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Bands
Grateful Dead
Today In History
June 11th
Years
1995
30.1k
PlaybackListensHours
48h47265
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.8k224
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.1k274
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k200
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.5k453
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h8.6k1.1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k314
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k131
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2k231
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h918103
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k201
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5k582
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k154
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k146
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.1k266
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k249
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k218
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.7k238
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h13.1k1.8k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h14.3k1.9k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h22724
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k464
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.5k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k247
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.5k173
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k192
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k151
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h59476
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8313
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40726
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h594
7d1076
30d59534
2 shows
2 tapes
1989
Sources
Transferrer: Charlie Miller
2:43:50
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-04-05.145037.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Schoeps CMC4/MK4 > PCM (Ted Mattes) covers very short tape flips -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:43:50
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-04-05.144913.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Schoeps CMC4/MK4 > PCM (Ted Mattes) covers very short tape flips
Transferrer: Charlie Miller
2:42:16
SBD
Rating:
9.25 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-05.sbd.walker-scotton.miller.83501.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 4 of 9
2:35:26
SBD
Rating:
8.22 / 9 ratings
Source:
Healy Ultra Mix Cassette Master-> DAT-> CDR
Taper Notes:
View NotesHealy Ultra Mix Cassette Master-> DAT-> CDR
Source 5 of 9
2:32:53
SBD
Rating:
8.12 / 18 ratings
SHNID:
gd89-04-05.sbd-matrix.kowalski.1091.sbeok.shnf
Source:
Healy Ultra Mix - sbd+aud> cm> dat> cd
Taper Notes:
View NotesHealy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop
Taper: Ted Mattes
2:45:56
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-05.141802.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the PCM master - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston April 23, 2018
Taper: Robert Mullen
2:29:08
Rating:
10.00 / 1 rating
Taper:
Robert Mullen
SHNID:
gd1989-04-05.111957.aud.dak5245-pzm.annarbor-mi.w.flac16
Source:
Source: Master Audience Cassettes; Transfer Date: 2011-02-16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
Lineage:
Robert Mullen
Taper Notes:
View NotesNote: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard. Comments: This was the first of two nights at this basketball venue. The sound was pretty good for an arena, IMHO. I know there are multiple versions from different recorded sources for this show. However, I thought I'd offer this up as I used a 4 Mic configuration that would be a bit unique. The recording came out very well. Enjoy. Note: Most of Feel Like a Stranger was missed due to equipment set up took longer than anticipated.
Taper: Greg Holtz
2:33:22
Rating:
10.00 / 2 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-04-05.nak100.holtz.jaz.100671.flac16
Source:
Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5
Lineage:
Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
Taper: John Bleich
2:40:45
Taper:
John Bleich
Transferrer:
SirMick
SHNID:
gd1989-04-05.aud.bleich.sirmick.83800.sbeok.flac16
Source:
aud > Nak 300 shotguns > WMD-6 > mac
Lineage:
mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
Taper Notes:
View NotesMany thanks to John for lending me his tapes. notes: - tape flips in the transition Drums > Space and in the NFA chant have been crossfaded. There is very little missing. - seamless join between d2 & d3 - mastered with iZotope Ozone and TC Works Native Dex transfer, editing and mastering SIRMick March 2007