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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h58678
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h757113
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k456
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.3k704
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h6.8k855
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.9k384
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k361
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k149
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k561
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k115
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k210
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k425
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k188
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k158
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k249
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6.1k731
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k238
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k277
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h22k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28831
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k490
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.6k766
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k314
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h2k217
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.4k170
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k180
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h41452
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15020
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41630
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h181
7d1268
30d63237
2 shows
2 tapes
1989
4/29/89
Tuning
1:31
Hell In A Bucket >
6:18
Sugaree
12:51
Walkin' Blues
8:07
Brown Eyed Women
6:37
Finiculi Finicula
1:24
Stuck Inside Of Mobile With The Memphis Blues Again
9:22
Built To Last
6:13
Blow Away >
9:55
One More Saturday Night
5:25
China Cat Sunflower >
6:31
I Know You Rider
5:57
Looks Like Rain
10:22
He's Gone >
11:20
Spoonful >
3:56
Drums >
7:09
Space >
9:47
I Will Take You Home >
3:42
The Other One >
9:07
Wharf Rat >
9:24
Throwing Stones >
9:05
Turn On Your Lovelight
6:36
U.S. Blues
5:51
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:46:30
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 23, 2022
SHNID:
gd1989-04-29.164177.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete -- This is 161421 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:46:30
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 23, 2022
SHNID:
gd1989-04-29.161421.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete
Transferrer: Charlie Miller
2:46:33
SBD
Rating:
9.25 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-29.sbd.miller.88124.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16
Source 4 of 10
2:45:21
SBD
Rating:
8.00 / 3 ratings
SHNID:
gd89-04-29.sbd.clugston.13756.sbefail.shnf
Source:
Master Soundboard Cassette > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor
Taper: Ted Mattes
2:56:59
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-29.142344.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston June 17, 2018
Taper: Ted Mattes
2:51:09
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-29.141009.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper: Mike French
2:53:46
Rating:
10.00 / 1 rating
Taper:
Mike French
SHNID:
gd1989-04-29.fob.french.loy.76511.sbeok.flac16
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag < Seamless transition between Discs 2 and 3 > _____________________________________________________________________________________________________________ editing notes: balloon pops reduced in volume, smoothed w/ pencil tool at both edges d1t04 3:35.748 - .749 -9 db d1t07 3:53.985 - .991 -15 6:41.634 - .639 -15 d1t10 0:25.819 - .824 -15 d2t03 1:29.468 - .500 -18 d3t06 8:53.118 - .133 -18 patched the end of d1t07 to the start of d1t08 w/ 1:06.517464 shnid9052 converted to 96khz - 24bit using wavelabs5 and isotpe ozone3, raised +6db to match. patched end of d3t06 to start of encore w/ 4:45.693067 raised level +3db to match patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, 16/44.1 conversion, renamed to etree naming conventions. small spots of light static in just a couple tracks, not too obtrusive. all in all a a very good listen, No EQ or NR. and still tmns...
Taper: Mike French
2:53:47
Taper:
Mike French
Transferrer:
Mike French
SHNID:
gd1989-04-29.fob.french.loy.76495.sbeok.flac24
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. ______________________________________________________________________________________________________ balloon pops reduced in volume, smoothed w/ pencil tool at both edges set1t4 3:35.748 - .749 -9 set1t7 3:53.985 - .991 -15 6:41.634 - .639 -15 set1t10 0:25.819 - .824 -15 set2t03 1:29.468 - .500 -18 set2t12 8:53.118 - .133 -18 patched the end of t7 to the start of t8 w/ 1:06.517464 shnid9052 converted to 96khz - 24bit using wavelabs5 and isotpe ozone3, raised +6db to match patched end of t12 to start of encore w/ 4:45.693067 raised level +3db to match patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, renamed to etree standards. small spots of light static in just a couple tracks, not too obtrusive. all in all a a very good listen, No EQ or NR. and still tmns...
Taper: Mike French
2:48:03
Taper:
Mike French
Transferrer:
Mike French
SHNID:
gd1989-04-29.fob.french.35360.sbeok.flac24
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area.
Source 10 of 10
2:48:52
Rating:
10.00 / 2 ratings
SHNID:
gd89-04-29.aud.wiley.9052.sbeok.shnf
Source:
AUD>PCM>DAT>CDR
Taper Notes:
View NotesAUD>PCM>DAT>CDR; Seeded to etree by Tim W