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June 10th
Years
1995
30.1k
PlaybackListensHours
48h66089
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k230
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k403
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.4k309
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k469
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.8k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.5k311
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k144
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k207
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h76886
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k178
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k360
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k161
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k147
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k181
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.9k554
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k236
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k255
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h21.1k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k918
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h44847
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.4k976
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.3k801
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k312
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k197
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h2k220
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k281
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h956129
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13819
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29016
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h422
7d1076
30d59434
2 shows
2 tapes
1989
6/21/89
01 - Tuning
0:31
02 - Jam
1:34
03 - Hide Away
2:59
04 - Touch Of Grey
6:33
05 - New Minglewood Blues
9:46
06 - Ramble On Rose
9:16
07 - Box Of Rain
5:21
08 - Dire Wolf
3:29
09 - When I Paint My Masterpiece
6:40
10 - Row Jimmy
10:46
11 - Cassidy
7:54
12 - Deal
10:50
13 - Scarlet Begonias >
8:31
14 - Hell In A Bucket
6:10
15 - Ship Of Fools
8:06
16 - Estimated Prophet >
10:24
17 - Eyes Of The World >
12:51
18 - Drums >
10:00
19 - Space >
15:44
20 - Truckin' >
6:28
21 - The Other One >
5:55
22 - Morning Dew >
11:48
23 - Turn On Your Lovelight
8:07
24 - Encore Break
3:16
25 - Brokedown Palace
6:07
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:09:06
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] November 7, 2020
SHNID:
gd1989-06-21.151620.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- The ambient mic used for the UltraMatrix is not always on -- Bob Weir has lots of equipment issues at the start of the show -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay-per-view broadcast -- 150851 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
3:09:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] November 7, 2020
SHNID:
gd1989-06-21.150851.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- The ambient mic used for the UltraMatrix is not always on -- Bob Weir has lots of equipment issues at the start of the show -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay-per-view broadcast
Transferrer: Charlie Miller
3:01:51
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-06-21.sbd.walker-scotton.miller.83718.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Pay Per View Broadcast (shnid=16888) supplies: When I Paint My Masterpiece (0:06 - 0:15) Drums (1:05 - 3:07) Turn On Your Lovelight (0:00 - 0:08) Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Bob Weir has lots of gear issues causing static in the 1st Set -- Most of 2nd Set with Clarence Clemons on Saxophone -- This has a different mix than the pay per view broadcast
Transferrer: Mixed by Kevin Tobin
3:16:20
SBD
Transferrer:
Mixed by Kevin Tobin
SHNID:
gd1989-06-21.144779.mtx.tobin.flac1644
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-JAN-2018 - Trader Little Helper - Tagged 30-JAN-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Bob Crupi
2:34:35
SBD
Transferrer:
Bob Crupi
SHNID:
gd1989-06-21.123383.sbd.crupi.flac16
Source:
Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on);
Lineage:
Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
Source 6 of 13
3:11:39
SBD
Rating:
8.43 / 15 ratings
SHNID:
gd89-06-21.sbd.gorinsky.4603.sbeok.shnf
Source:
Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN
Taper Notes:
View NotesDigital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack SchlottmanÂs 1st-gen FM simulcast> CDR source)
Taper: Ted Mattes
3:11:27
Rating:
2.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-06-21.142379.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston June 21, 2018
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:16:36
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-06-21.175537.5-1.fix.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-DEC-2025 - Trader Little Helper - Tagged 12-DEC-2025 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:16:20
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-06-21.144792.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-JAN-2018 - Trader Little Helper - Tagged 30-JAN-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Ted Mattes
3:09:42
Taper:
Ted Mattes
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1989-06-21.138342.FOB.Schoeps.Mattes.Ammons.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes* w/ Clarence "The Big Man" Clemons on tenor saxophone - final/last "Hideaway" 11-07-71 [1147] - pay-per-view TV broadcast - national FM broadcast - TV & FM broadcast cut during "Brokedown" patch info: source # 127418 (Chuck Miller) supplies d1t01 - 0:00 - 0:37 d3t06 - 0:20 - end d3t07 - 0:00 - 0:13
Taper: Chuck Miller
3:06:55
Rating:
10.00 / 1 rating
Taper:
Chuck Miller
SHNID:
gd1989-06-21.atm11.chuckm.127418
Source:
Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded)
Lineage:
master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12) Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC)
Taper Notes:
View Notes* w/ guest Clarence Clemons on saxophone
Taper: Chuck Miller
3:06:55
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
gd1989-06-21.127418.atm11.chuckm.flac16
Source:
Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded)
Lineage:
Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips
Taper Notes:
View Notes* w/ guest Clarence Clemons on saxophone
Source 13 of 13
3:15:45
Rating:
7.71 / 7 ratings
SHNID:
gd89-06-21.satellite-uplink.nawrocki.16888.sbeok.shnf
Source:
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB u
Taper Notes:
View NotesSatellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki