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Bands
Grateful Dead
Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57378
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h1.9k244
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k303
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k201
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.1k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.4k298
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k128
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h1.9k220
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h72282
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.6k185
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.2k608
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.1k138
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k224
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k306
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k205
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.8k242
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.2k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.1k1.5k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.1k552
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10k1.3k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2k266
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k195
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k194
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k171
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72389
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9314
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43727
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h664
7d885
30d57633
2 shows
2 tapes
1989
Sources
Transferrer: Charlie Miller
2:43:50
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-04-05.145037.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Schoeps CMC4/MK4 > PCM (Ted Mattes) covers very short tape flips -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:43:50
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-04-05.144913.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Schoeps CMC4/MK4 > PCM (Ted Mattes) covers very short tape flips
Transferrer: Charlie Miller
2:42:16
SBD
Rating:
9.25 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-05.sbd.walker-scotton.miller.83501.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 4 of 9
2:35:26
SBD
Rating:
8.22 / 9 ratings
Source:
Healy Ultra Mix Cassette Master-> DAT-> CDR
Taper Notes:
View NotesHealy Ultra Mix Cassette Master-> DAT-> CDR
Source 5 of 9
2:32:53
SBD
Rating:
8.12 / 18 ratings
SHNID:
gd89-04-05.sbd-matrix.kowalski.1091.sbeok.shnf
Source:
Healy Ultra Mix - sbd+aud> cm> dat> cd
Taper Notes:
View NotesHealy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop
Taper: Ted Mattes
2:45:56
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-05.141802.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the PCM master - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston April 23, 2018
Taper: Robert Mullen
2:29:08
Rating:
10.00 / 1 rating
Taper:
Robert Mullen
SHNID:
gd1989-04-05.111957.aud.dak5245-pzm.annarbor-mi.w.flac16
Source:
Source: Master Audience Cassettes; Transfer Date: 2011-02-16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
Lineage:
Robert Mullen
Taper Notes:
View NotesNote: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard. Comments: This was the first of two nights at this basketball venue. The sound was pretty good for an arena, IMHO. I know there are multiple versions from different recorded sources for this show. However, I thought I'd offer this up as I used a 4 Mic configuration that would be a bit unique. The recording came out very well. Enjoy. Note: Most of Feel Like a Stranger was missed due to equipment set up took longer than anticipated.
Taper: Greg Holtz
2:33:22
Rating:
10.00 / 2 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-04-05.nak100.holtz.jaz.100671.flac16
Source:
Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5
Lineage:
Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
Taper: John Bleich
2:40:45
Taper:
John Bleich
Transferrer:
SirMick
SHNID:
gd1989-04-05.aud.bleich.sirmick.83800.sbeok.flac16
Source:
aud > Nak 300 shotguns > WMD-6 > mac
Lineage:
mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
Taper Notes:
View NotesMany thanks to John for lending me his tapes. notes: - tape flips in the transition Drums > Space and in the NFA chant have been crossfaded. There is very little missing. - seamless join between d2 & d3 - mastered with iZotope Ozone and TC Works Native Dex transfer, editing and mastering SIRMick March 2007