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Today In History
June 14th
Years
1995
29.9k
PlaybackListensHours
48h45762
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k372
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k307
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k366
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.8k378
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k164
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.5k945
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h961109
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.6k306
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k560
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.2k159
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k228
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k984
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.5k208
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.9k251
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.6k1.3k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.8k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47648
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.8k638
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h2.9k367
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k180
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k264
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h825101
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11617
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h21417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1989
6/21/89
01 Tuning
3:04
02 Kick The Amp Jam
3:41
03 Hide Away
2:59
04 Touch Of Grey
6:30
05 New Minglewood Blues
9:46
06 Ramble On Rose
9:16
07 Box Of Rain
5:18
08 Dire Wolf
3:36
09 When I Paint My Masterpiece
6:31
10 Row Jimmy
10:46
11 Cassidy
7:51
12 Deal
10:44
13 Tuning
3:30
14 Scarlet Begonias
8:02
15 Hell In A Bucket
6:10
16 Ship Of Fools
8:07
17 Estimated Prophet
10:24
18 Eyes Of The World
12:52
19 Drums
9:35
20 Space
16:11
21 Truckin'
6:17
22 The Other One
6:04
23 Morning Dew
11:47
24 Turn On Your Lovelight
8:06
25 Encore Break
3:18
26 Brokedown Palace
5:55
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:09:06
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] November 7, 2020
SHNID:
gd1989-06-21.151620.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- The ambient mic used for the UltraMatrix is not always on -- Bob Weir has lots of equipment issues at the start of the show -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay-per-view broadcast -- 150851 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
3:09:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] November 7, 2020
SHNID:
gd1989-06-21.150851.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- The ambient mic used for the UltraMatrix is not always on -- Bob Weir has lots of equipment issues at the start of the show -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay-per-view broadcast
Transferrer: Charlie Miller
3:01:51
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-06-21.sbd.walker-scotton.miller.83718.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Pay Per View Broadcast (shnid=16888) supplies: When I Paint My Masterpiece (0:06 - 0:15) Drums (1:05 - 3:07) Turn On Your Lovelight (0:00 - 0:08) Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Bob Weir has lots of gear issues causing static in the 1st Set -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay per view broadcast
Transferrer: Mixed by Kevin Tobin
3:16:20
SBD
Transferrer:
Mixed by Kevin Tobin
SHNID:
gd1989-06-21.144779.mtx.tobin.flac1644
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-JAN-2018 - Trader Little Helper - Tagged 30-JAN-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Bob Crupi
2:34:35
SBD
Transferrer:
Bob Crupi
SHNID:
gd1989-06-21.123383.sbd.crupi.flac16
Source:
Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on);
Lineage:
Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
Source 6 of 13
3:11:39
SBD
Rating:
8.43 / 15 ratings
SHNID:
gd89-06-21.sbd.gorinsky.4603.sbeok.shnf
Source:
Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN
Taper Notes:
View NotesDigital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack SchlottmanÂs 1st-gen FM simulcast> CDR source)
Taper: Ted Mattes
3:11:27
Rating:
2.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-06-21.142379.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston June 21, 2018
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:16:36
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-06-21.175537.5-1.fix.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-DEC-2025 - Trader Little Helper - Tagged 12-DEC-2025 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:16:20
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-06-21.144792.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-JAN-2018 - Trader Little Helper - Tagged 30-JAN-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Ted Mattes
3:09:42
Taper:
Ted Mattes
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1989-06-21.138342.FOB.Schoeps.Mattes.Ammons.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes* w/ Clarence "The Big Man" Clemons on tenor saxophone - final/last "Hideaway" 11-07-71 [1147] - pay-per-view TV broadcast - national FM broadcast - TV & FM broadcast cut during "Brokedown" patch info: source # 127418 (Chuck Miller) supplies d1t01 - 0:00 - 0:37 d3t06 - 0:20 - end d3t07 - 0:00 - 0:13
Taper: Chuck Miller
3:06:55
Rating:
10.00 / 1 rating
Taper:
Chuck Miller
SHNID:
gd1989-06-21.atm11.chuckm.127418
Source:
Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded)
Lineage:
master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12) Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC)
Taper Notes:
View Notes* w/ guest Clarence Clemons on saxophone
Taper: Chuck Miller
3:06:55
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
gd1989-06-21.127418.atm11.chuckm.flac16
Source:
Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded)
Lineage:
Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips
Taper Notes:
View Notes* w/ guest Clarence Clemons on saxophone
Source 13 of 13
3:15:45
Rating:
7.71 / 7 ratings
SHNID:
gd89-06-21.satellite-uplink.nawrocki.16888.sbeok.shnf
Source:
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB u
Taper Notes:
View NotesSatellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki