RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h54273
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h922125
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.3k444
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h4.1k536
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6.3k789
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h4k515
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k343
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k127
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.9k432
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h1k114
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k201
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.3k392
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k168
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h1.9k239
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h4.2k502
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k218
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k254
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.4k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.7k2.7k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23325
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.4k446
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h6.7k942
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.2k281
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k168
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k171
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.4k172
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h42956
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12517
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h37627
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h181
7d1368
30d63237
2 shows
2 tapes
1989
4/16/89
Crowd/Tuning
1:27
Hell In A Bucket>
6:03
They Love Each Other
6:56
Little Red Rooster
9:16
Stagger Lee
5:51
Mama Tried>
2:35
Mexicali Blues
4:39
Bird Song/Set Break
11:20
Tuning
0:43
Scarlet Begonias>
7:41
Fire On The Mountain
10:59
Saint Of Circumstance
5:55
Truckin'>
8:02
Drums>
8:03
Space>
6:35
The Other One>
6:15
Stella Blue>
7:49
Throwing Stones>
9:19
Lovelight/Encore Break
7:39
Box Of Rain
5:26
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:16:41
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 20, 2020
SHNID:
gd1989-04-16.149699.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View Notes Patch Info: (FOB) Schoeps CMC4/MK4 > PCM Master (shnid=140995) supplies: Drums (5:31 - 5:41) All Transfers and Mastering by Charlie Miller [email protected] April 20, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes and Scott Clugston for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:16:41
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 20, 2020
SHNID:
gd1989-04-16.149618.ultramatrix.sbd.pearson-healy.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK4 > PCM Master (shnid=140995) supplies: Drums (5:31 - 5:41) All Transfers and Mastering by Charlie Miller [email protected] April 20, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes and Scott Clugston for the patch source
Transferrer: Kevin Tobin
2:15:52
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-16.122041.mtx.tobin.flac16
Source:
Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD1 shnid = 81703 Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] December 17, 2006 Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes AUD1 shnid = 118402 Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M Tapes Set 1:Maxell MX,Set 2:TDK MA-X Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8) Tracks Renamed/Metadata Tagging With AudioGate Software By Keo AUD2 no shnid LCPM audio from video soundtrack --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-SEP-2012 - Trader Little Helper -Tagged 17-SEP-2012 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD +1 AUD +1 SET TWO Stereo Matrix SBD +1 AUD +1 --------------------------------------------------------- Audio Patches: 1) Between They Love Each Other and Little Red Rooster, 26.406 seconds added to SBD1 soundtrack from AUD2 in order to match the video and the audience soundtracks. 2) Between Mexicali Blues and Bird Song, 13.293 seconds added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard soundtracks. 3) Also between Mexicali Blues and Bird Song, 13.293 seconds added to SBD1 soundtrack from AUD2 in order to match the video and the audience soundtracks. This includes the first notes of Bird Song. 4) I used the video soundtrack as the timing reference and while the SBD1 was slightly slower than the video at about .3 seconds per minute, the AUD1 was very fast averaging about 1.4 seconds a minute faster than the video. Brokedown House Production
Transferrer: Charlie Miller
2:16:54
SBD
Rating:
8.57 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-16.sbd.walker-scotton.miller.81703.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 5 of 16
2:09:07
SBD
Rating:
8.75 / 8 ratings
SHNID:
gd89-04-16.sbd.sbefixed.9963.sbeok.shnf
Source:
Shntool fix by Willy of previous <a href= "http://db.etree.org/shninfo_detail.php?shnid=9371">Braverman</a> seed
Taper Notes:
View NotesShntool fix by Willy of previous <a href="http://db.etree.org/shninfo_detail.php?shnid=9371" rel="ugc nofollow">Braverman</a> seed; SBD> DAT> C> DAT> CD
Transferrer: Peter Braverman;Paul Bottligio
4:18:12
SBD
Transferrer:
Peter Braverman;Paul Bottligio
SHNID:
gd1989-04-16.sbd.braverman.9371.sbefail.shnf
Source:
Soundboard
Lineage:
DAT> C> DAT> CD> SHN
Taper Notes:
View NotesFirst few seconds of Bird Song are clipped
Taper: Ted Mattes
2:22:06
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-16.140995.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the PCM master - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid118403 AKG 451 source which supplies "Scarlet Begonias > Fire On The Mountain" - Other One space included in "The Other One" Mastered by Scott Clugston February 12, 2018
Source 8 of 16
2:18:15
Rating:
10.00 / 1 rating
SHNID:
gd1989-04-16.167825.mtx.seamons.ht169.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) June 20, 2024
Taper Notes:
View NotesThe SBD source generally ran around 0.95% slow in set 1 and was pitch corrected. It ran from 1.1% to 1.3% slow in set 2 and was pitch corrected as needed. The older "Paul Scotton and Joani Walker" SBD source (2006) was preferred over the newer "Don Pearson" source (2020). In this case, the Pearson source had more high end than preferred for this matrix project. The 2018 transfer of Ted's audience tape was preferred over the 2021 remaster for this matrix project, although we did use #156417 with EQ to patch the missing Scarlet > Fire. No additional EQ needed. A brief dropout in the right channel of the SBD during Hell In A Bucket was compensated for by increasing the right channel of the AUD a little bit. It sounded smoother after doing this. The very beginnings of Little Red Rooster and Bird Song, plus a 20-second cut during Space, are now patched in the SBD source (with AUD). Two clicks removed or reduced, one in Stagger Lee and one in Bird Song. Crowd goes WILD after Truckin's "What a long strange trip it's been!"
Taper: Master Audience PCM recording by Ted Mattes
2:22:08
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 13, 2021
SHNID:
gd1989-04-16.156417.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - Same source as shnid 140995 w/ a fresh transfer & different mastering. - This version includes Scarlet > Fire - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Taper: Dave Boedicker
2:14:11
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1989-04-16.149793.nak300.boedicker.flac1644
Source:
Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section PP,Row5,Seat 7.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Mexicali Blues"( First Few Seconds Clipped On Start Of On Next Song "Bird Song") 2)Tape Flip During Drums Warts And All. Enjoy!!
Taper: Mike Darby
2:12:33
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-16.AKG451.Darby.118403.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Litttle Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A Huge Huge thanks out to Mr. Darby for recording and sharing his source for this show! Another excellent recording and performance from the 89 spring tour! As always ENJOY!!!!!!!!!!!!!!
Taper: Mike Darby
2:12:33
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-16.AKG451.Darby.118402.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:A Huge Huge thanks out to Mr. Darby for recording and sharing his source for this show! Another excellent recording and performance from the 89 spring tour! As always ENJOY!!!!!!!!!!!!!!
Taper: Trew Rickers
2:12:15
Taper:
Trew Rickers
Transferrer:
Chris Davis
SHNID:
gd1989-04-16.nak.rickers.112743.flac24
Source:
source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers;
Lineage:
cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11]
Taper Notes:
View Notes*tape flips merged in Wavelab 6.1
Taper: Trew Rickers
2:12:15
Taper:
Trew Rickers
SHNID:
gd1989-04-16.nak.rickers.112742.flac16
Source:
<b>flac 16</b>; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers;
Lineage:
cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11]
Taper Notes:
View Notes*tape flips merged in Wavelab 6.1
Taper: Dave Cohen and Justin Lee
2:15:07
Taper:
Dave Cohen and Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-04-16.nak300.lee-cohen.106339.sbeok.flac16
Source:
2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1 w/ Nakamichi 550>Sony TCD5M Oade erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. OTS Sec. PP Row 5 Seat 2
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Pat Volkerding
2:15:43
Rating:
7.00 / 2 ratings
Taper:
Pat Volkerding
Transferrer:
Pat Volkerding
SHNID:
gd1989-04-16.akg460b.volkerding.96081.flac16
Source:
Source: AKG 460B omni capsules, 7' high, 6' spread > Crown phantom power > Sony TC-D5M (pass-thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS)
Lineage:
Yamaha MT120S (dbx type II decode) > Tascam DA-20 (D/A conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Amarok > Cool Edit (edits and fades) > CDWAV > FLAC
Taper Notes:
View NotesAll disc transitions are seamless. This can be rearranged to fit on 2 discs. Known flaws: - Two short bits of silence occured in Mexicali Blues. It seemed the phantom supply lost power for some reason. The silence was clipped out, but these are otherwise unpatched. - Screaming maniac during Drums > Space > The Other One > Stella Blue, after which he was dragged away by security. The only time I taped omni, and a very accurate (perhaps too much in places) representation of how the show sounded. A good recording of an excellent show, and possibly good raw material for a multichannel mix. Enjoy!