Bands
Featured
Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h53572
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k279
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k357
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k555
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k508
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k406
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k382
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k177
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.2k997
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k125
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k217
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.8k666
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k191
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k203
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k234
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.2k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k256
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k275
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.4k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40842
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4k515
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k721
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k386
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k206
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k226
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k216
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h56871
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h14120
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33025
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1989
Sources
Transferrer: Charlie Miller
2:59:14
SBD
Rating:
7.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-15.139107.UltraMatrixSBD.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is 139106 24 bit -> 16 bit
Transferrer: Charlie Miller
2:59:14
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-15.139106.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Charlie Miller
2:57:04
SBD
Rating:
6.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-15.sbd.miller.97307.sbeok.flac16
Source:
Set 1 Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Cassette -> Dat -> Cassette -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Tape flips in drums and end of Stella Blue -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 14
2:50:50
SBD
Rating:
8.53 / 19 ratings
SHNID:
gd89-07-15.sbd.11266.sbeok.shnf
Source:
SBD > MR > DAT > C > DAT > CDR
Taper Notes:
View NotesSBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki
Taper: Pete Ebel
2:58:10
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1989-07-15.141072.TSBeyer-CM101.ebel.flac2496
Source:
<b/>flac24/96 </b> Source Info:TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's)Transfer Info:Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)Taped & Transfers by Pete Ebel
Taper Notes:
View NotesNotes: Set #1 Missing Audio used from Sennheiser 441 #139293 to fill tape flip After Peggy' O and Queen Jane Intro (37:46->38:56) Set #2 Is Seemless Start of Set #2 Tuning->Foolish Heart Audio used from Nakamichi CM300/CP4 #125721 (0:00->1:10) and Tape Flip Start Of Drumz (46:33->49:31) and cut (54:23->56:16) also Tape Switch at start of Sugar Magnolia (135:33->1:35:46). All cross faded to make as little of a Audible difference.
Taper: Doug Lamarre
2:52:11
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1989-07-15.139293.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:52:11
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1989-07-15.139292.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Baker
2:55:01
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-15.Nak300CP4.Baker.Keo.125722.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!In a couple of songs there is some minimal loss of music due to recorder problems, Still all and all a fine share from Mr. Baker's collection of masters and summer 1989!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Baker
2:55:01
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-15.Nak300CP4.Baker.Keo.125721.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!In a couple of songs there is some minimal loss of music due to recorder problems, Still all and all a fine share from Mr. Baker's collection of masters and summer 1989!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Robert Mullen
2:48:49
Rating:
9.00 / 2 ratings
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1989-07-15.118804.aud-mtx.dak5245-pzm.flac16
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. Located in the designated "taper" section. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesNote: This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8). Comments: Decided to go alone to just outside Indianapolis for another show. It was a bit tricky finding this place as I was not familiar with the area. Thought I'd offer this version as the mix was good this evening near the cornfields. Enjoy the recording folks. Please: Convert to lossy format only for personal use. Please: Do Not Buy or Sell This Recording. Please: Trade Freely, Keeping The Recorder And Lineage Information Intact. Please: Relax and Enjoy! * I was able to get the equipment up and running about a minute or so into the opener, Bertha. Band Members: Jerry Garcia – lead guitar, vocals Bob Weir – rhythm guitar, vocals Brent Mydland – keyboards, vocals Phil Lesh – bass, vocals Bill Kreutzmann – drums Mickey Hart – drums REMEMBER IT'S ONLY A MEMORY IF IT WAS NOT RECORDED AND STAY STEALTHY MY FRIENDS
Taper: Dave Cohen and Justin Lee
2:55:59
Rating:
8.00 / 1 rating
Taper:
Dave Cohen and Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-07-15.nak.cohen-lee.106500.flac16
Source:
2 Nakamichi CM300s/ CP1s X-Y @ 90degrees w/1 Nakamichi CM300/CP2 bisecting the X-Y Pair> Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. Front Row of Lawn 8 foot stand
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Greg Holtz
2:52:03
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-07-15.nak100.holtz.jaz.100391.flac16
Source:
Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C
Lineage:
Master Cassettes (Maxell MX90 Metal Dolby B) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Prepared in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8
Taper: cousinit
2:52:46
Rating:
8.67 / 6 ratings
Taper:
cousinit
Transferrer:
cousinit
SHNID:
gd1989-07-15.aud.cousinit.97691.flac16
Source:
NAK550>2 CM300\'s w/CP4 Shotguns, 1 CM300 (Center Mic)
Taper Notes:
View Notes"Close Encounters of the Third Kind" theme during Space Tape flip at end of pre-drums jam and before Stella Blue
Taper: Eddie Wahba and Pat Volkerding
3:02:11
Taper:
Eddie Wahba and Pat Volkerding
SHNID:
gd1989-07-15.nak300.wahba-volkerding.96609.sbeok.flac16
Source:
Nak300 (4 mic mix; 2 shotgun, 2 cardioid) > Tandy 4 channel mixer > Sony TC-D5M (pass thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS)
Lineage:
Yamaha MT120S (dbx type II decode) > Tascam DA-20 (A>D conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Firewire > Amarok > CDWAV > FLAC
Taper Notes:
View NotesKnown Flaws: Tape flip in the pre-drums jam, and again immediately before Stella Blue. 4 mic mix has a bit of a phasing problem... Crackle during the first half of Greatest Story that sounds like a speaker blowing out, but is also present on the soundboard recording.