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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h50269
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k401
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k311
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k308
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k388
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k399
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k365
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k164
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k978
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h945108
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.1k361
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.9k570
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.3k161
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k192
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k231
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.4k979
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k198
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k242
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.1k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h47948
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.8k472
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k648
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k380
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.6k170
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k214
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k276
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h830102
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12519
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21216
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1989
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:37:41
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 23, 2022
SHNID:
gd1989-04-28.164178.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes for the patch source -- This is 161420 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:37:41
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 23, 2022
SHNID:
gd1989-04-28.161420.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes for the patch source
Transferrer: Charlie Miller
2:38:17
SBD
Rating:
8.67 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-28.sbd.miller.88099.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16
Transferrer: Bill Tetzeli
2:36:26
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1989-04-28.sbd.clugston.tetzeli.fix-13755.82050.sbeok.shnf
Source:
Patched and seamless fix of shnid 13755
Taper Notes:
View NotesI patched in 3min 22sec of missing drums and space, starting at 8:38 in drums, using the AUD on LlaMA (shnid 9208). AUD source was raised about 7 db to match SBD and 4 sec crossfades were used. The transition between CDs 2 and 3 is now seamless. Shntool was used to correct resulting SBEs. Thanks to Scott Clugston for the SBD source and to Tim Wiley for the AUD patch source. Bill Tetzeli ([email protected]) 2:34 AM 11/17/2006
Taper: Mike French and John C
2:32:35
SBD
Rating:
10.00 / 1 rating
Taper:
Mike French and John C
Transferrer:
downsampled to 44.1/16, dithered with Izotope Ozone. by SirMick
SHNID:
gd1989-04-28.tfh.fob.77841.flac16
Source:
Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" -> Sony TC-D5M "B"n.r. on the master.From Row WW, section 2, at the right front corner of the sbd, a few feet RoC.
Lineage:
Sony TC-D5M master deck and cassette, no n.r. playback -> Tascam DVRA1000 @24/96, direct to DVD+RW
Taper Notes:
View NotesI had one helper and no blockers or quiet zone, so there are some noisy audience issues in places. I was right next to Healy, to my left, and there was crew chatter from the board, as well. The official taper section for this concert was likely 75 rows behind me (+?), and far to the audience right (as far right as possible). I was fob, near center (5' RoC?), which is the main bonus of this ambient recording. from SirMick - downsampled to 44.1/16, dithered with Izotope Ozone. - reversed the fade in to Drums - no other changes made apart from re-tracking for 3 discs. - New flacs (renamed to Etree conventions) and ff
Taper: Mike French and John C.
2:32:40
SBD
Rating:
10.00 / 1 rating
Taper:
Mike French and John C.
Transferrer:
Scott Brown
SHNID:
gd1989-04-28.fob.french.32087.sbeok.flac24
Source:
Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" -> Sony TC-D5M "B"n.r. on the master. From Row WW, section 2, at the right front corner of the sbd, a few feet RoC.
Lineage:
Sony TC-D5M master deck and cassette, no n.r. playback -> Tascam DVRA1000 @24/96, direct to DVD+RW
Taper Notes:
View NotesI had one helper and no blockers or quiet zone, so there are some noisy audience issues in places. I was right next to Healy, to my left, and there was crew chatter from the board, as well. The official taper section for this concert was likely 75 rows behind me (+?), and far to the audience right (as far right as possible). I was fob, near center (5' RoC?), which is the main bonus of this ambient recording.
Source 7 of 10
2:33:09
SBD
Rating:
6.67 / 6 ratings
SHNID:
gd89-04-28.sbd.clugston.13755.sbefail.shnf
Source:
Master Soundboard Cassette > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor
Taper: Ted Mattes
2:40:47
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-28.142343.fob.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid88099 source which supplies the second half of "Touch Of Grey", as well as the "Quinn The Eskimo(The Mighty Quinn)" encore in its entirety - Ted was "busted" half-way thru "Touch Of Grey" Mastered by Scott Clugston June 16, 2018
Taper: Ted Mattes
1:01:12
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-28.141008.s1.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Source 10 of 10
2:28:06
Rating:
7.33 / 3 ratings
SHNID:
gd89-04-28.aud.wiley.9208.sbeok.shnf
Source:
AUD>PCM>DAT>CDR - Note: Encore unavailble for this seed - see info file for details
Taper Notes:
View NotesAUD>PCM>DAT>CDR; Seeded to etree by Tim W