RELISTENTOTHE Grateful Dead
Re
1989
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1989
4/16/89
Tuning
1:34
Hell In A Bucket >
6:10
They Love Each Other
7:08
Little Red Rooster
9:34
Stagger Lee
6:07
Mama Tried >
2:38
Mexicali Blues
4:46
Bird Song
11:41
Scarlet Begonias >
8:39
Fire On The Mountain
10:54
Saint Of Circumstance
6:03
Truckin' >
8:15
Drums >
8:00
Space >
6:57
The Other One >
6:51
Stella Blue >
8:03
Throwing Stones >
9:34
Turn On Your Lovelight
6:55
Encore Break
1:25
Box Of Rain
5:27
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:15:52
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-16.122041.mtx.tobin.flac16
Source:
Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD1 shnid = 81703 Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] December 17, 2006 Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes AUD1 shnid = 118402 Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M Tapes Set 1:Maxell MX,Set 2:TDK MA-X Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8) Tracks Renamed/Metadata Tagging With AudioGate Software By Keo AUD2 no shnid LCPM audio from video soundtrack --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-SEP-2012 - Trader Little Helper -Tagged 17-SEP-2012 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD +1 AUD +1 SET TWO Stereo Matrix SBD +1 AUD +1 --------------------------------------------------------- Audio Patches: 1) Between They Love Each Other and Little Red Rooster, 26.406 seconds added to SBD1 soundtrack from AUD2 in order to match the video and the audience soundtracks. 2) Between Mexicali Blues and Bird Song, 13.293 seconds added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard soundtracks. 3) Also between Mexicali Blues and Bird Song, 13.293 seconds added to SBD1 soundtrack from AUD2 in order to match the video and the audience soundtracks. This includes the first notes of Bird Song. 4) I used the video soundtrack as the timing reference and while the SBD1 was slightly slower than the video at about .3 seconds per minute, the AUD1 was very fast averaging about 1.4 seconds a minute faster than the video. Brokedown House Production
Source 8 of 16
2:18:15
Rating:
10.00 / 1 rating
SHNID:
gd1989-04-16.167825.mtx.seamons.ht169.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) June 20, 2024
Taper Notes:
View NotesThe SBD source generally ran around 0.95% slow in set 1 and was pitch corrected. It ran from 1.1% to 1.3% slow in set 2 and was pitch corrected as needed. The older "Paul Scotton and Joani Walker" SBD source (2006) was preferred over the newer "Don Pearson" source (2020). In this case, the Pearson source had more high end than preferred for this matrix project. The 2018 transfer of Ted's audience tape was preferred over the 2021 remaster for this matrix project, although we did use #156417 with EQ to patch the missing Scarlet > Fire. No additional EQ needed. A brief dropout in the right channel of the SBD during Hell In A Bucket was compensated for by increasing the right channel of the AUD a little bit. It sounded smoother after doing this. The very beginnings of Little Red Rooster and Bird Song, plus a 20-second cut during Space, are now patched in the SBD source (with AUD). Two clicks removed or reduced, one in Stagger Lee and one in Bird Song. Crowd goes WILD after Truckin's "What a long strange trip it's been!"
Taper: Pat Volkerding
2:15:43
Rating:
7.00 / 2 ratings
Taper:
Pat Volkerding
Transferrer:
Pat Volkerding
SHNID:
gd1989-04-16.akg460b.volkerding.96081.flac16
Source:
Source: AKG 460B omni capsules, 7' high, 6' spread > Crown phantom power > Sony TC-D5M (pass-thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS)
Lineage:
Yamaha MT120S (dbx type II decode) > Tascam DA-20 (D/A conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Amarok > Cool Edit (edits and fades) > CDWAV > FLAC
Taper Notes:
View NotesAll disc transitions are seamless. This can be rearranged to fit on 2 discs. Known flaws: - Two short bits of silence occured in Mexicali Blues. It seemed the phantom supply lost power for some reason. The silence was clipped out, but these are otherwise unpatched. - Screaming maniac during Drums > Space > The Other One > Stella Blue, after which he was dragged away by security. The only time I taped omni, and a very accurate (perhaps too much in places) representation of how the show sounded. A good recording of an excellent show, and possibly good raw material for a multichannel mix. Enjoy!