Bands
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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h53572
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k279
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k357
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k555
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k508
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k406
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k382
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k177
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.2k997
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k125
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k217
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.8k666
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k191
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k203
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k234
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.2k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k256
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k275
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.4k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40842
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4k515
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k721
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k386
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k206
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k226
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k216
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h56871
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h14120
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33025
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1989
Sources
Transferrer: Charlie Miller
2:43:50
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-04-05.145037.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Schoeps CMC4/MK4 > PCM (Ted Mattes) covers very short tape flips -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:43:50
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-04-05.144913.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Schoeps CMC4/MK4 > PCM (Ted Mattes) covers very short tape flips
Transferrer: Charlie Miller
2:42:16
SBD
Rating:
9.25 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-05.sbd.walker-scotton.miller.83501.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 4 of 9
2:35:26
SBD
Rating:
8.22 / 9 ratings
Source:
Healy Ultra Mix Cassette Master-> DAT-> CDR
Taper Notes:
View NotesHealy Ultra Mix Cassette Master-> DAT-> CDR
Source 5 of 9
2:32:53
SBD
Rating:
8.12 / 18 ratings
SHNID:
gd89-04-05.sbd-matrix.kowalski.1091.sbeok.shnf
Source:
Healy Ultra Mix - sbd+aud> cm> dat> cd
Taper Notes:
View NotesHealy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop
Taper: Ted Mattes
2:45:56
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-05.141802.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the PCM master - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston April 23, 2018
Taper: Robert Mullen
2:29:08
Rating:
10.00 / 1 rating
Taper:
Robert Mullen
SHNID:
gd1989-04-05.111957.aud.dak5245-pzm.annarbor-mi.w.flac16
Source:
Source: Master Audience Cassettes; Transfer Date: 2011-02-16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
Lineage:
Robert Mullen
Taper Notes:
View NotesNote: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard. Comments: This was the first of two nights at this basketball venue. The sound was pretty good for an arena, IMHO. I know there are multiple versions from different recorded sources for this show. However, I thought I'd offer this up as I used a 4 Mic configuration that would be a bit unique. The recording came out very well. Enjoy. Note: Most of Feel Like a Stranger was missed due to equipment set up took longer than anticipated.
Taper: Greg Holtz
2:33:22
Rating:
10.00 / 2 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-04-05.nak100.holtz.jaz.100671.flac16
Source:
Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5
Lineage:
Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
Taper: John Bleich
2:40:45
Taper:
John Bleich
Transferrer:
SirMick
SHNID:
gd1989-04-05.aud.bleich.sirmick.83800.sbeok.flac16
Source:
aud > Nak 300 shotguns > WMD-6 > mac
Lineage:
mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
Taper Notes:
View NotesMany thanks to John for lending me his tapes. notes: - tape flips in the transition Drums > Space and in the NFA chant have been crossfaded. There is very little missing. - seamless join between d2 & d3 - mastered with iZotope Ozone and TC Works Native Dex transfer, editing and mastering SIRMick March 2007