07
1989
Sources
Transferrer: Kevin Tobin
2:52:12
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-13.136662.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 22-JUL-2016 - Trader Little Helper - Tagged 22-JUL-2016 - Tag&Rename --------------------------------------------------------- Brokedown Houses Production
Transferrer: Kevin Tobin
2:52:09
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-13.136570.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix Set 1 - SBD + AUD Mix (includes Encore) Set 2 - AUD + AUD Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 22-JUL-2016 - Trader Little Helper - Tagged 22-JUL-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:52:09
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-13.136568.mtx.tobin.flac16
Source:
Matrix 3 Source Mix - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 22-JUL-2016 - Trader Little Helper - Tagged 22-JUL-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Pete Ebel
2:50:26
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1989-07-13.140446.TS-BeyerCM101.ebel.flac2496
Source:
<b/>flac24/96</b> Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel.
Taper Notes:
View NotesSet #1 Missing Audio used from Nakamichi CM300/CP4 #125363 to fill tape flip After Memphis Blues (44:15->44:40) Set #2 Is Seemless Start of He's Gone Missing Audio used from Nakamichi CM300/CP4 #125363, and Tape switch at end of Good Lovin. Missing Audio used from Schoeps PCM #9046 to fill tape flip During Space and crowd Before U.S. Blues
Taper: Boyd McHugh
2:42:02
Rating:
8.00 / 5 ratings
Taper:
Boyd McHugh
Transferrer:
Dave Hanscom
SHNID:
gd1989-07-13.nak100.mchugh.hanscom-.32897.sbeok.flac16
Source:
NAK-100s > Sony D-5, using Dolby B.
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks.
Taper Notes:
View NotesI received this show as shns which were not seekable. I used shntool (shntool conv -o flac *.shn) to convert them to flac. Shorten to flac conversion by Gary F. That's not hiss in the second set; it's rain. A steady, moderate, cold (for July) rain. The first few seconds of He's Gone (set 2 opener) are missing. There is some tape saturation during He's Gone that is on the master. The the last minute or so of Good Lovin' is missing. I was going to splice from preceding circulating copy but, frankly, sound quality of preceding version is vastly inferior. So, left as is.