Gimme Some Lovin' > | 1989-03-28 | Grateful Dead

View NotesAll Transfers and Mastering By Charlie Miller
[email protected]
October 25, 2019

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Two sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

Taper: Don Pearson and Dan Healy

2:43:26

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

Charlie Miller

SHNID:

gd1989-03-28.147818.sbd.ultramatrix.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesAll Transfers and Mastering By Charlie Miller
[email protected]
October 25, 2019

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Two sets of masters were used to make this show complete

Transferrer: Charlie Miller

gd1989-03-28.sbd.walker-scotton.miller.81529.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper: Michael Hessberg

Scott Clugston, Charlie Miller

SHNID:

gd1989-03-28.164339.nak300.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Trew Wickers for the Nakamichi 300 source which supplies a 0:32 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2022

Taper: Michael Hessberg

Scott Clugston, Charlie Miller

SHNID:

gd1989-03-28.164338.nak300.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Trew Wickers for the Nakamichi 300 source which supplies a 0:32 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2022

Taper: Master Audience PCM recording by Ted Mattes

2:46:39

Taper:

Master Audience PCM recording by Ted Mattes

Transferrer:

Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 08, 2021

SHNID:

gd1989-03-28.156410.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16

Source:

(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)

Lineage:

PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44

Taper Notes:

View NotesNotes;
- new to circulation
- emphasis undecoded
- DC Bias Adjust: 0%

Thanks;
- to Ted Mattes for sharing his recording.
- to Anon for the transfer while hiding out away from the Bay Area.

Taper: fitzy

gd1989-03-28.Nak300CP4.Fitzy.Keo.124994.Flac1644

Source:

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
Lots of crowd participation to start the show with
some pauses bewteen songs for the first set.All
and all another excellent share from the Fitzy
collection of masters!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!

Taper: fitzy

gd1989-03-28.Nak300CP4.Fitzy.Keo.124993.Flac2496

Source:

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
Lots of crowd participation to start the show with
some pauses bewteen songs for the first set.All
and all another excellent share from the Fitzy
collection of masters!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!

Taper: Trew Rickers

gd1989-03-28.nak.rickers.111792.flac24

Source:

<b>flac 24</b>; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers;

Lineage:

cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11]

Taper Notes:

View Notes*tape flips merged in Wavelab 6.1

Taper: Trew Rickers

gd1989-03-28.nak.rickers.111791.flac16

Source:

<b>flac 16</b>; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers;

Lineage:

cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11]

Taper Notes:

View Notes*tape flips merged in Wavelab 6.1

Source 11 of 11

gd89-03-28.aud.wiley.9205.sbeok.shnf

Source:

AUD>DAT>CDR

Taper Notes:

View NotesAUD>DAT>CDR; Seeded to etree by Tim W