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June 14th
Years
1995
30.1k
PlaybackListensHours
48h54874
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k289
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k352
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k555
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k413
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k381
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k182
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k127
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k224
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h6k686
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k210
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k245
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.3k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k251
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2.1k278
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.3k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40842
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.2k530
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k747
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k395
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k206
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k234
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k226
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h62378
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12718
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33125
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1988
9/5/88
Aiko Aiko
7:09
Walkin Blues
7:30
Ramble On Rose
8:56
Mama Tried - >
2:43
Mexicali Blues
7:04
Row Jimmy
10:20
Stuck Inside Of Mobile With The Memphis Blues Again
9:52
When Push Comes To Shove
4:42
Music Never Stopped
8:23
Tuning
2:01
China Cat Sunflower ->
5:38
I Know You Rider
5:06
Playin' In The Band ->
7:53
Uncle John's Band ->
7:23
Playin' In The Band Reprise->
2:49
Drums >
8:29
Space ->
6:37
Gimme Some Lovin ->
4:47
Black Peter ->
8:48
Around and Around ->
3:50
Lovelight
6:30
U.S. Blues
5:34
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:24:46
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 12, 2023
SHNID:
gd1988-09-05.165828.UltraMatrix.sbd.cm.miller.t-flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes for the encore patch source -- This is 165505 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:24:45
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 12, 2023
SHNID:
gd1988-09-05.165505.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes for the encore patch source
Transferrer: Kevin Tobin 5.1 LPCM Surround Sound Mix (48k)
2:23:18
SBD
Transferrer:
Kevin Tobin 5.1 LPCM Surround Sound Mix (48k)
SHNID:
gd1988-09-05.139475.5-1.tobin.flac1648
Source:
<b>flac16/48kHz;</b> <i>5.1 LPCM Surround Sound (48k)</i> - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - mixing by Kevin Tobin
Taper Notes:
View NotesLPCM Surround Sound Mix (48k) 5.1 Brokedown House Production
Transferrer: DTS mix by Kevin Tobin
2:23:17
SBD
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1988-09-05.139474.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix;</b> - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:23:17
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1988-09-05.139473.mtx.tobin.flac16
Source:
<i>Matrix 3 Source Mix</i> - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSet 1: SBD + AUD2 Matrix 2 Source Mix Set 2: AUD1 + AUD2 Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-SEP-2017 - Trader Little Helper - Tagged 28-SEP-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
1:06:40
SBD
Rating:
6.50 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-09-05.sbd-set1.miller.80630.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA90) D
Lineage:
Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) ->
Taper: Jim Vita
2:21:48
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-09-05.168191.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps source which supplies a 0:45 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston May 2024
Taper: Jim Vita
2:21:48
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-09-05.168188.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps source which supplies a 0:45 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston May 2024
Taper: Ted Mattes
2:24:37
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-09-05.142143.FOB.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
Source:
Don Crandall & Chris Huron FOB Recording: Schoeps sub cards @ 130ยบ > PCM (Nakamichi DMP-100); Charlie Miller
Lineage:
Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
Taper Notes:
View NotesPatch info: - shnid 83250 Nak 100's supplies - s1t01; all - s1t02; all - s1t03; start - 03:02 Notes: - Master PCM courtesy of Ted Mattes. - Thanks to Don Crandall & Chris Huron for manning Ted's rig. - Thanks to Charlie Miller for directing traffic - Grateful for Boyd McHugh's source that supplies the patch - DC offset removed
Taper: Dave Boedicker
2:22:04
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1988-09-05.140015.me80.boedicker.flac1644
Transferrer: datbrad
2:20:04
Transferrer:
datbrad
SHNID:
gd1988-09-05.131131.nakcm100.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD
Taper Notes:
View Notes*Note: Several years ago Steve Leeds posted a SHN version to LMA from another set of discs that came from the same DATs Mark Lynn made from my masters. His seed included a patch source to bridge the tape flips. I made transfers to CDR off the DATs in real time sometime in 2001. This fresh version was a direct import into Wavelab as a single file per disc that was re-tracked with CDwave, with no other processing or edits performed. Considering the age of the DATs and the potential for unexpected digital tape dropouts, I decided to use the original CDRs I made when the DATs were brand new. If interested, you can find Steve's version here: https://archive.org/details/gd88-09-05.nakamichi.leeds.16440.sbeok.shnf
Taper: recorded by Boyd McHugh from tapers' section
2:18:26
Rating:
8.00 / 1 rating
Taper:
recorded by Boyd McHugh from tapers' section
Transferrer:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom ([email protected]) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl ([email protected]) > flac
SHNID:
gd1988-09-05.nak100.mchugh.83250.sbeok.flac16
Source:
NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s
Taper Notes:
View NotesThere is a tape flip cut at the beginning of Gimme Some Lovin', but the flip is very fast and fairly non-harsh.
Source 13 of 13
2:19:06
Rating:
8.25 / 8 ratings
SHNID:
gd88-09-05.nakamichi.leeds.16440.sbeok.shnf
Source:
NAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700
Taper Notes:
View NotesNAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7; AES/EBU out of AD into Fostex D5; Conversion: EAC> CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); via Steven Leeds, with thanks to Mark Lynn and Mike B for discs