Bird Song -> | 1988-10-14 | Grateful Dead

View NotesNotes:
-- Thanks to David Gans for making this possible
-- Thanks to Ted Mattes for the patch source
-- Thanks to Scott Clugston for the pitch correction settings
-- This file set is 16 bit

Transferrer: Charlie Miller

2:18:27

SBD

Transferrer:

Charlie Miller

SHNID:

gd1988-10-14.141626.sbd.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to David Gans for making this possible
-- Thanks to Ted Mattes for the patch source
-- Thanks to Scott Clugston for the pitch correction settings

Transferrer: Kevin Tobin

gd1988-10-14.134023.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - dts mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 17-AUG-2015 - Trader Little Helper
- Tagged 17-AUG-2015 - Tag&Rename
---------------------------------------------------------
Front
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db SBD

Surround
Left Channel -1db AUD
Right Channel -1db AUD

Sub/LFE
Mixed to mono -1db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1988-10-14.134022.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD)

Both SBD and AUD were patched with:
AUD (shnid = no shnid)
from video project
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 17-AUG-2015 - Trader Little Helper
- Tagged 17-AUG-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD 0
AUD -1

SET TWO

Stereo Matrix
SBD 0
AUD -1
---------------------------------------------------------
Brokedown House Production

Transferrer: Charlie Miller

gd1988-10-14.sbd.miller.22289.sbeok.shnf

Source:

SBD -> Cassette Master (TDK SA-X90)

Lineage:

Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN)

Taper Notes:

View NotesOnly a few seconds were lost on the tape flip during Space.

Source 6 of 14

gd88-10-14.sbd.fishman.22791.sbeok.shnf

Source:

Soundboard

Taper Notes:

View NotesREPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman.  See info file for additional edits

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1988-10-14.148493.nak300.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Greg Holtz and Kevin Tobin for the shnid134024 Nakamichi 100 source which supplies an 0:08 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1988-10-14.148492.nak300.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Greg Holtz and Kevin Tobin for the shnid134024 Nakamichi 100 source which supplies an 0:08 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Michael Hessberg

Charlie Miller and Joe Noel

SHNID:

gd1988-10-14.146317.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496

Source:

Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)

Taper Notes:

View NotesPatch info:
- shnid 141625 OTS Schoeps
- s2t06; 04:51 - 05:04

Notes:
- Thanks to Micheal Hessberg for recording the show.
- Thanks to Charlie for coordinating this & the DSD transfer.
- Thanks to Ted Mattes for the patch source
- set I tape pause & flip were cross faded
- speed corrected
- Touché Gris

Taper: Ted Mattes

Scott Clugston and Charlie Miller

SHNID:

gd1988-10-14.141625.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644

Source:

Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the source PCM
- Thanks to Charlie Miller for the transfer
- Thanks to Charlie Miller for the UltraMatrix soundboard source which supplies a 0:02 patch in "Saint Of Circumstance", as well as a 0:04 patch in "He's Gone"

Mastered by Scott Clugston
April 4, 2018

Taper: Doug Lamarre

gd1988-10-14.138830.aud.lamarre.berger.flac24

Source:

source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger

Taper: Doug Lamarre

gd1988-10-14.138829.aud.lamarre.berger.flac16

Source:

Transferrer: Kevin Tobin

gd1988-10-14.134024.upd-aud.tobin.flac16

Source:

(original shnid = 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - pitch correction and patches by Kevin Tobin

Taper Notes:

View NotesPatched and pitch corrected Audience

AUD was patched with:
AUD (shnid = no shnid)
from video project
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 17-AUG-2015 - Trader Little Helper
- Tagged 17-AUG-2015 - Tag&Rename
---------------------------------------------------------
Only minor patching - speedwise the audience was very fast compared to other recordings - about 2 seconds per minute.

Brokedown House Production

Taper: G. Holtz

gd1988-10-14.nak100.holtz.gems.83676.sbeok.flac16

Source:

Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6

Lineage:

Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96

Taper Notes:

View NotesNotes:  due to the location there is a bit of audience in the mix during the tuning and start of tunes.  I was able to isolate them the best I could without causing any glaring compression issues.  I located jerry's guitar and focused on keeping that as clear as possible.

Enjoy!
mtownshend