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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.4k175
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.6k250
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k243
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.8k371
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k359
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k728
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k270
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k134
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.3k531
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h85198
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.6k752
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.3k290
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h962123
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k161
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h2k249
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k451
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1.1k155
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k213
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.7k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h43446
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.2k409
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k525
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k318
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k164
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k149
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h76694
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13318
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h43126
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1988
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:21:35
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 6, 2023
SHNID:
gd1988-09-15.164213.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This version has a fixed Lovelight and corrected pitch -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete -- This is 163882 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:21:34
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 6, 2023
SHNID:
gd1988-09-15.163882.ultramatrix.miller.fixed.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This version has a fixed Lovelight and corrected pitch -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete
Taper: Recorded by Don Pearson and Dan Healy
2:25:53
SBD
Rating:
4.00 / 2 ratings
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 25, 2023
SHNID:
gd1988-09-15.163871.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this show complete -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Kevin Tobin
2:14:26
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-15.132910.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-APR-2015 - Trader Little Helper - Tagged 30-APR-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -1db AUD Right Channel -1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:14:26
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-15.132909.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(50%-SBD/50%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-APR-2015 - Trader Little Helper - Tagged 30-APR-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -0.5 SET TWO Stereo Matrix SBD 0 AUD -0.5 --------------------------------------------------------- Brokedown House Production
Source 6 of 12
2:13:56
SBD
Rating:
7.17 / 14 ratings
SHNID:
gd88-09-15.sbd.barbella.5068.sbeok.shnf
Source:
SBD> MC> DAT> CDR> EAC> CDwave> SHN
Taper Notes:
View NotesSBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min
Taper: Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt
2:17:31
Taper:
Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-09-15.139644.OTS.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
Source:
Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Night two of a nine night run at the world's most famous arena. - Sadly these DATs suffered water damage, they have been restored to they're former glory. - This one must've floated on top of the other, cause there is nary a blemish. - "My son said Rock & Roll for the first time." - Phil, before start of second set. - Caught the entire run from BTS, it was a great dance party. - Who remembers Lindy's?? (More Nitrous!! More Nitrous!!)
Taper: Steve Porter
2:20:49
Taper:
Steve Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-15.143842.sennme-80.porter.carbonetta.sirmick.flac1644
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Steve Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta Lineage: Wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16
Taper Notes:
View NotesNotes: - Pitch corrected. - Tape flip in Set I and several dropouts in "Row Jimmy", due to tape damage, have been patched - "Drums" and the crowd section after "Turn On Your Love Light" have also been patched Patch source shnid 139644 - Thanks to all involved. Thanks to Steve Porter for the loan of his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick November 2018
Taper: M.Laurentus
2:07:04
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1988-09-15.125772.AT835.flac16
Source:
Taper: M. Laurentus; Taper Section: 57F, Row C, Seat 5; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Taper: Lucien Zaleski and Mark McCue
2:10:07
Rating:
10.00 / 1 rating
Taper:
Lucien Zaleski and Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1988-09-15.fob.senn421.mccue-zaleski.ford.103230.flac16
Source:
(FOB) Sennheiser 421s> Sony D5> Maxell XLII 60 (Set I) and Maxell XLII-s 90 (Set II).
Lineage:
Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3 (@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> R8brain> 16/44.1> CD Wave Editor> Traders Little Helper> FLAC16. Editing and Mastering in Wavelab 6.10 with UAD in 24/88.2.
Taper: Joe D'Amico
2:12:59
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1988-09-15.nak300.damico.90744.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Andrew F
2:12:11
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1988-09-15.nak300.andrewf.88535.sbeok.flac16
Source:
Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Levels go up gradually during start of Bucket. - 4 Sub-second LC mic-pops pasted over w/RC data (Cassidy & Deal). - Tape flip in space at 03:39.632, mended together. - Soundforge used to make fades, repair mic-pops, and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums.