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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1989
Sources
Transferrer: Charlie Miller
2:47:59
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-07-10.138792.UltraMatrixSBD.miller.flac16
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- Light static from the PA before Tennessee Jed -- Drums and Iko Iko through end of show with mebers of The Neville Brothers -- This is 138789 24 bit -> 16 bit
Transferrer: Charlie Miller
57:45
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-07-10.138791.set1.sbd.miller.flac1644
Source:
SBD -> Cassette Master -> Sony R500 (A>D) -> Sound Forge -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Large static burst from PA before Tennessee Jed
Transferrer: Charlie Miller
2:47:59
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-07-10.138789.sbd.miller.flac24
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- Light static from the PA before Tennessee Jed -- Drums and Iko Iko through end of show with mebers of The Neville Brothers
Transferrer: Kevin Tobin
2:48:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-10.138781.5-1.tobin.flac1648
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - surround mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-JUL-2017 - Trader Little Helper - Tagged 13-JUL-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:48:25
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-10.138770.dts.tobin.flac16
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:48:25
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-10.138762.mtx.tobin.flac16
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-JUL-2017 - Trader Little Helper - Tagged 13-JUL-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Patched and pitch corrected soundboard
2:48:25
SBD
Taper:
Patched and pitch corrected soundboard
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-10.138761.upg-sbd.tobin.flac16
Taper Notes:
View NotesSome major patching including 5 minutes of Drums. Speedwise the soundboard was a shade fast when compared to other recordings - .4 seconds per minute. Brokedown House Production
Transferrer: Matrix by dusborne
2:45:40
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1989-07-10.124499.mtx.dusborne.flac16
Transferrer: Darryl Hinko
2:36:25
SBD
Rating:
8.61 / 33 ratings
Transferrer:
Darryl Hinko
SHNID:
gd89-07-10.sbd.16071.sbeok.shnf
Taper: Ted Mattes
2:58:31
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-07-10.142467.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort - "Drums" thru end of the show with The Neville Brothers Mastered by Scott Clugston June 27, 2018
Source 11 of 20
2:50:12
SHNID:
gd1989-07-10.153414.MTX.photoLeon.t-flac16
Source:
A photoLeon Matrix
Taper Notes:
View NotesNotes: - First 1:24 of s1t01 is Source #2 + Source #3 - First 0:27 of s2t01 & 0:03 of s2t02 are Source #1 only - Source #1 (set 1 & encore break) were edited in post production. - Source #2 fills in were source #1 was edited. - Source #3 has been pitch corrected $ w/ William Green; drums, * percussion $ w/ Art Neville; organ $ w/ Brian Stoltz guitar Thanks to: - Dan Tepper for the AKG 414-BTL recording & transfer - Ted Mattes for the Schoeps CMC4/MK2S recording & Scott Clugston for processing it. - Charlie Miller for the board & Schoeps source transfer - Thanks to Jack Schlottman for the critique
Taper: Dan Tepper
2:44:24
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1989-07-10.133774.akg414btl-fob-dantepper.flac16
Source:
Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: Ted Mattes
2:47:39
Taper:
Ted Mattes
Transferrer:
Willl Petty and Lance Deal
SHNID:
gd1989-07-10.132698.cmc42S.fob.mattes.deal.petty.flac16
Source:
Recording info: FOB/Schoeps cmc 42 S (spaced omni's)> Oade p/s> SV-250 by Ted Mattes; DAT clones provided by Lance Deal;
Lineage:
Fostex D-5 (AES/BU)> M-Audio USB transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty
Taper: fitzy
2:43:37
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1989-07-10.Nak300CP4.Fitzy.Keo.125292.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Members Of The Neville Brothers * # Most of "Sugar Magnolia" and all Of "Knockin' On Heaven's Door" Missing On Fitzy's Masters.Transferred/Added From Mr. Baker's 2nd set Master Nak300/CP4 > Sony D6, Tape: Maxell XLII-S 90 Same Transfer Information as above # Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some higher recording levels in a couple of songs mostly in "Franklin's Tower" and "Foolish Heart".You can hear some of the thunder, rain and the crowds reaction from the storm, still all in all another excellent share from the Fitzy collection of masters and GD summer 1989! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:43:38
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1989-07-10.Nak300CP4.Fitzy.Keo.125291.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Members Of The Neville Brothers * # Most of "Sugar Magnolia" and all Of "Knockin' On Heaven's Door" Missing On Fitzy's Masters.Transferred/Added From Mr. Baker's 2nd set Master Nak300/CP4 > Sony D6, Tape: Maxell XLII-S 90 Same Transfer Information as above # Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some higher recording levels in a couple of songs mostly in "Franklin's Tower" and "Foolish Heart".You can hear some of the thunder, rain and the crowds reaction from the storm, still all in all another excellent share from the Fitzy collection of masters and GD summer 1989! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: John Bleich
2:44:25
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1989-07-10.nak300.bleich-sirmick.109588.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac
Lineage:
mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
Taper Notes:
View Notes- tape flips crossfaded except Drums 10:57 - 11:04 and Sugar Magnolia 3:57 - 4:07, patched with Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's (shnid 76249) Comments: Neville Brothers opened * with members of the Neville Brothers Thanks to John for transferring his masters for me to work on edited and mastered SIRMick
Taper: Tim Alexander
2:40:59
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1989-07-10.akg414s.alexander.79608.flac24
Source:
FOB (AKG 414s > Sony D5 (Dolby B) > MAC)
Lineage:
Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaws: - Tape flips in Drums and transition to Sugar Magnolia - Very beginning of Foolish Heart is cut Many thanks to Tim Alexander for loaning me his masters!
Taper: Tim Alexander
2:39:59
Rating:
8.00 / 1 rating
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1989-07-10.akg414s.alexander.79598.flac16
Source:
FOB (AKG 414s > Sony D5 (Dolby B) > MAC
Lineage:
Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaws: - Tape flips in Drums and transition to Sugar Magnolia - Very beginning of Foolish Heart is cut Many thanks to Tim Alexander for loaning me his masters!
Taper: Andrew F
2:46:17
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1989-07-10.aud.andrewf.76249.sbeok.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side.
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC.
Taper Notes:
View NotesNotes: Due to the inclement weather, the tape was not paused between songs, plus I recorded all the drums. The result is that this tape is aprx ten minutes longer than the Healy-mix soundboard (Shn-ID 16071). I used that source to cover two of the tape flips: Tennessee Jed from 6:10 thru 6:27, and Sugar Magnolia from 0:00 thru 0:10. Other than the awkward tape flips, the only other flaws are some spots where the vocals are over-saturated, mainly noticeable in Franklin's Tower and Foolish Heart. Shn-ID 16071 was also missing the same segment of Drums where I had to flip my tape, so aprx five or ten seconds are missing. I joined the cut together as seamlessly as possible with a small fade and minor editing. If anyone has another source and wants to patch that part to make it complete, the cut occurs in d2t06, at track time 11:26.923. The break between D2 and D3 is seamless for reassembly onto longer media. With my personal thanks to everyone who helped me out while I made this tape in the middle of a downpour and lightning storm. Enjoy, everyone!
Transferrer: Patrick White
1:29:28
Rating:
9.33 / 3 ratings
Transferrer:
Patrick White
SHNID:
gd1989-07-10.aud-set2.white.13053.sbeok.shnf
Taper Notes:
View NotesSHN'd and seeded to etree on 11/11/02 by Patrick White Email: [email protected] Thanks to Tom Goshaw for the seed disk