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Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h55174
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k292
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k348
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4k536
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.8k492
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k413
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3k374
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k177
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k123
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k226
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.9k675
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k192
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k210
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h2k247
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.1k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k248
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k276
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h13.9k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40743
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k522
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k739
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k391
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k204
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k234
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k226
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h62778
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12718
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32724
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1989
6/21/89
tuning and Phil speaks
0:35
jam & Hideaway
4:22
Touch Of Grey
6:32
New Minglewood Blues
9:46
Ramble On Rose
9:17
Box Of Rain
5:19
Dire Wolf
3:30
When I Paint My Masterpiece
6:07
Row Jimmy
10:49
Cassidy
7:53
Deal
10:49
Scarlet Begonias >
8:25
Hell In a Bucket *
6:12
Ship Of Fools *
8:09
Estimated Prophet * >
10:28
Eyes Of the World * >
12:54
drums >
9:26
space >
16:19
Truckin' * >
6:27
The Other One * >
5:58
Morning Dew * >
11:50
Turn On Your Lovelight *
9:56
Brokedown Palace *
5:52
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:09:06
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] November 7, 2020
SHNID:
gd1989-06-21.151620.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- The ambient mic used for the UltraMatrix is not always on -- Bob Weir has lots of equipment issues at the start of the show -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay-per-view broadcast -- 150851 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
3:09:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] November 7, 2020
SHNID:
gd1989-06-21.150851.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- The ambient mic used for the UltraMatrix is not always on -- Bob Weir has lots of equipment issues at the start of the show -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay-per-view broadcast
Transferrer: Charlie Miller
3:01:51
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-06-21.sbd.walker-scotton.miller.83718.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Pay Per View Broadcast (shnid=16888) supplies: When I Paint My Masterpiece (0:06 - 0:15) Drums (1:05 - 3:07) Turn On Your Lovelight (0:00 - 0:08) Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Bob Weir has lots of gear issues causing static in the 1st Set -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay per view broadcast
Transferrer: Mixed by Kevin Tobin
3:16:20
SBD
Transferrer:
Mixed by Kevin Tobin
SHNID:
gd1989-06-21.144779.mtx.tobin.flac1644
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-JAN-2018 - Trader Little Helper - Tagged 30-JAN-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Bob Crupi
2:34:35
SBD
Transferrer:
Bob Crupi
SHNID:
gd1989-06-21.123383.sbd.crupi.flac16
Source:
Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on);
Lineage:
Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
Source 6 of 13
3:11:39
SBD
Rating:
8.43 / 15 ratings
SHNID:
gd89-06-21.sbd.gorinsky.4603.sbeok.shnf
Source:
Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN
Taper Notes:
View NotesDigital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack SchlottmanÂs 1st-gen FM simulcast> CDR source)
Taper: Ted Mattes
3:11:27
Rating:
2.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-06-21.142379.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston June 21, 2018
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:16:36
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-06-21.175537.5-1.fix.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-DEC-2025 - Trader Little Helper - Tagged 12-DEC-2025 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:16:20
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-06-21.144792.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-JAN-2018 - Trader Little Helper - Tagged 30-JAN-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Ted Mattes
3:09:42
Taper:
Ted Mattes
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1989-06-21.138342.FOB.Schoeps.Mattes.Ammons.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes* w/ Clarence "The Big Man" Clemons on tenor saxophone - final/last "Hideaway" 11-07-71 [1147] - pay-per-view TV broadcast - national FM broadcast - TV & FM broadcast cut during "Brokedown" patch info: source # 127418 (Chuck Miller) supplies d1t01 - 0:00 - 0:37 d3t06 - 0:20 - end d3t07 - 0:00 - 0:13
Taper: Chuck Miller
3:06:55
Rating:
10.00 / 1 rating
Taper:
Chuck Miller
SHNID:
gd1989-06-21.atm11.chuckm.127418
Source:
Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded)
Lineage:
master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12) Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC)
Taper Notes:
View Notes* w/ guest Clarence Clemons on saxophone
Taper: Chuck Miller
3:06:55
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
gd1989-06-21.127418.atm11.chuckm.flac16
Source:
Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded)
Lineage:
Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips
Taper Notes:
View Notes* w/ guest Clarence Clemons on saxophone
Source 13 of 13
3:15:45
Rating:
7.71 / 7 ratings
SHNID:
gd89-06-21.satellite-uplink.nawrocki.16888.sbeok.shnf
Source:
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB u
Taper Notes:
View NotesSatellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki