Hey Pocky Way > | 1989-03-31 | Grateful Dead

View NotesAll Transfers and Mastering By Charlie Miller
[email protected]
October 26, 2019

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Two sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

Taper: Don Pearson and Dan Healy

2:29:56

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

Charlie Miller

SHNID:

gd1989-03-31.147823.sbd.ultramatrix.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesAll Transfers and Mastering By Charlie Miller
[email protected]
October 26, 2019

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Two sets of masters were used to make this show complete

Transferrer: Charlie Miller

gd1989-03-31.sbd.miller.32349.sbeok.flac16

Source:

SBD -> Dat (44.1k) D

Lineage:

Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC

Taper Notes:

View NotesNotes:
-- Encore can be moved back to end of 2nd set seamlessly.
-- Level changes in Good Lovin' fixed as best as possible.
-- d1t09 patched with SBD->Master Cassette->20-bit Sonic->CD

Taper: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

2:27:29

SBD

Taper:

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

SHNID:

gd1989-03-31.149811.mtx.tobin.flac16

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 05-MAY-2020 - Trader Little Helper
- Tagged 05-MAY-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Source 5 of 15

gd89-03-31.sbd.eD.16666.sbeok.shnf

Source:

sbd>cass>dat>cd>eac>wav>shn>wav>shn

Taper Notes:

View Notessbd>cass>dat>cd>eac>wav>shn>wav>shn; via Ray Hansen; seedeD

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1989-03-31.148612.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5

Lineage:

ster Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the Master Cassette sourcer
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes the folks responsible for the Schoeps CMC4 MK4 source which supplies some crowd and first few notes of "Loser" (0:06 total), as well as a 0:31 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1989-03-31.148611.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5

Lineage:

ster Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the Master Cassette sourcer
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes the folks responsible for the Schoeps CMC4 MK4 source which supplies some crowd and first few notes of "Loser" (0:06 total), as well as a 0:31 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Ted Mattes

Scott Clugston and Charlie Miller

SHNID:

gd1989-03-31.140966.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644

Source:

Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the PCM master
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid13398 AKG 414 BTL mics source which supplies "Hell In a Bucket > Sugaree", as well as multiple microsecond patches in "New Minglewood Blues", "Me & My Uncle", "Big River", and "Loser"

Mastered by Scott Clugston
February 10, 2018

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:27:30

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1989-03-31.149814.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 05-MAY-2020 - Trader Little Helper
- Tagged 05-MAY-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: unknown

2:28:30

Transferrer:

Craig Hillwig & Lenny Stubbe & Joe Noel

SHNID:

gd1989-03-31.138065.mk21.Hillwig-Stubbe.flac1648

Source:

<b>flac16/48kHz</b>; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB;

Taper Notes:

View NotesNotes:
- Jerry distinctly wants to go into Smokestack out of Truckin but soon bails for Terrapin. The Truckin>Smokestack>Spoonful>Smokestack in first half of set II would eventually drop at Rosemont on 4/12
- Standing on the Moon was riddled with digital noise and drop outs. Big thanks to J.Noel for the help with a seamless patch using the Tepper source to keep the set whole and listenable. Taping and trading is a team sport

patch info:
shnid: 133938 (AKG 414-BTL FOB Dan Tepper)
Standing on the Mountain - 5:00 till end
Patched/crossfaded in Audacity by J.Noel

Taper: Dan Tepper

gd1989-03-31.133938.akg414btl-fob-dantepper.flac16

Source:

Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Lineage:

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

Taper: Baker

gd1989-03-31.AKG100.Baker.Keo.125426.Flac1644

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Baker
for recording and sharing his source for this
show!Lots of audience participation through out,
also some pauses between songs cutting out the
audience.Another excellent share from Mr. Baker's
collection of masters!!!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

Taper: Baker

gd1989-03-31.AKG100.Baker.Keo.125425.Flac2496

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes56ab6a810e173c01181e50ac18088550 *gd1989-03-31.AKG100.t01.flac
bbcef856cfae146236c4d4a83159db41 *gd1989-03-31.AKG100.t02.flac
d9cf76c088ebca4ec9ef7e893fa89098 *gd1989-03-31.AKG100.t03.flac
7a2f8fd18f6f64405fc590ac9f994fa5 *gd1989-03-31.AKG100.t04.flac
e9738be2a90e6790a5488cd62a1ff2d6 *gd1989-03-31.AKG100.t05.flac
50416554a4dac441b72949990049d05a *gd1989-03-31.AKG100.t06.flac
fae094e87c3752c04b1d609276acd48e *gd1989-03-31.AKG100.t07.flac
e489609fc2aba88dc7f03acabb76eb24 *gd1989-03-31.AKG100.t08.flac
518106a50944526fe87fb73fdb08766e *gd1989-03-31.AKG100.t09.flac
04cd1b3be31da019d217b3e7f26bdb51 *gd1989-03-31.AKG100.t10.flac
6c4fc760d4fadd7a7a44a5caad837a46 *gd1989-03-31.AKG100.t11.flac
aaad8dbe3558c65b27c2d57c4437e825 *gd1989-03-31.AKG100.t12.flac
a5348b1c9a5ed3c245a1536fbcb4cdc9 *gd1989-03-31.AKG100.t13.flac
544a4e47988e4ff1cfdb1c8d891c27ba *gd1989-03-31.AKG100.t14.flac
fdc01ac0c04cf3bfb0c367d7d678207f *gd1989-03-31.AKG100.t15.flac
eb6fb65e5a505c2567764d2273797ee6 *gd1989-03-31.AKG100.t16.flac
93eaef9fc4bf931160b6436a1b0b459a *gd1989-03-31.AKG100.t17.flac
2237cfac3c5825385146f2807180289a *gd1989-03-31.AKG100.t18.flac
3d9c9df8f66c67406cd44d496102add6 *gd1989-03-31.AKG100.t19.flac
5164dbe24b09b06a577415ac32dd1f9f *gd1989-03-31.AKG100.t20.flac
e0f6d935ab452e9abecf0537cf2fb972 *gd1989-03-31.AKG100.t21.flac
09b3f9a106ee4c8c7f8343b9ad2205eb *gd1989-03-31.AKG100.t22.flac

Taper: John Bleich

gd1989-03-31.nak300.bleich.sirmick.95221.sbeok.flac16

Source:

Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S

Lineage:

Master Cassette > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96) > flac

Taper Notes:

View NotesNotes:

- slight tape problem 6:30 - 6:32 in "Minglewood Blues"
- tape flip near end of "Big River"Just the last few seconds are missing
- "Space" 1:03 - 1:52 patched with schoeps cmc?/mk21 > DAT fob (shnid 3826).  The patch has been eq'd so that
   it is a closer match to this recording
- the tape was paused during the applause between "Good Lovin'" and "Brokedown Palace", this has been crossfaded
- seamless change between discs

Comments:

- "Truckin' ends with a "Smokestack Lightning" or is it a "Spoonful" tease!

Source 15 of 15

gd89-03-31.schoeps-fob.childer.3826.sbeok.shnf

Source:

schoeps cmc?/mk21> DAT fob

Taper Notes:

View Notesschoeps cmc?/mk21> DAT fob; via Childo and unIDed seeder; note offbeat track breaks; includes unIDed filler