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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h56877
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k265
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k305
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.4k190
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k438
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.8k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k335
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k135
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k244
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h891100
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k198
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.8k679
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k152
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k154
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2k249
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.5k284
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k230
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k261
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h16.4k2.2k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.6k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37339
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4k523
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.6k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k273
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.7k194
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k194
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k167
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h67785
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8614
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42627
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h544
7d1076
30d59534
2 shows
2 tapes
1989
Sources
Transferrer: Charlie Miller
2:47:59
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-07-10.138792.UltraMatrixSBD.miller.flac16
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- Light static from the PA before Tennessee Jed -- Drums and Iko Iko through end of show with mebers of The Neville Brothers -- This is 138789 24 bit -> 16 bit
Transferrer: Charlie Miller
57:45
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-07-10.138791.set1.sbd.miller.flac1644
Source:
SBD -> Cassette Master -> Sony R500 (A>D) -> Sound Forge -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Large static burst from PA before Tennessee Jed
Transferrer: Charlie Miller
2:47:59
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-07-10.138789.sbd.miller.flac24
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- Light static from the PA before Tennessee Jed -- Drums and Iko Iko through end of show with mebers of The Neville Brothers
Transferrer: Kevin Tobin
2:48:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-10.138781.5-1.tobin.flac1648
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - surround mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-JUL-2017 - Trader Little Helper - Tagged 13-JUL-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:48:25
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-10.138770.dts.tobin.flac16
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:48:25
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-10.138762.mtx.tobin.flac16
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-JUL-2017 - Trader Little Helper - Tagged 13-JUL-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Patched and pitch corrected soundboard
2:48:25
SBD
Taper:
Patched and pitch corrected soundboard
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-10.138761.upg-sbd.tobin.flac16
Taper Notes:
View NotesSome major patching including 5 minutes of Drums. Speedwise the soundboard was a shade fast when compared to other recordings - .4 seconds per minute. Brokedown House Production
Transferrer: Matrix by dusborne
2:45:40
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1989-07-10.124499.mtx.dusborne.flac16
Transferrer: Darryl Hinko
2:36:25
SBD
Rating:
8.61 / 33 ratings
Transferrer:
Darryl Hinko
SHNID:
gd89-07-10.sbd.16071.sbeok.shnf
Taper: Ted Mattes
2:58:31
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-07-10.142467.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort - "Drums" thru end of the show with The Neville Brothers Mastered by Scott Clugston June 27, 2018
Source 11 of 20
2:50:12
SHNID:
gd1989-07-10.153414.MTX.photoLeon.t-flac16
Source:
A photoLeon Matrix
Taper Notes:
View NotesNotes: - First 1:24 of s1t01 is Source #2 + Source #3 - First 0:27 of s2t01 & 0:03 of s2t02 are Source #1 only - Source #1 (set 1 & encore break) were edited in post production. - Source #2 fills in were source #1 was edited. - Source #3 has been pitch corrected $ w/ William Green; drums, * percussion $ w/ Art Neville; organ $ w/ Brian Stoltz guitar Thanks to: - Dan Tepper for the AKG 414-BTL recording & transfer - Ted Mattes for the Schoeps CMC4/MK2S recording & Scott Clugston for processing it. - Charlie Miller for the board & Schoeps source transfer - Thanks to Jack Schlottman for the critique
Taper: Dan Tepper
2:44:24
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1989-07-10.133774.akg414btl-fob-dantepper.flac16
Source:
Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: Ted Mattes
2:47:39
Taper:
Ted Mattes
Transferrer:
Willl Petty and Lance Deal
SHNID:
gd1989-07-10.132698.cmc42S.fob.mattes.deal.petty.flac16
Source:
Recording info: FOB/Schoeps cmc 42 S (spaced omni's)> Oade p/s> SV-250 by Ted Mattes; DAT clones provided by Lance Deal;
Lineage:
Fostex D-5 (AES/BU)> M-Audio USB transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty
Taper: fitzy
2:43:37
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1989-07-10.Nak300CP4.Fitzy.Keo.125292.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Members Of The Neville Brothers * # Most of "Sugar Magnolia" and all Of "Knockin' On Heaven's Door" Missing On Fitzy's Masters.Transferred/Added From Mr. Baker's 2nd set Master Nak300/CP4 > Sony D6, Tape: Maxell XLII-S 90 Same Transfer Information as above # Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some higher recording levels in a couple of songs mostly in "Franklin's Tower" and "Foolish Heart".You can hear some of the thunder, rain and the crowds reaction from the storm, still all in all another excellent share from the Fitzy collection of masters and GD summer 1989! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:43:38
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1989-07-10.Nak300CP4.Fitzy.Keo.125291.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Members Of The Neville Brothers * # Most of "Sugar Magnolia" and all Of "Knockin' On Heaven's Door" Missing On Fitzy's Masters.Transferred/Added From Mr. Baker's 2nd set Master Nak300/CP4 > Sony D6, Tape: Maxell XLII-S 90 Same Transfer Information as above # Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some higher recording levels in a couple of songs mostly in "Franklin's Tower" and "Foolish Heart".You can hear some of the thunder, rain and the crowds reaction from the storm, still all in all another excellent share from the Fitzy collection of masters and GD summer 1989! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: John Bleich
2:44:25
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1989-07-10.nak300.bleich-sirmick.109588.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac
Lineage:
mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
Taper Notes:
View Notes- tape flips crossfaded except Drums 10:57 - 11:04 and Sugar Magnolia 3:57 - 4:07, patched with Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's (shnid 76249) Comments: Neville Brothers opened * with members of the Neville Brothers Thanks to John for transferring his masters for me to work on edited and mastered SIRMick
Taper: Tim Alexander
2:40:59
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1989-07-10.akg414s.alexander.79608.flac24
Source:
FOB (AKG 414s > Sony D5 (Dolby B) > MAC)
Lineage:
Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaws: - Tape flips in Drums and transition to Sugar Magnolia - Very beginning of Foolish Heart is cut Many thanks to Tim Alexander for loaning me his masters!
Taper: Tim Alexander
2:39:59
Rating:
8.00 / 1 rating
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1989-07-10.akg414s.alexander.79598.flac16
Source:
FOB (AKG 414s > Sony D5 (Dolby B) > MAC
Lineage:
Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaws: - Tape flips in Drums and transition to Sugar Magnolia - Very beginning of Foolish Heart is cut Many thanks to Tim Alexander for loaning me his masters!
Taper: Andrew F
2:46:17
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1989-07-10.aud.andrewf.76249.sbeok.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side.
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC.
Taper Notes:
View NotesNotes: Due to the inclement weather, the tape was not paused between songs, plus I recorded all the drums. The result is that this tape is aprx ten minutes longer than the Healy-mix soundboard (Shn-ID 16071). I used that source to cover two of the tape flips: Tennessee Jed from 6:10 thru 6:27, and Sugar Magnolia from 0:00 thru 0:10. Other than the awkward tape flips, the only other flaws are some spots where the vocals are over-saturated, mainly noticeable in Franklin's Tower and Foolish Heart. Shn-ID 16071 was also missing the same segment of Drums where I had to flip my tape, so aprx five or ten seconds are missing. I joined the cut together as seamlessly as possible with a small fade and minor editing. If anyone has another source and wants to patch that part to make it complete, the cut occurs in d2t06, at track time 11:26.923. The break between D2 and D3 is seamless for reassembly onto longer media. With my personal thanks to everyone who helped me out while I made this tape in the middle of a downpour and lightning storm. Enjoy, everyone!
Transferrer: Patrick White
1:29:28
Rating:
9.33 / 3 ratings
Transferrer:
Patrick White
SHNID:
gd1989-07-10.aud-set2.white.13053.sbeok.shnf
Taper Notes:
View NotesSHN'd and seeded to etree on 11/11/02 by Patrick White Email: [email protected] Thanks to Tom Goshaw for the seed disk