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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64891
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k903
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k791
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k403
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h917102
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k189
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k706
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k196
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k416
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k710
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87173
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k609
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k660
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k473
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k267
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k618
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10817
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1988
10/14/88
01 Tuning
1:09
02 Touch Of Grey
6:27
03 New Minglewood Blues
9:43
04 Row Jimmy
10:16
05 It's All Over Now
9:50
06 Brown Eyed Women
6:08
07 When I Paint My Masterpiece
5:34
08 Bird Song
9:30
09 Promised Land
5:06
10 China Cat Sunflower
6:28
11 I Know You Rider
5:59
12 Saint Of Circumstance
7:30
13 He's Gone
10:23
14 Drums
8:21
15 Space
6:04
16 Goin' Down The Road Feeling Bad
5:54
17 I Need A Miracle
3:36
18 Dear Mr Fantasy
5:53
19 Hey Jude
3:52
20 Encore Break
2:44
21 Black Muddy River
8:00
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:18:27
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-10-14.141685.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings -- This file set is 16 bit
Transferrer: Charlie Miller
2:18:27
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-14.141626.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings
Transferrer: Kevin Tobin
2:14:05
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-10-14.134023.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-AUG-2015 - Trader Little Helper - Tagged 17-AUG-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -1db AUD Right Channel -1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:14:05
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-10-14.134022.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) Both SBD and AUD were patched with: AUD (shnid = no shnid) from video project --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-AUG-2015 - Trader Little Helper - Tagged 17-AUG-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:19:02
SBD
Rating:
8.67 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-10-14.sbd.miller.22289.sbeok.shnf
Source:
SBD -> Cassette Master (TDK SA-X90)
Lineage:
Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN)
Taper Notes:
View NotesOnly a few seconds were lost on the tape flip during Space.
Source 6 of 14
2:17:37
SBD
Rating:
8.25 / 8 ratings
SHNID:
gd88-10-14.sbd.fishman.22791.sbeok.shnf
Source:
Soundboard
Taper Notes:
View NotesREPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman. See info file for additional edits
Taper: Michael Hessberg
2:15:31
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-14.148493.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Kevin Tobin for the shnid134024 Nakamichi 100 source which supplies an 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:15:31
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-14.148492.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Kevin Tobin for the shnid134024 Nakamichi 100 source which supplies an 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:14:54
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-10-14.146317.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
Source:
Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesPatch info: - shnid 141625 OTS Schoeps - s2t06; 04:51 - 05:04 Notes: - Thanks to Micheal Hessberg for recording the show. - Thanks to Charlie for coordinating this & the DSD transfer. - Thanks to Ted Mattes for the patch source - set I tape pause & flip were cross faded - speed corrected - Touché Gris
Taper: Ted Mattes
2:25:06
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-14.141625.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to Charlie Miller for the UltraMatrix soundboard source which supplies a 0:02 patch in "Saint Of Circumstance", as well as a 0:04 patch in "He's Gone" Mastered by Scott Clugston April 4, 2018
Taper: Doug Lamarre
2:12:36
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-14.138830.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:12:36
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-14.138829.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Transferrer: Kevin Tobin
2:14:05
Transferrer:
Kevin Tobin
SHNID:
gd1988-10-14.134024.upd-aud.tobin.flac16
Source:
(original shnid = 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected Audience AUD was patched with: AUD (shnid = no shnid) from video project --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-AUG-2015 - Trader Little Helper - Tagged 17-AUG-2015 - Tag&Rename --------------------------------------------------------- Only minor patching - speedwise the audience was very fast compared to other recordings - about 2 seconds per minute. Brokedown House Production
Taper: G. Holtz
2:12:22
Rating:
4.00 / 2 ratings
Taper:
G. Holtz
Transferrer:
mtownshend
SHNID:
gd1988-10-14.nak100.holtz.gems.83676.sbeok.flac16
Source:
Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6
Lineage:
Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96
Taper Notes:
View NotesNotes: due to the location there is a bit of audience in the mix during the tuning and start of tunes. I was able to isolate them the best I could without causing any glaring compression issues. I located jerry's guitar and focused on keeping that as clear as possible. Enjoy! mtownshend