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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1989
4/12/89
Tuning
1:24
Jack Straw
5:36
Row Jimmy
11:49
New Minglewood Blues
7:54
Tennessee Jed
8:12
When I Paint My Masterpiece
6:39
Cumberland Blues
5:21
Let It Grow
12:26
Tuning
1:14
Touch Of Grey >
6:35
Truckin' >
6:55
Smokestack Lightnin' >
2:21
Spoonful >
4:06
Smokestack Lightnin' >
0:37
He's Gone >
14:44
Drums >
8:55
Space >
8:37
I Will Take You Home >
4:04
All Along The Watchtower >
5:23
Wharf Rat >
9:40
Turn On Your Lovelight
6:19
Encore Break
0:56
Black Muddy River
6:35
FIN
View on archive.org
Sources
Source 4 of 11
4:32:09
SBD
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesTape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly. Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter. Tape flip between drums and space. No idea how much is missing. The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity. Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman ([email protected]), May 2002.
Transferrer: Peter Braverman
4:38:48
SBD
Transferrer:
Peter Braverman
SHNID:
gd1989-04-12.sbd.braverman.9383.shnf
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesTape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly. Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter. Tape flip between drums and space. No idea how much is missing. The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity. Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman ([email protected]), May 2002.
Taper: Mike Darby
2:22:31
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-12.AKG451.Darby.120338.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! Nothing Left To Do But Smile,Smile,Smile!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:22:31
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-12.AKG451.Darby.120337.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! Nothing Left To Do But Smile,Smile,Smile!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Greg Holtz
2:21:08
Taper:
Greg Holtz
Transferrer:
Brian Green and Paul Gilbert
SHNID:
gd1989-04-12.nak100.holtz.LMPP.95291.sbeok.flac16
Source:
(OTS) Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5
Lineage:
MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > Adobe Audition 3.0 > CDWave > Flac16
Taper Notes:
View NotesNotes: - Notes From The Taper During this run of Rosemont shows, I regretfully let my buddy Danny T. run the taping rig. He was a Chicago boy and liked to tape the shows when the Dead came into his town. Seeing as how he was the one with a straight job, and he owned some of the gear I was using, and and I was the one traveling all over the country taping everywhere else, I obliged him when the circus came to Chicago. I knew of a good ticket outlet to go to when Rosemont tickets went on sale, and I always got tickets in the first ten rows, so I liked to get down close and not really have to hassle with the gear. My girlfriend appreciated the time away from the taping section as well. In retrospect, I wish I would have gone full FOB gonzo those nights, as the result would have produced a much better recording, but alas, I did not. Anyway, Danny was not much to check and secure mics, cables, connections, decks, etc., before the music actually began, so he inevitably made tapes with cuts, chops, dropouts, level problems, bad flips, pretty much everything that you could do wrong, he managed to do. (I love ya Danny, but ya just weren't cut out for the job.). Anyway, that accounts for any sonic anomalies that plague these Rosemont recordings. I am amazed that the LMPP guys have been able to do what they do to resurrect these tapes from the point of no return. Thanks to all for your hard work guys. Greg Holtz October 2008 - Mastered with Adobe Audition and various plugins. - The beginning of all the tapes were plagued with dropouts for the first few minutes in the left hand channel - The worst being d1t02 Jack Straw where the left hand channel was unuseable for much of the song. The first 3 minutes 25 Seconds have been matrixed with CM's soundboard source. - d2t09 - Space - three small total dropouts patched with CM's sbd source - Encore moved to end of 1st set to fit show onto 2 discs - 2nd Set and Encore can be re-joined seamlessly