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June 7th
Years
1995
29.8k
PlaybackListensHours
48h781109
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h62088
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.2k562
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k351
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.7k1.2k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.5k336
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k364
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k255
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h90199
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k210
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1k136
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k194
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k215
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k297
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.8k624
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k181
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.2k296
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h17.1k2.4k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.7k516
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h78576
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k558
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k597
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k426
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k227
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k950
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k369
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41850
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10314
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22717
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h553
7d1066
30d56034
2 shows
2 tapes
1988
9/15/88
Hell In A Bucket
6:05
Sugaree
12:36
Desolation Row
12:33
Row Jimmy
10:52
Cassidy
6:26
Deal
8:19
Samson & Delilah
7:58
Crazy Fingers >
8:36
Playin' In The Band >
6:32
Uncle John's Band >
8:57
Playin' Reprise >
2:47
Drumz >
8:05
Space >
5:54
I Will Take You Home >
3:48
All Along The Watchtower >
5:12
Goin' Down The Road Feelin' Bad >
5:57
Lovelight
8:27
U.S. Blues
5:22
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:21:35
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 6, 2023
SHNID:
gd1988-09-15.164213.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This version has a fixed Lovelight and corrected pitch -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete -- This is 163882 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:21:34
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 6, 2023
SHNID:
gd1988-09-15.163882.ultramatrix.miller.fixed.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This version has a fixed Lovelight and corrected pitch -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete
Taper: Recorded by Don Pearson and Dan Healy
2:25:53
SBD
Rating:
4.00 / 2 ratings
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 25, 2023
SHNID:
gd1988-09-15.163871.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Kevin Tobin
2:14:26
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-15.132910.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-APR-2015 - Trader Little Helper - Tagged 30-APR-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -1db AUD Right Channel -1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:14:26
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-15.132909.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(50%-SBD/50%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-APR-2015 - Trader Little Helper - Tagged 30-APR-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -0.5 SET TWO Stereo Matrix SBD 0 AUD -0.5 --------------------------------------------------------- Brokedown House Production
Source 6 of 12
2:13:56
SBD
Rating:
7.17 / 14 ratings
SHNID:
gd88-09-15.sbd.barbella.5068.sbeok.shnf
Source:
SBD> MC> DAT> CDR> EAC> CDwave> SHN
Taper Notes:
View NotesSBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min
Taper: Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt
2:17:31
Taper:
Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-09-15.139644.OTS.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
Source:
Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Night two of a nine night run at the world's most famous arena. - Sadly these DATs suffered water damage, they have been restored to they're former glory. - This one must've floated on top of the other, cause there is nary a blemish. - "My son said Rock & Roll for the first time." - Phil, before start of second set. - Caught the entire run from BTS, it was a great dance party. - Who remembers Lindy's?? (More Nitrous!! More Nitrous!!)
Taper: Steve Porter
2:20:49
Taper:
Steve Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-15.143842.sennme-80.porter.carbonetta.sirmick.flac1644
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Steve Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta Lineage: Wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16
Taper Notes:
View NotesNotes: - Pitch corrected. - Tape flip in Set I and several dropouts in "Row Jimmy", due to tape damage, have been patched - "Drums" and the crowd section after "Turn On Your Love Light" have also been patched Patch source shnid 139644 - Thanks to all involved. Thanks to Steve Porter for the loan of his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick November 2018
Taper: M.Laurentus
2:07:04
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1988-09-15.125772.AT835.flac16
Source:
Taper: M. Laurentus; Taper Section: 57F, Row C, Seat 5; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Taper: Lucien Zaleski and Mark McCue
2:10:07
Rating:
10.00 / 1 rating
Taper:
Lucien Zaleski and Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1988-09-15.fob.senn421.mccue-zaleski.ford.103230.flac16
Source:
(FOB) Sennheiser 421s> Sony D5> Maxell XLII 60 (Set I) and Maxell XLII-s 90 (Set II).
Lineage:
Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3 (@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> R8brain> 16/44.1> CD Wave Editor> Traders Little Helper> FLAC16. Editing and Mastering in Wavelab 6.10 with UAD in 24/88.2.
Taper: Joe D'Amico
2:12:59
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1988-09-15.nak300.damico.90744.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Andrew F
2:12:11
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1988-09-15.nak300.andrewf.88535.sbeok.flac16
Source:
Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Levels go up gradually during start of Bucket. - 4 Sub-second LC mic-pops pasted over w/RC data (Cassidy & Deal). - Tape flip in space at 03:39.632, mended together. - Soundforge used to make fades, repair mic-pops, and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums.