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June 10th
Years
1995
30.1k
PlaybackListensHours
48h57877
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k230
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.7k331
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h1.8k238
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k426
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.3k289
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k128
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k209
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h67977
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k173
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h4.2k497
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.1k147
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k134
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.6k201
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.2k368
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k211
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k244
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.4k2.5k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h8.9k1.2k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h34437
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h4.9k658
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h8.2k1.1k
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k263
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k185
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.3k198
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h825106
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12718
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h35921
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h604
7d1076
30d59434
2 shows
2 tapes
1989
4/12/89
Crowd/Tuning
1:23
Jack Straw>
5:29
Row Jimmy
11:32
Minglewood Blues
7:46
Tennessee Jed
8:10
Masterpiece
6:00
Cumberland Blues
5:11
Let It Grow, Set Break
12:20
Tuning
0:39
Touch Of Grey>
6:23
Truckin'>
6:48
Smokestack Lightning>
2:14
Spoonful>
3:58
Smokestack Lightning>
0:36
He's Gone>
14:28
Drums>
8:42
Space>
7:46
I Will Take You Home>
4:33
All Along The Watchtower>
5:12
Wharf Rat>
9:28
Lovelight, Encore Break
7:19
Black Muddy River
6:34
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:26:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-12.149418.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=140990) supplies: Space (1:33 - 2:04) All Transfers and Mastering By Charlie Miller [email protected] March 29, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes and Scott Clugston for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:26:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-12.149393.sbd.ultramatrix.pearson-healy.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=140990) supplies: Space (1:33 - 2:04) All Transfers and Mastering By Charlie Miller [email protected] March 29, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes and Scott Clugston for the patch source
Transferrer: Charlie Miller
2:26:57
SBD
Rating:
6.80 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-12.sbd.walker-scotton.miller.83768.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 + (2) Sennheiser 441 -> Cassette Master -> CD Space (1:39 - 1:56) Notes: -- Encore moved to end of 1st set to fit show onto 2 discs -- 2nd Set and Encore can be re-joined seamlessly -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson
Source 4 of 11
4:32:09
SBD
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesTape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly. Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter. Tape flip between drums and space. No idea how much is missing. The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity. Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman ([email protected]), May 2002.
Source 5 of 11
4:32:09
SBD
Rating:
8.00 / 13 ratings
SHNID:
gd89-04-12.sbd-matrix.willy.9962.sbeok.shnf
Source:
Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesUltramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; via PB (l'autre); Seeded to etree by Peter Braverman; misid'ed in dirname as db.etree.org fixed shnid 9962- it's alt-fixed shnid 29631
Transferrer: Peter Braverman
4:38:48
SBD
Transferrer:
Peter Braverman
SHNID:
gd1989-04-12.sbd.braverman.9383.shnf
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesTape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly. Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter. Tape flip between drums and space. No idea how much is missing. The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity. Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman ([email protected]), May 2002.
Taper: Ted Mattes
1:31:10
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-12.140990.set2.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Set 2 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Taper: Master Audience PCM recording by Ted Mattes
2:33:01
Rating:
8.00 / 1 rating
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 02, 2021
SHNID:
gd1989-04-12.156414.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - upgrade to shnid 140990 - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Taper: Mike Darby
2:22:31
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-12.AKG451.Darby.120338.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! Nothing Left To Do But Smile,Smile,Smile!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:22:31
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-12.AKG451.Darby.120337.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! Nothing Left To Do But Smile,Smile,Smile!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Greg Holtz
2:21:08
Taper:
Greg Holtz
Transferrer:
Brian Green and Paul Gilbert
SHNID:
gd1989-04-12.nak100.holtz.LMPP.95291.sbeok.flac16
Source:
(OTS) Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5
Lineage:
MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > Adobe Audition 3.0 > CDWave > Flac16
Taper Notes:
View NotesNotes: - Notes From The Taper During this run of Rosemont shows, I regretfully let my buddy Danny T. run the taping rig. He was a Chicago boy and liked to tape the shows when the Dead came into his town. Seeing as how he was the one with a straight job, and he owned some of the gear I was using, and and I was the one traveling all over the country taping everywhere else, I obliged him when the circus came to Chicago. I knew of a good ticket outlet to go to when Rosemont tickets went on sale, and I always got tickets in the first ten rows, so I liked to get down close and not really have to hassle with the gear. My girlfriend appreciated the time away from the taping section as well. In retrospect, I wish I would have gone full FOB gonzo those nights, as the result would have produced a much better recording, but alas, I did not. Anyway, Danny was not much to check and secure mics, cables, connections, decks, etc., before the music actually began, so he inevitably made tapes with cuts, chops, dropouts, level problems, bad flips, pretty much everything that you could do wrong, he managed to do. (I love ya Danny, but ya just weren't cut out for the job.). Anyway, that accounts for any sonic anomalies that plague these Rosemont recordings. I am amazed that the LMPP guys have been able to do what they do to resurrect these tapes from the point of no return. Thanks to all for your hard work guys. Greg Holtz October 2008 - Mastered with Adobe Audition and various plugins. - The beginning of all the tapes were plagued with dropouts for the first few minutes in the left hand channel - The worst being d1t02 Jack Straw where the left hand channel was unuseable for much of the song. The first 3 minutes 25 Seconds have been matrixed with CM's soundboard source. - d2t09 - Space - three small total dropouts patched with CM's sbd source - Encore moved to end of 1st set to fit show onto 2 discs - 2nd Set and Encore can be re-joined seamlessly