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Today In History
June 8th
Years
1995
29.8k
PlaybackListensHours
48h53971
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k133
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k301
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k266
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.9k822
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.4k681
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.1k132
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k189
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78686
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k159
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h989129
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k186
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k190
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.9k237
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8k860
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k195
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k226
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.5k3k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k396
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.7k862
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k488
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k317
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k171
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.8k473
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k376
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h62887
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10814
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h16913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1989
7/13/89
Tuning
3:06
Hell In A Bucket
8:21
Cold Rain And Snow
6:34
Little Red Rooster
9:39
Tennessee Jed *
8:40
Stuck Inside Of Mobile With The Memphis Blues Again *
10:36
To Lay Me Down
9:31
Let It Grow
12:30
He's Gone
10:36
Looks Like Rain
9:12
Terrapin Station
13:00
Drums
9:36
Space
6:56
I Will Take You Home
5:19
The Other One
10:35
Wharf Rat
11:03
Throwing Stones
9:46
Good Lovin'
11:06
U.S. Blues
6:03
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:53:10
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-07-13.140397.UltraMatrix.sbd.mc.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- Tennessee Jed and Memphis Blues with Bruce Hornsby on the Accordion -- This file set is 16 bit
Transferrer: Charlie Miller
2:53:10
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-07-13.140352.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- Tennessee Jed and Memphis Blues with Bruce Hornsby on the Accordion
Transferrer: Charlie Miller
1:14:41
SBD
Rating:
8.67 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-13.sbd.miller.95939.sbeok.flac16
Source:
SBD -> Master Cassette -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- Set 1 and Encore only -- Tennessee Jed and Memphis Blues with Bruce Hornsby -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Kevin Tobin
2:52:23
SBD
Rating:
8.00 / 1 rating
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1989-07-13.163770.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 22-FEB-2023 - Trader Little Helper - Tagged 22-FEB-2023 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:52:12
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-13.136662.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 22-JUL-2016 - Trader Little Helper - Tagged 22-JUL-2016 - Tag&Rename --------------------------------------------------------- Brokedown Houses Production
Transferrer: Kevin Tobin
2:52:09
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-13.136570.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix Set 1 - SBD + AUD Mix (includes Encore) Set 2 - AUD + AUD Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 22-JUL-2016 - Trader Little Helper - Tagged 22-JUL-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:52:09
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-13.136568.mtx.tobin.flac16
Source:
Matrix 3 Source Mix - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 22-JUL-2016 - Trader Little Helper - Tagged 22-JUL-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:52:23
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-07-13.163772.tobin.5-1.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 22-FEB-2023 - Trader Little Helper - Tagged 22-FEB-2023 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Pete Ebel
2:50:26
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1989-07-13.140446.TS-BeyerCM101.ebel.flac2496
Source:
<b/>flac24/96</b> Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel.
Taper Notes:
View NotesSet #1 Missing Audio used from Nakamichi CM300/CP4 #125363 to fill tape flip After Memphis Blues (44:15->44:40) Set #2 Is Seemless Start of He's Gone Missing Audio used from Nakamichi CM300/CP4 #125363, and Tape switch at end of Good Lovin. Missing Audio used from Schoeps PCM #9046 to fill tape flip During Space and crowd Before U.S. Blues
Taper: Dan Tepper
2:44:08
Rating:
8.00 / 1 rating
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1989-07-13.133784.akg414btl-fob-dantepper.flac16
Source:
Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: fitzy
2:46:11
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1989-07-13.Nak300CP4.Fitzy.Keo.125364.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Bruce Hornsby On Accordian! * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead summer 1989!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!
Taper: fitzy
2:46:12
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1989-07-13.Nak300CP4.Fitzy.Keo.125363.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Bruce Hornsby On Accordian! * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead summer 1989!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!
Taper: Boyd McHugh
2:42:02
Rating:
8.00 / 5 ratings
Taper:
Boyd McHugh
Transferrer:
Dave Hanscom
SHNID:
gd1989-07-13.nak100.mchugh.hanscom-.32897.sbeok.flac16
Source:
NAK-100s > Sony D-5, using Dolby B.
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks.
Taper Notes:
View NotesI received this show as shns which were not seekable. I used shntool (shntool conv -o flac *.shn) to convert them to flac. Shorten to flac conversion by Gary F. That's not hiss in the second set; it's rain. A steady, moderate, cold (for July) rain. The first few seconds of He's Gone (set 2 opener) are missing. There is some tape saturation during He's Gone that is on the master. The the last minute or so of Good Lovin' is missing. I was going to splice from preceding circulating copy but, frankly, sound quality of preceding version is vastly inferior. So, left as is.
Source 14 of 14
2:54:06
Rating:
7.60 / 10 ratings
SHNID:
gd89-07-13.schoeps.9046.sbeok.shnf
Source:
(Schoeps)AUD>PCM>DAT>CDR
Taper Notes:
View Notes(Schoeps)AUD>PCM>DAT>CDR; Seeded to etree by Tim W