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June 12th
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1989
5/7/89
Aiko Aiko
7:19
Little Red Rooster
8:11
Bertha
9:28
Me and My Uncle >
2:58
Mexicali Blues
5:41
Built to Last
5:43
Picasso Moon
6:48
Bird Song
12:09
Foolish Heart >
9:15
Victim Or The Crime
7:29
Crazy Fingers >
8:08
Man Smart (Woman Smarter) >
7:08
He's Gone >
13:47
Drums >
7:45
Space >
9:10
The Other One >
5:58
Black Peter >
9:27
Turn on Your Lovelight
7:44
Knocking on Heaven's Door
6:57
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:33:15
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-05-07.141689.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:33:13
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-05-07.141609.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete
Transferrer: Bill Tetzeli
2:31:05
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1989-05-07.sbd.owenbros-tetzeli.fix-3329.34771.reflac.flac16
Source:
Fix of shnid 3329
Taper Notes:
View NotesThe following changes have been made to this fileset: The transition between CDs 1 and 2 is now seamless, the first two songs of set II were put onto CD 1 to allow the show to fit on 2 CDs. The tuning track at the beginning of CD 2 has now been merged with d1t10, and shntool was used to fix the sector boundaries on all of CD2 and the last track of CD 1. Nonseekable shns were converted to FLAC. No need for fade tracks on this one. Bill Tetzeli ([email protected]) 3/19/2006
Source 4 of 10
2:31:16
SBD
Rating:
8.40 / 10 ratings
SHNID:
gd89-05-07.dsbd.stephens.10978.sbeok.shnf
Source:
DSBD > DAT
Taper Notes:
View NotesDSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.71 > MKW, by Dan Stephens; tracked for 2x80
Transferrer: A.F.
4:44:15
SBD
Rating:
8.00 / 1 rating
Transferrer:
A.F.
SHNID:
gd1989-05-07.sbd.af.3864.shnf
Source:
Soundboard
Lineage:
bootleg CD> WAV> SHN
Source 6 of 10
2:31:35
SBD
Rating:
7.14 / 9 ratings
SHNID:
gd89-05-07.sbd.gardner.3329.sbefail.shnf
Source:
SBD > DAT> DALCard Deluxe> WAV> CD> SHN
Taper Notes:
View NotesSBD > DAT> DALCard Deluxe> WAV> CD> SHN; CD Mastering by Michael Owen: DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring Software, File normalized (low levels) with DC-Art Millennium (Peak Normalization), Seven assorted pops and gliches corrected; From DooDah Tree #43, later to cdead; to etree via Tony Gardner
Taper: Ted Mattes
2:39:52
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-05-07.142356.fob.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid141689 ultramatrix source which supplies two patches in "Iko Iko" - Other One space included in "The Other One" Mastered by Scott Clugston June 19, 2018
Taper: Archival Audio
2:34:10
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-05-07.140949.AA-toaK1-416-flac2448
Source:
Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ Really nice Birdsong set 1 closer. Not one of my favorite or best recordings that I have done, however since not many other Audience recordings circulate, here this is. My recordings of the year before in 1988 were much better and only the Toa K1’s. I used a Sony MX-12 mixer, apparently grey market in the USA, That I found at the Rose Bowl flea market. The MX-12 is powered by 6 D cells and has only either 1/4” TS or RCA inputs for 6 channel mixer with 2 vu meters. This was a 4 mic mix Toa k1’s on wide bar spaced at 30” and the Sennheiser 416 t (I think) short shotguns into the mixer, mixed on the fly. The 416’s were borrowed from an unnamed art college that I used to attend by an old friend, it’s possible it was a pair of 415’s at some earlier shows I tried the 816 but liked the shorter 416/415’s better. Mic’s on same stand in the OTS just behind the board at one of my favorite outdoor venues. The Frost is so amazing and the sound was very full of fun. It was a windy day but you could see the wind sailing in the eucalyptus trees that surrounding the Amphitheater, at times this cause phasing and the music to swirl as well. I think the mix was more of the 416’s then the Toa K1’s which I think lost out on the low end and some of the openness but it doesn’t sound that bad. I think we were a level up and slightly on Phil’s side at the back corner of the house mix position, though its hard to remember exactly where we were. I didn’t always take notes, sometimes I did other times I didn’t and always thought I’d remember but now all these years later, it can be challenging. No other processing or eq’ing enjoy - ArchivalAudio
Taper: D5scott
2:17:57
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1989-05-07.118277.SonicStudioDSM-1Sx.d5scott.flac16
Source:
Source: 2 Sonic Studio DSM-1Sx microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: ** I was patched out from Sal's microphones. Thank You Sal!!! --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Keith Litzenberger
2:15:26
Rating:
8.33 / 6 ratings
Taper:
Keith Litzenberger
Transferrer:
M. Watson
SHNID:
gd1989-05-07.sennme80.wklitz.watson.99567.flac16
Source:
(ots) Sennheiser ME-80-> Marantz PMD-430 (Dolby B)-> Sony UX-S 90 x2
Lineage:
Cassette Master -> Nakamichi MR-1->Korg MR-1000 (1bit/5.6Mhz)->AudioGate->16/44.1 wav.->flac