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Bands
Grateful Dead
Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h50269
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k401
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k311
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k308
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k388
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k399
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k365
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k164
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k978
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h945108
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.1k361
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.9k570
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.3k161
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k192
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k231
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.4k979
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k198
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k242
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.1k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h47948
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.8k472
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k648
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k380
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.6k170
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k214
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k276
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h830102
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12519
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21216
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1988
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:24:46
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 12, 2023
SHNID:
gd1988-09-05.165828.UltraMatrix.sbd.cm.miller.t-flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes for the encore patch source -- This is 165505 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:24:45
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 12, 2023
SHNID:
gd1988-09-05.165505.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes for the encore patch source
Transferrer: Kevin Tobin 5.1 LPCM Surround Sound Mix (48k)
2:23:18
SBD
Transferrer:
Kevin Tobin 5.1 LPCM Surround Sound Mix (48k)
SHNID:
gd1988-09-05.139475.5-1.tobin.flac1648
Source:
<b>flac16/48kHz;</b> <i>5.1 LPCM Surround Sound (48k)</i> - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - mixing by Kevin Tobin
Taper Notes:
View NotesLPCM Surround Sound Mix (48k) 5.1 Brokedown House Production
Transferrer: DTS mix by Kevin Tobin
2:23:17
SBD
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1988-09-05.139474.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix;</b> - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:23:17
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1988-09-05.139473.mtx.tobin.flac16
Source:
<i>Matrix 3 Source Mix</i> - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSet 1: SBD + AUD2 Matrix 2 Source Mix Set 2: AUD1 + AUD2 Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-SEP-2017 - Trader Little Helper - Tagged 28-SEP-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
1:06:40
SBD
Rating:
6.50 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-09-05.sbd-set1.miller.80630.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA90) D
Lineage:
Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) ->
Taper: Jim Vita
2:21:48
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-09-05.168191.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps source which supplies a 0:45 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston May 2024
Taper: Jim Vita
2:21:48
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-09-05.168188.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps source which supplies a 0:45 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston May 2024
Taper: Ted Mattes
2:24:37
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-09-05.142143.FOB.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
Source:
Don Crandall & Chris Huron FOB Recording: Schoeps sub cards @ 130ยบ > PCM (Nakamichi DMP-100); Charlie Miller
Lineage:
Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
Taper Notes:
View NotesPatch info: - shnid 83250 Nak 100's supplies - s1t01; all - s1t02; all - s1t03; start - 03:02 Notes: - Master PCM courtesy of Ted Mattes. - Thanks to Don Crandall & Chris Huron for manning Ted's rig. - Thanks to Charlie Miller for directing traffic - Grateful for Boyd McHugh's source that supplies the patch - DC offset removed
Taper: Dave Boedicker
2:22:04
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1988-09-05.140015.me80.boedicker.flac1644
Transferrer: datbrad
2:20:04
Transferrer:
datbrad
SHNID:
gd1988-09-05.131131.nakcm100.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD
Taper Notes:
View Notes*Note: Several years ago Steve Leeds posted a SHN version to LMA from another set of discs that came from the same DATs Mark Lynn made from my masters. His seed included a patch source to bridge the tape flips. I made transfers to CDR off the DATs in real time sometime in 2001. This fresh version was a direct import into Wavelab as a single file per disc that was re-tracked with CDwave, with no other processing or edits performed. Considering the age of the DATs and the potential for unexpected digital tape dropouts, I decided to use the original CDRs I made when the DATs were brand new. If interested, you can find Steve's version here: https://archive.org/details/gd88-09-05.nakamichi.leeds.16440.sbeok.shnf
Taper: recorded by Boyd McHugh from tapers' section
2:18:26
Rating:
8.00 / 1 rating
Taper:
recorded by Boyd McHugh from tapers' section
Transferrer:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom ([email protected]) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl ([email protected]) > flac
SHNID:
gd1988-09-05.nak100.mchugh.83250.sbeok.flac16
Source:
NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s
Taper Notes:
View NotesThere is a tape flip cut at the beginning of Gimme Some Lovin', but the flip is very fast and fairly non-harsh.
Source 13 of 13
2:19:06
Rating:
8.25 / 8 ratings
SHNID:
gd88-09-05.nakamichi.leeds.16440.sbeok.shnf
Source:
NAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700
Taper Notes:
View NotesNAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7; AES/EBU out of AD into Fostex D5; Conversion: EAC> CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); via Steven Leeds, with thanks to Mark Lynn and Mike B for discs