gd89-06-21 t10 Cassidy | 1989-06-21 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple masters were used to make this show complete
-- The ambient mic used for the UltraMatrix is not always on
-- Bob Weir has lots of equipment issues at the start of the show
-- Most of 2nd Set with Clarence Clemons on Saxophone
-- This has a different mix than the pay-per-view broadcast
-- 150851 24 -> 16 @ 44.1

Taper: Don Pearson and Dan Healy

3:09:07

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller [email protected] November 7, 2020

SHNID:

gd1989-06-21.150851.sbd.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple masters were used to make this show complete
-- The ambient mic used for the UltraMatrix is not always on
-- Bob Weir has lots of equipment issues at the start of the show
-- Most of 2nd Set with Clarence Clemons on Saxophone
-- This has a different mix than the pay-per-view broadcast

Transferrer: Charlie Miller

gd1989-06-21.sbd.walker-scotton.miller.83718.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
Pay Per View Broadcast (shnid=16888) supplies:
When I Paint My Masterpiece (0:06 - 0:15)
Drums (1:05 - 3:07)
Turn On Your Lovelight (0:00 - 0:08)

Notes:
-- 2nd Set is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Bob Weir has lots of gear issues causing static in the 1st Set
-- Most of 2nd Set with Clarence Clemons on Saxophone
-- This has a different mix than the pay per view broadcast

Transferrer: Mixed by Kevin Tobin

gd1989-06-21.144779.mtx.tobin.flac1644

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JAN-2018 - Trader Little Helper
- Tagged 30-JAN-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Bob Crupi

gd1989-06-21.123383.sbd.crupi.flac16

Source:

Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on);

Lineage:

Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi

Source 6 of 13

gd89-06-21.sbd.gorinsky.4603.sbeok.shnf

Source:

Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN

Taper Notes:

View NotesDigital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack SchlottmanÂs 1st-gen FM simulcast> CDR source)

Taper: Ted Mattes

Scott Clugston and Charlie Miller

SHNID:

gd1989-06-21.142379.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
June 21, 2018

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

3:16:36

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1989-06-21.175537.5-1.fix.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 12-DEC-2025 - Trader Little Helper
- Tagged 12-DEC-2025 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

3:16:20

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1989-06-21.144792.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JAN-2018 - Trader Little Helper
- Tagged 30-JAN-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Ted Mattes

John Ammons and Joe Noel

SHNID:

gd1989-06-21.138342.FOB.Schoeps.Mattes.Ammons.Noel.t-flac16

Source:

<b>flac16/48kHz</b>; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons

Lineage:

from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View Notes* w/ Clarence "The Big Man" Clemons on tenor saxophone
- final/last "Hideaway" 11-07-71 [1147]
- pay-per-view TV broadcast - national FM broadcast - TV & FM broadcast cut during "Brokedown"

patch info:
source # 127418 (Chuck Miller) supplies
d1t01 - 0:00 - 0:37
d3t06 - 0:20 - end
d3t07 - 0:00 - 0:13

Taper: Chuck Miller

gd1989-06-21.atm11.chuckm.127418

Source:

Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded)

Lineage:

master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12) Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC)

Taper Notes:

View Notes* w/ guest Clarence Clemons on saxophone

Taper: Chuck Miller

gd1989-06-21.127418.atm11.chuckm.flac16

Source:

Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded)

Lineage:

Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips

Taper Notes:

View Notes* w/ guest Clarence Clemons on saxophone

Source 13 of 13

gd89-06-21.satellite-uplink.nawrocki.16888.sbeok.shnf

Source:

Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB u

Taper Notes:

View NotesSatellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki