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Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1989
6/21/89
Tuning and Jam
3:50
Hide Away
2:55
Touch of Grey
6:29
New Minglewood Blues
9:46
Ramble on Rose
9:17
Box of Rain
5:18
Dire Wolf
3:37
When I Paint My Masterpiece
6:31
Row Jimmy
10:46
Cassidy
7:51
Deal
10:41
Scarlet Begonias >
8:07
Hell In A Bucket
6:10
Ship Of Fools
8:07
Estimated Prophet >
10:23
Eyes of the World >
12:53
Drums >
10:01
Space >
15:44
Truckin' >
6:18
The Other One >
6:03
Morning Dew >
11:49
Turn On Your Lovelight
8:18
Brokedown Palace
4:51
Brokedown Palace
5:54
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:09:06
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] November 7, 2020
SHNID:
gd1989-06-21.151620.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- The ambient mic used for the UltraMatrix is not always on -- Bob Weir has lots of equipment issues at the start of the show -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay-per-view broadcast -- 150851 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
3:09:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] November 7, 2020
SHNID:
gd1989-06-21.150851.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- The ambient mic used for the UltraMatrix is not always on -- Bob Weir has lots of equipment issues at the start of the show -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay-per-view broadcast
Transferrer: Charlie Miller
3:01:51
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-06-21.sbd.walker-scotton.miller.83718.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Pay Per View Broadcast (shnid=16888) supplies: When I Paint My Masterpiece (0:06 - 0:15) Drums (1:05 - 3:07) Turn On Your Lovelight (0:00 - 0:08) Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Bob Weir has lots of gear issues causing static in the 1st Set -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay per view broadcast
Transferrer: Mixed by Kevin Tobin
3:16:20
SBD
Transferrer:
Mixed by Kevin Tobin
SHNID:
gd1989-06-21.144779.mtx.tobin.flac1644
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-JAN-2018 - Trader Little Helper - Tagged 30-JAN-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Bob Crupi
2:34:35
SBD
Transferrer:
Bob Crupi
SHNID:
gd1989-06-21.123383.sbd.crupi.flac16
Source:
Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on);
Lineage:
Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
Source 6 of 13
3:11:39
SBD
Rating:
8.43 / 15 ratings
SHNID:
gd89-06-21.sbd.gorinsky.4603.sbeok.shnf
Source:
Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN
Taper Notes:
View NotesDigital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack SchlottmanÂs 1st-gen FM simulcast> CDR source)
Taper: Ted Mattes
3:11:27
Rating:
2.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-06-21.142379.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston June 21, 2018
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:16:36
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-06-21.175537.5-1.fix.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-DEC-2025 - Trader Little Helper - Tagged 12-DEC-2025 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:16:20
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-06-21.144792.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-JAN-2018 - Trader Little Helper - Tagged 30-JAN-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Ted Mattes
3:09:42
Taper:
Ted Mattes
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1989-06-21.138342.FOB.Schoeps.Mattes.Ammons.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes* w/ Clarence "The Big Man" Clemons on tenor saxophone - final/last "Hideaway" 11-07-71 [1147] - pay-per-view TV broadcast - national FM broadcast - TV & FM broadcast cut during "Brokedown" patch info: source # 127418 (Chuck Miller) supplies d1t01 - 0:00 - 0:37 d3t06 - 0:20 - end d3t07 - 0:00 - 0:13
Taper: Chuck Miller
3:06:55
Rating:
10.00 / 1 rating
Taper:
Chuck Miller
SHNID:
gd1989-06-21.atm11.chuckm.127418
Source:
Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded)
Lineage:
master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12) Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC)
Taper Notes:
View Notes* w/ guest Clarence Clemons on saxophone
Taper: Chuck Miller
3:06:55
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
gd1989-06-21.127418.atm11.chuckm.flac16
Source:
Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded)
Lineage:
Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips
Taper Notes:
View Notes* w/ guest Clarence Clemons on saxophone
Source 13 of 13
3:15:45
Rating:
7.71 / 7 ratings
SHNID:
gd89-06-21.satellite-uplink.nawrocki.16888.sbeok.shnf
Source:
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB u
Taper Notes:
View NotesSatellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki