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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h59179
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h762112
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k461
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.4k709
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h7k881
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3k390
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k364
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k151
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k563
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k116
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k212
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k426
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k192
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k162
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k251
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6k720
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k242
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k276
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.1k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h22.6k3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28731
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k490
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.7k784
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k318
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k214
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k177
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k178
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43154
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15120
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h42030
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1268
30d63237
2 shows
2 tapes
1989
4/12/89
Crowd/Tuning
1:23
Jack Straw>
5:29
Row Jimmy
11:32
Minglewood Blues
7:46
Tennessee Jed
8:10
Masterpiece
6:00
Cumberland Blues
5:11
Let It Grow, Set Break
12:20
Tuning
0:39
Touch Of Grey>
6:23
Truckin'>
6:48
Smokestack Lightning>
2:14
Spoonful>
3:58
Smokestack Lightning>
0:36
He's Gone>
14:28
Drums>
8:42
Space>
7:46
I Will Take You Home>
4:33
All Along The Watchtower>
5:12
Wharf Rat>
9:28
Lovelight, Encore Break
7:19
Black Muddy River
6:34
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:26:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-12.149418.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=140990) supplies: Space (1:33 - 2:04) All Transfers and Mastering By Charlie Miller [email protected] March 29, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes and Scott Clugston for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:26:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-12.149393.sbd.ultramatrix.pearson-healy.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=140990) supplies: Space (1:33 - 2:04) All Transfers and Mastering By Charlie Miller [email protected] March 29, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes and Scott Clugston for the patch source
Transferrer: Charlie Miller
2:26:57
SBD
Rating:
6.80 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-12.sbd.walker-scotton.miller.83768.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 + (2) Sennheiser 441 -> Cassette Master -> CD Space (1:39 - 1:56) Notes: -- Encore moved to end of 1st set to fit show onto 2 discs -- 2nd Set and Encore can be re-joined seamlessly -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson
Source 4 of 11
4:32:09
SBD
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesTape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly. Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter. Tape flip between drums and space. No idea how much is missing. The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity. Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman ([email protected]), May 2002.
Source 5 of 11
4:32:09
SBD
Rating:
8.00 / 13 ratings
SHNID:
gd89-04-12.sbd-matrix.willy.9962.sbeok.shnf
Source:
Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesUltramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; via PB (l'autre); Seeded to etree by Peter Braverman; misid'ed in dirname as db.etree.org fixed shnid 9962- it's alt-fixed shnid 29631
Transferrer: Peter Braverman
4:38:48
SBD
Transferrer:
Peter Braverman
SHNID:
gd1989-04-12.sbd.braverman.9383.shnf
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesTape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly. Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter. Tape flip between drums and space. No idea how much is missing. The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity. Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman ([email protected]), May 2002.
Taper: Ted Mattes
1:31:10
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-12.140990.set2.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Set 2 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Taper: Master Audience PCM recording by Ted Mattes
2:33:01
Rating:
8.00 / 1 rating
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 02, 2021
SHNID:
gd1989-04-12.156414.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - upgrade to shnid 140990 - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Taper: Mike Darby
2:22:31
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-12.AKG451.Darby.120338.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! Nothing Left To Do But Smile,Smile,Smile!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:22:31
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-12.AKG451.Darby.120337.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! Nothing Left To Do But Smile,Smile,Smile!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Greg Holtz
2:21:08
Taper:
Greg Holtz
Transferrer:
Brian Green and Paul Gilbert
SHNID:
gd1989-04-12.nak100.holtz.LMPP.95291.sbeok.flac16
Source:
(OTS) Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5
Lineage:
MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > Adobe Audition 3.0 > CDWave > Flac16
Taper Notes:
View NotesNotes: - Notes From The Taper During this run of Rosemont shows, I regretfully let my buddy Danny T. run the taping rig. He was a Chicago boy and liked to tape the shows when the Dead came into his town. Seeing as how he was the one with a straight job, and he owned some of the gear I was using, and and I was the one traveling all over the country taping everywhere else, I obliged him when the circus came to Chicago. I knew of a good ticket outlet to go to when Rosemont tickets went on sale, and I always got tickets in the first ten rows, so I liked to get down close and not really have to hassle with the gear. My girlfriend appreciated the time away from the taping section as well. In retrospect, I wish I would have gone full FOB gonzo those nights, as the result would have produced a much better recording, but alas, I did not. Anyway, Danny was not much to check and secure mics, cables, connections, decks, etc., before the music actually began, so he inevitably made tapes with cuts, chops, dropouts, level problems, bad flips, pretty much everything that you could do wrong, he managed to do. (I love ya Danny, but ya just weren't cut out for the job.). Anyway, that accounts for any sonic anomalies that plague these Rosemont recordings. I am amazed that the LMPP guys have been able to do what they do to resurrect these tapes from the point of no return. Thanks to all for your hard work guys. Greg Holtz October 2008 - Mastered with Adobe Audition and various plugins. - The beginning of all the tapes were plagued with dropouts for the first few minutes in the left hand channel - The worst being d1t02 Jack Straw where the left hand channel was unuseable for much of the song. The first 3 minutes 25 Seconds have been matrixed with CM's soundboard source. - d2t09 - Space - three small total dropouts patched with CM's sbd source - Encore moved to end of 1st set to fit show onto 2 discs - 2nd Set and Encore can be re-joined seamlessly