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Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h47265
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.8k224
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.1k274
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k200
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.5k453
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h8.6k1.1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k314
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k131
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2k231
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h918103
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k201
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5k582
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k154
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k146
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.1k266
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k249
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k218
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.7k238
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h13.1k1.8k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h14.3k1.9k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h22724
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k464
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.5k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k247
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.5k173
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k192
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k151
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h59476
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8313
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40726
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h594
7d1076
30d59534
2 shows
2 tapes
1988
9/15/88
Tune Up
3:29
Hell In A Bucket
6:02
Sugaree
11:23
Desolation Row
10:45
Row Jimmy
9:06
Cassidy
6:20
Deal
8:16
Tune Up
0:46
Samson and Delilah
7:59
Crazy Fingers
8:32
Playin' In The Band
6:30
Uncle John's Band
9:04
Playin' In The Band Reprise
2:36
Drums >
8:04
Space >
5:35
I Will Take You Home >
3:45
All Along the Watchtower >
5:13
Goin' Down The Road Feeling Bad >
5:55
Turn On Your Lovelight
8:56
U.S. Blues
5:40
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:21:35
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 6, 2023
SHNID:
gd1988-09-15.164213.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This version has a fixed Lovelight and corrected pitch -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete -- This is 163882 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:21:34
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 6, 2023
SHNID:
gd1988-09-15.163882.ultramatrix.miller.fixed.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This version has a fixed Lovelight and corrected pitch -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete
Taper: Recorded by Don Pearson and Dan Healy
2:25:53
SBD
Rating:
4.00 / 2 ratings
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 25, 2023
SHNID:
gd1988-09-15.163871.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Kevin Tobin
2:14:26
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-15.132910.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-APR-2015 - Trader Little Helper - Tagged 30-APR-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -1db AUD Right Channel -1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:14:26
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-15.132909.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(50%-SBD/50%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-APR-2015 - Trader Little Helper - Tagged 30-APR-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -0.5 SET TWO Stereo Matrix SBD 0 AUD -0.5 --------------------------------------------------------- Brokedown House Production
Source 6 of 12
2:13:56
SBD
Rating:
7.17 / 14 ratings
SHNID:
gd88-09-15.sbd.barbella.5068.sbeok.shnf
Source:
SBD> MC> DAT> CDR> EAC> CDwave> SHN
Taper Notes:
View NotesSBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min
Taper: Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt
2:17:31
Taper:
Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-09-15.139644.OTS.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
Source:
Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Night two of a nine night run at the world's most famous arena. - Sadly these DATs suffered water damage, they have been restored to they're former glory. - This one must've floated on top of the other, cause there is nary a blemish. - "My son said Rock & Roll for the first time." - Phil, before start of second set. - Caught the entire run from BTS, it was a great dance party. - Who remembers Lindy's?? (More Nitrous!! More Nitrous!!)
Taper: Steve Porter
2:20:49
Taper:
Steve Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-15.143842.sennme-80.porter.carbonetta.sirmick.flac1644
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Steve Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta Lineage: Wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16
Taper Notes:
View NotesNotes: - Pitch corrected. - Tape flip in Set I and several dropouts in "Row Jimmy", due to tape damage, have been patched - "Drums" and the crowd section after "Turn On Your Love Light" have also been patched Patch source shnid 139644 - Thanks to all involved. Thanks to Steve Porter for the loan of his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick November 2018
Taper: M.Laurentus
2:07:04
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1988-09-15.125772.AT835.flac16
Source:
Taper: M. Laurentus; Taper Section: 57F, Row C, Seat 5; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Taper: Lucien Zaleski and Mark McCue
2:10:07
Rating:
10.00 / 1 rating
Taper:
Lucien Zaleski and Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1988-09-15.fob.senn421.mccue-zaleski.ford.103230.flac16
Source:
(FOB) Sennheiser 421s> Sony D5> Maxell XLII 60 (Set I) and Maxell XLII-s 90 (Set II).
Lineage:
Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3 (@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> R8brain> 16/44.1> CD Wave Editor> Traders Little Helper> FLAC16. Editing and Mastering in Wavelab 6.10 with UAD in 24/88.2.
Taper: Joe D'Amico
2:12:59
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1988-09-15.nak300.damico.90744.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Andrew F
2:12:11
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1988-09-15.nak300.andrewf.88535.sbeok.flac16
Source:
Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Levels go up gradually during start of Bucket. - 4 Sub-second LC mic-pops pasted over w/RC data (Cassidy & Deal). - Tape flip in space at 03:39.632, mended together. - Soundforge used to make fades, repair mic-pops, and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums.