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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
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1988
20.3k
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1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
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1982
42.4k
63 shows
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1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1989
4/29/89
audience in ->
1:45
Hell In A Bucket ->
6:25
Sugaree
13:31
Walking Blues
7:48
Brown Eyed Women
7:07
Funiculi Funicula Tuning
1:08
Stuck Inside of Mobile With the Memphis Blues Again
9:39
Built To Last
6:20
Blow Away ->
10:09
One More Saturday Night
5:07
Tuning ->
0:46
China Cat Sunflower ->
3:52
I Know You Rider
8:19
Looks Like Rain
10:34
He's Gone ->
11:04
Spoonful ->
4:29
Drumz ->
7:04
Space ->
9:26
I Will Take You Home ->
4:26
The Other One ->
9:18
Wharf Rat ->
9:37
Throwing Stones ->
9:16
Turn On Your Lovelight
10:44
Encore: U.S. Blues
5:53
FIN
View on archive.org
Sources
Taper: Mike French
2:53:46
Rating:
10.00 / 1 rating
Taper:
Mike French
SHNID:
gd1989-04-29.fob.french.loy.76511.sbeok.flac16
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag < Seamless transition between Discs 2 and 3 > _____________________________________________________________________________________________________________ editing notes: balloon pops reduced in volume, smoothed w/ pencil tool at both edges d1t04 3:35.748 - .749 -9 db d1t07 3:53.985 - .991 -15 6:41.634 - .639 -15 d1t10 0:25.819 - .824 -15 d2t03 1:29.468 - .500 -18 d3t06 8:53.118 - .133 -18 patched the end of d1t07 to the start of d1t08 w/ 1:06.517464 shnid9052 converted to 96khz - 24bit using wavelabs5 and isotpe ozone3, raised +6db to match. patched end of d3t06 to start of encore w/ 4:45.693067 raised level +3db to match patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, 16/44.1 conversion, renamed to etree naming conventions. small spots of light static in just a couple tracks, not too obtrusive. all in all a a very good listen, No EQ or NR. and still tmns...
Taper: Mike French
2:53:47
Taper:
Mike French
Transferrer:
Mike French
SHNID:
gd1989-04-29.fob.french.loy.76495.sbeok.flac24
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. ______________________________________________________________________________________________________ balloon pops reduced in volume, smoothed w/ pencil tool at both edges set1t4 3:35.748 - .749 -9 set1t7 3:53.985 - .991 -15 6:41.634 - .639 -15 set1t10 0:25.819 - .824 -15 set2t03 1:29.468 - .500 -18 set2t12 8:53.118 - .133 -18 patched the end of t7 to the start of t8 w/ 1:06.517464 shnid9052 converted to 96khz - 24bit using wavelabs5 and isotpe ozone3, raised +6db to match patched end of t12 to start of encore w/ 4:45.693067 raised level +3db to match patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, renamed to etree standards. small spots of light static in just a couple tracks, not too obtrusive. all in all a a very good listen, No EQ or NR. and still tmns...
Taper: Mike French
2:48:03
Taper:
Mike French
Transferrer:
Mike French
SHNID:
gd1989-04-29.fob.french.35360.sbeok.flac24
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area.