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Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1989
4/12/89
Jack Straw
5:36
Jack Straw
5:36
Row Jimmy
11:40
Row Jimmy
11:40
Minglewood Blues
8:04
Minglewood Blues
8:04
Tennessee Jed
8:08
Tennessee Jed
8:08
When I Paint My Masterpiece
5:13
When I Paint My Masterpiece
5:13
Cumberland Blues
5:03
Cumberland Blues
5:03
Let It Grow
12:17
Let It Grow
12:17
Touch of Grey
6:22
Touch of Grey
6:22
Truckin'
6:47
Truckin'
6:47
Smokestack Lightning
1:56
Smokestack Lightning
1:56
Spoonful
4:23
Spoonful
4:23
Smokestack Lightning
0:36
Smokestack Lightning
0:36
He's Gone
14:21
He's Gone
14:21
drums
8:51
drums
8:51
space
8:22
space
8:22
I Will Take You Home
3:51
I Will Take You Home
3:51
All Along the Watchtower
5:18
All Along the Watchtower
5:18
Wharf Rat
9:33
Wharf Rat
9:33
Turn on Your Lovelight
6:24
Turn on Your Lovelight
6:24
Black Muddy River (encore)
6:39
Black Muddy River (encore)
6:39
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:26:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-12.149418.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=140990) supplies: Space (1:33 - 2:04) All Transfers and Mastering By Charlie Miller [email protected] March 29, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes and Scott Clugston for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:26:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-12.149393.sbd.ultramatrix.pearson-healy.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=140990) supplies: Space (1:33 - 2:04) All Transfers and Mastering By Charlie Miller [email protected] March 29, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes and Scott Clugston for the patch source
Transferrer: Charlie Miller
2:26:57
SBD
Rating:
6.80 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-12.sbd.walker-scotton.miller.83768.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 + (2) Sennheiser 441 -> Cassette Master -> CD Space (1:39 - 1:56) Notes: -- Encore moved to end of 1st set to fit show onto 2 discs -- 2nd Set and Encore can be re-joined seamlessly -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson
Source 4 of 11
4:32:09
SBD
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesTape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly. Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter. Tape flip between drums and space. No idea how much is missing. The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity. Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman ([email protected]), May 2002.
Source 5 of 11
4:32:09
SBD
Rating:
8.00 / 13 ratings
SHNID:
gd89-04-12.sbd-matrix.willy.9962.sbeok.shnf
Source:
Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesUltramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; via PB (l'autre); Seeded to etree by Peter Braverman; misid'ed in dirname as db.etree.org fixed shnid 9962- it's alt-fixed shnid 29631
Transferrer: Peter Braverman
4:38:48
SBD
Transferrer:
Peter Braverman
SHNID:
gd1989-04-12.sbd.braverman.9383.shnf
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesTape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly. Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter. Tape flip between drums and space. No idea how much is missing. The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity. Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman ([email protected]), May 2002.
Taper: Ted Mattes
1:31:10
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-12.140990.set2.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Set 2 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Taper: Master Audience PCM recording by Ted Mattes
2:33:01
Rating:
8.00 / 1 rating
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 02, 2021
SHNID:
gd1989-04-12.156414.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - upgrade to shnid 140990 - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Taper: Mike Darby
2:22:31
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-12.AKG451.Darby.120338.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! Nothing Left To Do But Smile,Smile,Smile!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:22:31
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-12.AKG451.Darby.120337.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! Nothing Left To Do But Smile,Smile,Smile!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Greg Holtz
2:21:08
Taper:
Greg Holtz
Transferrer:
Brian Green and Paul Gilbert
SHNID:
gd1989-04-12.nak100.holtz.LMPP.95291.sbeok.flac16
Source:
(OTS) Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5
Lineage:
MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > Adobe Audition 3.0 > CDWave > Flac16
Taper Notes:
View NotesNotes: - Notes From The Taper During this run of Rosemont shows, I regretfully let my buddy Danny T. run the taping rig. He was a Chicago boy and liked to tape the shows when the Dead came into his town. Seeing as how he was the one with a straight job, and he owned some of the gear I was using, and and I was the one traveling all over the country taping everywhere else, I obliged him when the circus came to Chicago. I knew of a good ticket outlet to go to when Rosemont tickets went on sale, and I always got tickets in the first ten rows, so I liked to get down close and not really have to hassle with the gear. My girlfriend appreciated the time away from the taping section as well. In retrospect, I wish I would have gone full FOB gonzo those nights, as the result would have produced a much better recording, but alas, I did not. Anyway, Danny was not much to check and secure mics, cables, connections, decks, etc., before the music actually began, so he inevitably made tapes with cuts, chops, dropouts, level problems, bad flips, pretty much everything that you could do wrong, he managed to do. (I love ya Danny, but ya just weren't cut out for the job.). Anyway, that accounts for any sonic anomalies that plague these Rosemont recordings. I am amazed that the LMPP guys have been able to do what they do to resurrect these tapes from the point of no return. Thanks to all for your hard work guys. Greg Holtz October 2008 - Mastered with Adobe Audition and various plugins. - The beginning of all the tapes were plagued with dropouts for the first few minutes in the left hand channel - The worst being d1t02 Jack Straw where the left hand channel was unuseable for much of the song. The first 3 minutes 25 Seconds have been matrixed with CM's soundboard source. - d2t09 - Space - three small total dropouts patched with CM's sbd source - Encore moved to end of 1st set to fit show onto 2 discs - 2nd Set and Encore can be re-joined seamlessly