Bands
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Bands
Grateful Dead
Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1988
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:29:22
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
Transfer by David Minches Mastering by Charlie Miller [email protected] June 20, 2023
SHNID:
gd1988-09-22.165050.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered with shnid=133697 -- Thanks to Kevin Tobin for the patch source -- This is 164958 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:29:22
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
Transfer by David Minches Mastering by Charlie Miller [email protected] June 20, 2023
SHNID:
gd1988-09-22.164958.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered with shnid=133697 -- Thanks to Kevin Tobin for the patch source
Transferrer: Kevin Tobin
2:23:49
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133700.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-JUL-2015 - Trader Little Helper - Tagged 07-JUL-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:23:49
SBD
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133699.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(42%-SBD/58%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-JUL-2015 - Trader Little Helper - Tagged 07-JUL-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:23:49
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133697.upd-sbd.tobin.flac16
Source:
(original shnid = 5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected Soundboard Only minor patching - 1st set had some additional dead air before To Lay Me Down match audience tracks. 2nd set had 3 seconds added during the start of Just Like Tom Thumb's Blues, 8 seconds towards the end of Estimated Propphet, 8 seconds towards the end of Drums, 6 seconds close to the end of Dear Mr. Fantasy and 6 seconds before Brokedown Palace. Speedwise the soundboard was very fast compared to other recordings - about 1.5 seconds per minute. Brokedown House Production
Source 6 of 15
2:26:46
SBDREMASTER
SHNID:
gd1988-09-22.172745.ultramatrix.remaster.miksis.venezia.miller.flac16
Source:
Remaster source (shnid=5290): SBD Ultramatrix > Cassette Master > DAT > CD > Izotope RX/Peak Pro > Xact > FLAC16/44.1 Remastered by Brian Miksis July 2025
Taper Notes:
View NotesNotes: - This source is 100% complete Ultramatrix - Grateful to Frank Venezia and Charlie Miller for both Ultramatrix sources - Second Ultramatrix source (shnid=165050) supplies brief patches in To Lay Me Down and Brokedown Palace - Shakedown Street right channel dropout fixed - Just Like Tom Thumb's Blues has been repaired and is complete - Fully patched, remastered, de-clicked, tape dropouts repaired and pitch corrected
Source 7 of 15
2:24:56
SBD
Rating:
7.87 / 16 ratings
SHNID:
gd88-09-22.sbd.miller.5290.sbeok.shnf
Source:
Soundboard> Master Cassette> DAT> CD
Taper Notes:
View NotesSoundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and <a href="http://fvenezia.homestead.com/files/msg_9_88/MSG_9_88.htm" rel="nofollow">treed</a> by Frank Venezia; see info file for flaw notes
Taper: Don Crandall & Chris Huron
2:36:02
Taper:
Don Crandall & Chris Huron
Transferrer:
Charlie Miller and Joe Noel and Ted Mattes
SHNID:
gd1988-09-22.140947.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac.1644
Source:
Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS)
Taper Notes:
View NotesNotes: - DC offset was removed - Some small digi pops were cleaned up through out show - 22 count BIODTL - Under appreciated first set - Night seven of a nine night residency In Memoriam - John Perry Barlow October 03, 1947 - February 06, 2018 Rest in Peace
Taper: Stephen Porter
2:22:33
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-22.150695.senn-me-80.porter.carbonetta.sirmick.flac24
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > CD Wave > flac 24
Taper Notes:
View NotesNotes: - Pitch corrected - Tape flips patch with shnid 149942 - Thank Yyou David Dyche. Thanks to Stephen Porter for providing his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick October 2020
Taper: Stephen Porter
2:28:42
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-22.150694.senn-me-80.porter.carbonetta.sirmick.flac16
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette
Lineage:
Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz
Taper Notes:
View NotesNotes: - Pitch corrected - Tape flips patch with shnid 149942 - Thank Yyou David Dyche. Thanks to Stephen Porter for providing his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick October 2020
Taper: David Dyche
2:20:27
Taper:
David Dyche
Transferrer:
David Dyche
SHNID:
gd1988-09-22.149942.akg.dyche.flac1644
Source:
AKG 224’s > Sony TCD5M
Lineage:
Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT
Taper Notes:
View Notes* Dear Mr. Fantasy Rap By Brent
Transferrer: Kevin Tobin
2:23:49
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133698.upd-aud.tobin.flac16
Source:
(original shnid = 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected Audience Only minor patching - 1st set had some additional dead air before To Lay Me Down match soundboard tracks. 2nd set had 2 minutes and 17 seconds added during the end of Drums and 26 seconds before Brokedown Palace. Speedwise the audience was very slow compared to other recordings - about 1 seconds per minute. Brokedown House Production
Taper: fitzy
2:23:10
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-09-22.Nak300CP4.Fitzy.Keo.124922.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent recording from the Fitzy collection of Grateful Dead Masters from 1988!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:23:10
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-09-22.Nak300CP4.Fitzy.Keo.124921.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent recording from the Fitzy collection of Grateful Dead Masters from 1988!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Andreew F.
2:24:36
Taper:
Andreew F.
Transferrer:
Andreew F.
SHNID:
gd1988-09-22.nak304.andrewf.89048.sbeok.flac16
Source:
Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC