Bands
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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h54373
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k283
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k353
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.1k553
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k504
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k410
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k382
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k178
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k127
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k222
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.9k678
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k208
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k241
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.3k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k255
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k277
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.3k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40842
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k524
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k737
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k391
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k204
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k233
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k222
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h61877
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33025
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1988
Sources
Transferrer: All Transfers and Mastering By Charlie Miller [email protected] March 12, 2024
2:27:18
SBD
Rating:
8.00 / 1 rating
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] March 12, 2024
SHNID:
gd1988-07-29.167172.ultramatrix.patched.miller.flac1644
Source:
Ultramatrix SBD > DAT (44.1k) > AIFF
Lineage:
AIFF > Samplitude Pro X6 Suite > FLAC
Taper Notes:
View NotesNotes: -- DDi Codec was used to dolby decode the patch source
Transferrer: Charlie Miller
2:27:49
SBD
Rating:
8.29 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-07-29.sbd.miller.106034.flac16
Source:
SBD -> Cassette Master -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Encore moved to end of Set 1 to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- There is some distortion on the low end of the recording -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Russ Cansler
1:22:03
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Russ Cansler
SHNID:
gd1988-07-29.set2.sbd.russjcan.105341.flac16
Source:
SBD > ? > ? > Cassette (Third Gen sbd cassette maxell XL II no nr)
Lineage:
3rd gen sbd > NakCR-3A > AudigySE > Audacity > CDwave > TLH
Source 4 of 8
2:23:28
SBD
Rating:
9.03 / 64 ratings
SHNID:
gd88-07-29.sbd.hayum.5395.sbeok.shnf
Source:
Soundboard( was labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW))
Taper Notes:
View NotesAud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook
Source 5 of 8
2:37:17
SHNID:
gd1988-07-29.158384.mtx.photoleon.flac16
Source:
Matrix created in Adobe Audition by Joe Noel
Taper Notes:
View NotesNotes: - fades were applied to the breaks in source 2 (s1) - s2t12 & s2t13 are Source 1 only Thanks to; - M.Watson & wklitz for the Schoeps source. - Dan Healy for recording the SBD source. - Charlie Miller for processing the SBD. - John Ammons & Jack Schlottman for the critique.
Taper: Greg Holtz
2:26:51
Rating:
8.00 / 8 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1988-07-29.fob.nak100.holtz.jaz.102903.flac16
Source:
Nakamichi CM-100 mics with CP-1 caps (Hand Held FOB) Sony WM-D6
Lineage:
Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
Taper: Russ Cansler
2:29:55
Rating:
8.67 / 6 ratings
Taper:
Russ Cansler
Transferrer:
Russ Cansler
SHNID:
gd1988-07-29.pzm.russjcan.93970.sbeok.flac16
Source:
Hat Mounted pzm's with Sony WMD6-C 45 feet away,Dead center Maxell MX-90 No nr
Lineage:
Master>D6>HD>Audacity>CDWave>TLH>FLAC
Taper Notes:
View Notes- No taping section for these shows - David Lindley and El-Rayo X opened
Transferrer: M Watson
2:37:12
Rating:
8.57 / 7 ratings
Transferrer:
M Watson
SHNID:
gd1988-07-29.schoeps.litzenberger.watson.86255.sbefail.flac16
Source:
Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat
Lineage:
Dat->Sony pcm R-500(playback)->vx pocket v2->SF6
Taper Notes:
View NotesThe volume of the right channel was a little lower than the left. I adjusted it 0.51db (106.06%). This was the only processing done to this recording. Disc II and Disc III can be reassembled seamlessly. There was no mic location info on the source dat but I would guess that this recording was done fob because there is not a lot of crowd noise and omni capsules were used. I would like to thank wklitz for loaning me his dats.