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Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1989
4/29/89
audience in ->
1:45
Hell In A Bucket ->
6:24
Sugaree
13:31
Walking Blues
7:48
Brown Eyed Women
7:07
Funiculi Funicula Tuning
1:08
Stuck Inside of Mobile With the Memphis Blues Again
9:39
Built To Last
6:20
Blow Away ->
10:09
One More Saturday Night
5:07
Tuning ->
0:46
China Cat Sunflower ->
3:52
I Know You Rider
8:19
Looks Like Rain
10:34
He's Gone ->
11:04
Spoonful ->
4:29
Drumz ->
7:04
Space ->
9:26
I Will Take You Home ->
4:26
The Other One ->
9:18
Wharf Rat ->
9:37
Throwing Stones ->
9:16
Turn On Your Lovelight
10:44
Encore: U.S. Blues
5:53
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:46:30
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 23, 2022
SHNID:
gd1989-04-29.164177.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete -- This is 161421 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:46:30
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 23, 2022
SHNID:
gd1989-04-29.161421.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete
Transferrer: Charlie Miller
2:46:33
SBD
Rating:
9.25 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-29.sbd.miller.88124.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16
Source 4 of 10
2:45:21
SBD
Rating:
8.00 / 3 ratings
SHNID:
gd89-04-29.sbd.clugston.13756.sbefail.shnf
Source:
Master Soundboard Cassette > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor
Taper: Ted Mattes
2:56:59
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-29.142344.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston June 17, 2018
Taper: Ted Mattes
2:51:09
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-29.141009.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper: Mike French
2:53:46
Rating:
10.00 / 1 rating
Taper:
Mike French
SHNID:
gd1989-04-29.fob.french.loy.76511.sbeok.flac16
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag < Seamless transition between Discs 2 and 3 > _____________________________________________________________________________________________________________ editing notes: balloon pops reduced in volume, smoothed w/ pencil tool at both edges d1t04 3:35.748 - .749 -9 db d1t07 3:53.985 - .991 -15 6:41.634 - .639 -15 d1t10 0:25.819 - .824 -15 d2t03 1:29.468 - .500 -18 d3t06 8:53.118 - .133 -18 patched the end of d1t07 to the start of d1t08 w/ 1:06.517464 shnid9052 converted to 96khz - 24bit using wavelabs5 and isotpe ozone3, raised +6db to match. patched end of d3t06 to start of encore w/ 4:45.693067 raised level +3db to match patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, 16/44.1 conversion, renamed to etree naming conventions. small spots of light static in just a couple tracks, not too obtrusive. all in all a a very good listen, No EQ or NR. and still tmns...
Taper: Mike French
2:53:47
Taper:
Mike French
Transferrer:
Mike French
SHNID:
gd1989-04-29.fob.french.loy.76495.sbeok.flac24
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. ______________________________________________________________________________________________________ balloon pops reduced in volume, smoothed w/ pencil tool at both edges set1t4 3:35.748 - .749 -9 set1t7 3:53.985 - .991 -15 6:41.634 - .639 -15 set1t10 0:25.819 - .824 -15 set2t03 1:29.468 - .500 -18 set2t12 8:53.118 - .133 -18 patched the end of t7 to the start of t8 w/ 1:06.517464 shnid9052 converted to 96khz - 24bit using wavelabs5 and isotpe ozone3, raised +6db to match patched end of t12 to start of encore w/ 4:45.693067 raised level +3db to match patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, renamed to etree standards. small spots of light static in just a couple tracks, not too obtrusive. all in all a a very good listen, No EQ or NR. and still tmns...
Taper: Mike French
2:48:03
Taper:
Mike French
Transferrer:
Mike French
SHNID:
gd1989-04-29.fob.french.35360.sbeok.flac24
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area.
Source 10 of 10
2:48:52
Rating:
10.00 / 2 ratings
SHNID:
gd89-04-29.aud.wiley.9052.sbeok.shnf
Source:
AUD>PCM>DAT>CDR
Taper Notes:
View NotesAUD>PCM>DAT>CDR; Seeded to etree by Tim W