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Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h47064
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.7k216
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.2k284
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.6k212
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.6k461
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h8.4k1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k318
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k131
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k234
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h886100
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k202
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h4.8k568
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k159
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k145
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.2k273
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k248
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k213
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.7k240
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h12.7k1.7k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h14.8k2k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h19621
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k469
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.4k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k247
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.5k174
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k193
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k151
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h59676
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7513
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h41728
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h594
7d1076
30d59534
2 shows
2 tapes
1989
4/29/89
01 - Tuning
1:31
02 - Hell In A Bucket >
6:18
03 - Sugaree
12:51
04 - Walkin' Blues
8:07
05 - Brown Eyed Women
6:37
06 - Finiculi Finicula
1:24
07 - Stuck Inside Of Mobile With The Memphis Blues Again
9:22
08 - Built To Last
6:13
09 - Blow Away >
9:55
10 - One More Saturday Night
5:25
11 - China Cat Sunflower >
6:31
12 - I Know You Rider
5:57
13 - Looks Like Rain
10:22
14 - He's Gone >
11:20
15 - Spoonful >
3:56
16 - Drums >
7:09
17 - Space >
9:47
18 - I Will Take You Home >
3:42
19 - The Other One >
9:07
20 - Wharf Rat >
9:24
21 - Throwing Stones >
9:05
22 - Turn On Your Lovelight
6:36
23 - U.S. Blues
5:51
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:46:30
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 23, 2022
SHNID:
gd1989-04-29.164177.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete -- This is 161421 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:46:30
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 23, 2022
SHNID:
gd1989-04-29.161421.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete
Transferrer: Charlie Miller
2:46:33
SBD
Rating:
9.25 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-29.sbd.miller.88124.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16
Source 4 of 10
2:45:21
SBD
Rating:
8.00 / 3 ratings
SHNID:
gd89-04-29.sbd.clugston.13756.sbefail.shnf
Source:
Master Soundboard Cassette > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor
Taper: Ted Mattes
2:56:59
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-29.142344.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston June 17, 2018
Taper: Ted Mattes
2:51:09
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-29.141009.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper: Mike French
2:53:46
Rating:
10.00 / 1 rating
Taper:
Mike French
SHNID:
gd1989-04-29.fob.french.loy.76511.sbeok.flac16
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag < Seamless transition between Discs 2 and 3 > _____________________________________________________________________________________________________________ editing notes: balloon pops reduced in volume, smoothed w/ pencil tool at both edges d1t04 3:35.748 - .749 -9 db d1t07 3:53.985 - .991 -15 6:41.634 - .639 -15 d1t10 0:25.819 - .824 -15 d2t03 1:29.468 - .500 -18 d3t06 8:53.118 - .133 -18 patched the end of d1t07 to the start of d1t08 w/ 1:06.517464 shnid9052 converted to 96khz - 24bit using wavelabs5 and isotpe ozone3, raised +6db to match. patched end of d3t06 to start of encore w/ 4:45.693067 raised level +3db to match patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, 16/44.1 conversion, renamed to etree naming conventions. small spots of light static in just a couple tracks, not too obtrusive. all in all a a very good listen, No EQ or NR. and still tmns...
Taper: Mike French
2:53:47
Taper:
Mike French
Transferrer:
Mike French
SHNID:
gd1989-04-29.fob.french.loy.76495.sbeok.flac24
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. ______________________________________________________________________________________________________ balloon pops reduced in volume, smoothed w/ pencil tool at both edges set1t4 3:35.748 - .749 -9 set1t7 3:53.985 - .991 -15 6:41.634 - .639 -15 set1t10 0:25.819 - .824 -15 set2t03 1:29.468 - .500 -18 set2t12 8:53.118 - .133 -18 patched the end of t7 to the start of t8 w/ 1:06.517464 shnid9052 converted to 96khz - 24bit using wavelabs5 and isotpe ozone3, raised +6db to match patched end of t12 to start of encore w/ 4:45.693067 raised level +3db to match patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, renamed to etree standards. small spots of light static in just a couple tracks, not too obtrusive. all in all a a very good listen, No EQ or NR. and still tmns...
Taper: Mike French
2:48:03
Taper:
Mike French
Transferrer:
Mike French
SHNID:
gd1989-04-29.fob.french.35360.sbeok.flac24
Source:
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
Lineage:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.
Taper Notes:
View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area.
Source 10 of 10
2:48:52
Rating:
10.00 / 2 ratings
SHNID:
gd89-04-29.aud.wiley.9052.sbeok.shnf
Source:
AUD>PCM>DAT>CDR
Taper Notes:
View NotesAUD>PCM>DAT>CDR; Seeded to etree by Tim W