59:14
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-15.139106.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Charlie Miller
2:57:04
SBD
Rating:
6.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-15.sbd.miller.97307.sbeok.flac16
Source:
Set 1 Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Cassette -> Dat -> Cassette -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Tape flips in drums and end of Stella Blue -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 14
2:50:50
SBD
Rating:
8.53 / 19 ratings
SHNID:
gd89-07-15.sbd.11266.sbeok.shnf
Source:
SBD > MR > DAT > C > DAT > CDR
Taper Notes:
View NotesSBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki
Taper: Pete Ebel
2:58:10
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1989-07-15.141072.TSBeyer-CM101.ebel.flac2496
Source:
<b/>flac24/96 </b> Source Info:TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's)Transfer Info:Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)Taped & Transfers by Pete Ebel
Taper Notes:
View NotesNotes: Set #1 Missing Audio used from Sennheiser 441 #139293 to fill tape flip After Peggy' O and Queen Jane Intro (37:46->38:56) Set #2 Is Seemless Start of Set #2 Tuning->Foolish Heart Audio used from Nakamichi CM300/CP4 #125721 (0:00->1:10) and Tape Flip Start Of Drumz (46:33->49:31) and cut (54:23->56:16) also Tape Switch at start of Sugar Magnolia (135:33->1:35:46). All cross faded to make as little of a Audible difference.
Taper: Doug Lamarre
2:52:11
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1989-07-15.139293.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:52:11
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1989-07-15.139292.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Baker
2:55:01
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-15.Nak300CP4.Baker.Keo.125722.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!In a couple of songs there is some minimal loss of music due to recorder problems, Still all and all a fine share from Mr. Baker's collection of masters and summer 1989!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Baker
2:55:01
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-15.Nak300CP4.Baker.Keo.125721.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!In a couple of songs there is some minimal loss of music due to recorder problems, Still all and all a fine share from Mr. Baker's collection of masters and summer 1989!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Robert Mullen
2:48:49
Rating:
9.00 / 2 ratings
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1989-07-15.118804.aud-mtx.dak5245-pzm.flac16
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. Located in the designated "taper" section. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesNote: This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8). Comments: Decided to go alone to just outside Indianapolis for another show. It was a bit tricky finding this place as I was not familiar with the area. Thought I'd offer this version as the mix was good this evening near the cornfields. Enjoy the recording folks. Please: Convert to lossy format only for personal use. Please: Do Not Buy or Sell This Recording. Please: Trade Freely, Keeping The Recorder And Lineage Information Intact. Please: Relax and Enjoy! * I was able to get the equipment up and running about a minute or so into the opener, Bertha. Band Members: Jerry Garcia – lead guitar, vocals Bob Weir – rhythm guitar, vocals Brent Mydland – keyboards, vocals Phil Lesh – bass, vocals Bill Kreutzmann – drums Mickey Hart – drums REMEMBER IT'S ONLY A MEMORY IF IT WAS NOT RECORDED AND STAY STEALTHY MY FRIENDS
Taper: Dave Cohen and Justin Lee
2:55:59
Rating:
8.00 / 1 rating
Taper:
Dave Cohen and Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-07-15.nak.cohen-lee.106500.flac16
Source:
2 Nakamichi CM300s/ CP1s X-Y @ 90degrees w/1 Nakamichi CM300/CP2 bisecting the X-Y Pair> Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. Front Row of Lawn 8 foot stand
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Greg Holtz
2:52:03
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-07-15.nak100.holtz.jaz.100391.flac16
Source:
Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C
Lineage:
Master Cassettes (Maxell MX90 Metal Dolby B) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Prepared in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8
Taper: cousinit
2:52:46
Rating:
8.67 / 6 ratings
Taper:
cousinit
Transferrer:
cousinit
SHNID:
gd1989-07-15.aud.cousinit.97691.flac16
Source:
NAK550>2 CM300\'s w/CP4 Shotguns, 1 CM300 (Center Mic)
Taper Notes:
View Notes"Close Encounters of the Third Kind" theme during Space Tape flip at end of pre-drums jam and before Stella Blue
Taper: Eddie Wahba and Pat Volkerding
3:02:11
Taper:
Eddie Wahba and Pat Volkerding
SHNID:
gd1989-07-15.nak300.wahba-volkerding.96609.sbeok.flac16
Source:
Nak300 (4 mic mix; 2 shotgun, 2 cardioid) > Tandy 4 channel mixer > Sony TC-D5M (pass thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS)
Lineage:
Yamaha MT120S (dbx type II decode) > Tascam DA-20 (A>D conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Firewire > Amarok > CDWAV > FLAC
Taper Notes:
View NotesKnown Flaws: Tape flip in the pre-drums jam, and again immediately before Stella Blue. 4 mic mix has a bit of a phasing problem... Crackle during the first half of Greatest Story that sounds like a speaker blowing out, but is also present on the soundboard recording.