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Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h64287
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k226
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.2k394
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.3k298
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k464
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.4k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.5k307
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k141
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k201
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h73281
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k178
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.1k366
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k163
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k145
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k177
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.6k521
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k231
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k253
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.4k2.8k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k926
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h43546
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h6.9k914
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.3k812
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.3k301
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k191
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.9k210
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k272
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h918123
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13117
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h28516
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h392
7d1076
30d59434
2 shows
2 tapes
1988
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:29:22
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
Transfer by David Minches Mastering by Charlie Miller [email protected] June 20, 2023
SHNID:
gd1988-09-22.165050.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered with shnid=133697 -- Thanks to Kevin Tobin for the patch source -- This is 164958 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:29:22
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
Transfer by David Minches Mastering by Charlie Miller [email protected] June 20, 2023
SHNID:
gd1988-09-22.164958.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered with shnid=133697 -- Thanks to Kevin Tobin for the patch source
Transferrer: Kevin Tobin
2:23:49
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133700.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-JUL-2015 - Trader Little Helper - Tagged 07-JUL-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:23:49
SBD
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133699.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(42%-SBD/58%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-JUL-2015 - Trader Little Helper - Tagged 07-JUL-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:23:49
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133697.upd-sbd.tobin.flac16
Source:
(original shnid = 5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected Soundboard Only minor patching - 1st set had some additional dead air before To Lay Me Down match audience tracks. 2nd set had 3 seconds added during the start of Just Like Tom Thumb's Blues, 8 seconds towards the end of Estimated Propphet, 8 seconds towards the end of Drums, 6 seconds close to the end of Dear Mr. Fantasy and 6 seconds before Brokedown Palace. Speedwise the soundboard was very fast compared to other recordings - about 1.5 seconds per minute. Brokedown House Production
Source 6 of 15
2:26:46
SBDREMASTER
SHNID:
gd1988-09-22.172745.ultramatrix.remaster.miksis.venezia.miller.flac16
Source:
Remaster source (shnid=5290): SBD Ultramatrix > Cassette Master > DAT > CD > Izotope RX/Peak Pro > Xact > FLAC16/44.1 Remastered by Brian Miksis July 2025
Taper Notes:
View NotesNotes: - This source is 100% complete Ultramatrix - Grateful to Frank Venezia and Charlie Miller for both Ultramatrix sources - Second Ultramatrix source (shnid=165050) supplies brief patches in To Lay Me Down and Brokedown Palace - Shakedown Street right channel dropout fixed - Just Like Tom Thumb's Blues has been repaired and is complete - Fully patched, remastered, de-clicked, tape dropouts repaired and pitch corrected
Source 7 of 15
2:24:56
SBD
Rating:
7.87 / 16 ratings
SHNID:
gd88-09-22.sbd.miller.5290.sbeok.shnf
Source:
Soundboard> Master Cassette> DAT> CD
Taper Notes:
View NotesSoundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and <a href="http://fvenezia.homestead.com/files/msg_9_88/MSG_9_88.htm" rel="nofollow">treed</a> by Frank Venezia; see info file for flaw notes
Taper: Don Crandall & Chris Huron
2:36:02
Taper:
Don Crandall & Chris Huron
Transferrer:
Charlie Miller and Joe Noel and Ted Mattes
SHNID:
gd1988-09-22.140947.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac.1644
Source:
Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS)
Taper Notes:
View NotesNotes: - DC offset was removed - Some small digi pops were cleaned up through out show - 22 count BIODTL - Under appreciated first set - Night seven of a nine night residency In Memoriam - John Perry Barlow October 03, 1947 - February 06, 2018 Rest in Peace
Taper: Stephen Porter
2:22:33
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-22.150695.senn-me-80.porter.carbonetta.sirmick.flac24
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > CD Wave > flac 24
Taper Notes:
View NotesNotes: - Pitch corrected - Tape flips patch with shnid 149942 - Thank Yyou David Dyche. Thanks to Stephen Porter for providing his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick October 2020
Taper: Stephen Porter
2:28:42
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-22.150694.senn-me-80.porter.carbonetta.sirmick.flac16
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette
Lineage:
Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz
Taper Notes:
View NotesNotes: - Pitch corrected - Tape flips patch with shnid 149942 - Thank Yyou David Dyche. Thanks to Stephen Porter for providing his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick October 2020
Taper: David Dyche
2:20:27
Taper:
David Dyche
Transferrer:
David Dyche
SHNID:
gd1988-09-22.149942.akg.dyche.flac1644
Source:
AKG 224’s > Sony TCD5M
Lineage:
Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT
Taper Notes:
View Notes* Dear Mr. Fantasy Rap By Brent
Transferrer: Kevin Tobin
2:23:49
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133698.upd-aud.tobin.flac16
Source:
(original shnid = 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected Audience Only minor patching - 1st set had some additional dead air before To Lay Me Down match soundboard tracks. 2nd set had 2 minutes and 17 seconds added during the end of Drums and 26 seconds before Brokedown Palace. Speedwise the audience was very slow compared to other recordings - about 1 seconds per minute. Brokedown House Production
Taper: fitzy
2:23:10
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-09-22.Nak300CP4.Fitzy.Keo.124922.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent recording from the Fitzy collection of Grateful Dead Masters from 1988!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:23:10
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-09-22.Nak300CP4.Fitzy.Keo.124921.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent recording from the Fitzy collection of Grateful Dead Masters from 1988!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Andreew F.
2:24:36
Taper:
Andreew F.
Transferrer:
Andreew F.
SHNID:
gd1988-09-22.nak304.andrewf.89048.sbeok.flac16
Source:
Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC