1989
1989
Sources
Transferrer: Surround Sound Mix by Kevin Tobin
2:29:03
SBD
Transferrer:
Surround Sound Mix by Kevin Tobin
SHNID:
gd1989-04-03.135433.LPCM5-1.bhp.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor - mixing by Kevin Tobin
Taper Notes:
View NotesSurround Sound Mix 5.1 LPCM (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 27-MAR-2016 - Trader Little Helper - Tagged 27-MAR-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:27:42
SBD
Rating:
6.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-03.upg-sbd.tobin.125413.flac16
Source:
SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell (shnid 7507) - Patched, Pitch Correction and Tagged by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 15-AUG-2013 - Trader Little Helper - Tagged 15-AUG-2013 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) At the start of the show, 22.780 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the first 8 seconds of Greatest Story Ever Told. 2) Between Built To Last and Victim And The Crime, 55.682 seconds were missing from the soundboard and were filled in using audio from the video. 3) At the start of the 2nd set, 48.400 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the beginning of Blow Away. 4) About 7 minutes into Crazy Fingers, 3.338 seconds were missing from the soundboard and were filled in using audio from the audience2. 5) About 5 minutes into Uncle John's Band, 2.595 seconds were missing from the soundboard and were filled in using audio from the audience2. 6) About 8 minutes into Uncle John's Band, 7.833 seconds were missing from the soundboard and were filled in using audio from the audience2. 7) About 4 minutes into Drums, 2 minutes and 8.652 seconds were missing from the soundboard and were filled in using audio from the audience2. 8) About 5 minutes into Sugar Magnolia, 11.243 seconds were missing from the soundboard and were filled in using audio from the audience2. 9) Between Sugar Magnolia and Johnny B. Goode, 1 minute and 9.761 seconds were missing from the soundboard and were filled in using audio from the video\audience2. This includes the first notes of Johnny B. Goode. 10) At the end of the 2nd set, 27.656 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the last notes of Black Muddy River. 11) I used the video soundtrack as the timing reference and while the soundboard was fast averaging about .5 seconds a minute faster than the video, the audience1 matched the video almost exactly. Brokedown House Production
Transferrer: Kevin Tobin
2:27:42
SBD
Rating:
4.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-03.mtx.tobin.125281.flac16
Source:
Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 1-AUG-2013 - Trader Little Helper - Tagged 1-AUG-2013 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD +1 SET TWO Stereo Matrix SBD 0 AUD +1 --------------------------------------------------------- Audio Patches: 1) At the start of the show, 22.780 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the first 8 seconds of Greatest Story Ever Told. 2) Between Walkin' Blues and Jack-A-Roe, 12.101 seconds were missing from the audience1 and were filled in using audio from the soundboard. 3) Between Jack-A-Roe and El Paso, 2 minutes and 37.761 seconds were missing from the audience1 and were filled in using audio from the soundboard. 4) Between El Paso and Built To Last, 11.436 seconds were missing from the audience1 and were filled in using audio from the soundboard. 5) Between Built To Last and Victim And The Crime, 55.682 seconds were missing from the soundboard and were filled in using audio from the video. 6) Between Built To Last and Victim And The Crime, 1 minutes and 13.075 seconds were missing from the audience1 and were filled in using audio from the soundboard/video. 7) About 5 minutes into Victim And The Crime, 33.520 seconds were missing from the aduience1 and were filled in using audio from the soundboard. 8) At the start of the 2nd set, 48.400 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the beginning of Blow Away. 9) About 7 minutes into Crazy Fingers, 3.338 seconds were missing from the soundboard and were filled in using audio from the audience2. 10) About 5 minutes into Uncle John's Band, 2.595 seconds were missing from the soundboard and were filled in using audio from the audience2. 11) About 8 minutes into Uncle John's Band, 7.833 seconds were missing from the soundboard and were filled in using audio from the audience2. 12) About 4 minutes into Drums, 2 minutes and 8.652 seconds were missing from the soundboard and were filled in using audio from the audience2. 13) About 1 minutes into Space, 3 minutes and 11.697 seconds were missing from the audience1 and were filled in using audio from the audience2. 14) About 5 minutes into Sugar Magnolia, 11.243 seconds were missing from the soundboard and were filled in using audio from the audience2. 15) About 6 minutes into Sugar Magnolia, 4 minutes and 57.484 seconds were missing from the audience1 and were filled in using audio from the video\audience2. This includes the break between Sugar Magnolia and Johnny B. Goode. 16) Between Sugar Magnolia and Johnny B. Goode, 1 minute and 9.761 seconds were missing from the soundboard and were filled in using audio from the video\audience2. This includes the first notes of Johnny B. Goode. 17) At the end of the 2nd set, 27.656 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the last notes of Black Muddy River. Brokedown House Production
Taper: Ray Ackerman
2:23:33
Rating:
10.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-04-03.141670.OTS.AKG.Ackerman.Miller.Noel.t-flac2496
Source:
Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
Taper Notes:
View NotesPatch info: - shnid 133939 (AKG) supplies - s2t05; 07:26 - end - s2t06; start - 00:27 Notes: - Thanks to Ray for sharing his masters - Thanks to Charlie for directing traffic - Grateful for Dan Tepper's efforts that supply the patch source - tape pause & flip were cross faded in set one - Beer Barrel Polka tuning after Jack A Roe - last El Paso: 04-09-87 [157]
Taper: FOB Recording by Jonathan Mow
2:23:21
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 03, 2020
SHNID:
gd1989-04-03.150551.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 133939 (AKG 414-BT) supplies - s1t08; 05:00 - 05:24 - s2t05; 05:00 - end - s2t06; start - 01:06 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for the transfer - Thanks to Dan Tepper for the patch source - pitch corrected - Beer Barrel Polka tuning after Jack A Roe - last El Paso: 04-09-87 [157]
Taper: Recording & Transfer by Ray Ackerman
2:25:32
Taper:
Recording & Transfer by Ray Ackerman
Transferrer:
Edited & Mastered (Adobe Audition) by Joe Noel January 4, 2021
SHNID:
gd1989-04-03.151420.OTS.AKG.Ackerman.Noel.t-flac1644
Source:
(OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette
Lineage:
Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit
Taper Notes:
View NotesPatch info: - shnid 133939 (AKG) supplies - s1t08; 07:34 - 08:00 - s2t05; 07:16 - end - s2t06; start - 00:35 Notes: - this is a fresh transfer and remaster of shnid 141670 - Thanks to Ray for sharing his masters - Grateful for Dan Tepper's efforts that supply the patch source - tape pause & flip were cross faded in set one - Beer Barrel Polka tuning after Jack A Roe - last El Paso: 04-09-87 [157] - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson January 9, 2021
Taper: Recorded & Transferred by Ray Ackerman
2:25:32
Taper:
Recorded & Transferred by Ray Ackerman
Transferrer:
Edited & Mastered (Adobe Audition) by Joe Noel January 4, 2021
SHNID:
gd1989-04-03.151402.151402.OTS.AKG.Ackerman.Noel.t-flac2496
Source:
(OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette
Lineage:
Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit
Taper Notes:
View NotesPatch info: - shnid 133939 (AKG) supplies - s1t08; 07:34 - 08:00 - s2t05; 07:16 - end - s2t06; start - 00:35 Notes: - this is a fresh transfer and remaster of shnid 141670 - Thanks to Ray for sharing his masters - Grateful for Dan Tepper's efforts that supply the patch source - tape pause & flip were cross faded in set one - Beer Barrel Polka tuning after Jack A Roe - last El Paso: 04-09-87 [157]
Taper: fitzy
2:27:05
Rating:
8.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1989-04-03.Nak300CP4.Fitzy.Keo.125023.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* End From John Bleich's Nak300/CP4 > Sony WM-D6 source * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters!Unfortunately the second encore came up short as the second set tape ran out.I tried to patch with the Bleich source though I could not add together as one track due to the 1 Bit transfer and the Bleich's source from the 16/44 FLAC. Result was me leaving the patch as a seperate track, still all and all a fantastic recording!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:27:05
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1989-04-03.Nak300CP4.Fitzy.Keo.125022.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* End From John Bleich's Nak300/CP4 > Sony WM-D6 source * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters!Unfortunately the second encore came up short as the second set tape ran out.I tried to patch with the Bleich source though I could not add together as one track due to the 1 Bit transfer and the Bleich's source from the 16/44 FLAC. Result was me leaving the patch as a seperate track, still all and all a fantastic recording!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: John Bleich
2:29:22
Rating:
8.00 / 1 rating
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1989-04-03.nak300.bleich.sirmick.96796.sbeok.flac16
Source:
Nakamichi 300 shotguns > Sony WM-D6 > mac
Lineage:
mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16
Taper Notes:
View NotesNotes: - there is some distortion on the vocals towards the end of Bertha - Walkin' Blues has a small tape problem at 3:17 - 3:18 - tape flips after Built To Last and Sugar Magnolia crossfaded - tape flip in Drums patched 5:56 - 6:04 with Nakamichi CM300/CP4's > Marantz PMD-420 (shnid 89791) - seamless change between discs 2 and 3 Thanks to John for lending me his masters transferred, edited and mastered SIRMick January 2009