Bands
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Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k158
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h63590
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.5k874
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k329
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k744
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k389
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k423
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k297
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87197
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k185
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k242
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.4k313
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k698
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k190
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.2k420
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k706
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87272
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k594
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k625
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k258
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.4k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k620
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h50961
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31822
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1988
Sources
Transferrer: All Transfers and Mastering By Charlie Miller [email protected] March 12, 2024
2:27:18
SBD
Rating:
8.00 / 1 rating
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] March 12, 2024
SHNID:
gd1988-07-29.167172.ultramatrix.patched.miller.flac1644
Source:
Ultramatrix SBD > DAT (44.1k) > AIFF
Lineage:
AIFF > Samplitude Pro X6 Suite > FLAC
Taper Notes:
View NotesNotes: -- DDi Codec was used to dolby decode the patch source
Transferrer: Charlie Miller
2:27:49
SBD
Rating:
8.29 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-07-29.sbd.miller.106034.flac16
Source:
SBD -> Cassette Master -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Encore moved to end of Set 1 to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- There is some distortion on the low end of the recording -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Russ Cansler
1:22:03
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Russ Cansler
SHNID:
gd1988-07-29.set2.sbd.russjcan.105341.flac16
Source:
SBD > ? > ? > Cassette (Third Gen sbd cassette maxell XL II no nr)
Lineage:
3rd gen sbd > NakCR-3A > AudigySE > Audacity > CDwave > TLH
Source 4 of 8
2:23:28
SBD
Rating:
9.03 / 64 ratings
SHNID:
gd88-07-29.sbd.hayum.5395.sbeok.shnf
Source:
Soundboard( was labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW))
Taper Notes:
View NotesAud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook
Source 5 of 8
2:37:17
SHNID:
gd1988-07-29.158384.mtx.photoleon.flac16
Source:
Matrix created in Adobe Audition by Joe Noel
Taper Notes:
View NotesNotes: - fades were applied to the breaks in source 2 (s1) - s2t12 & s2t13 are Source 1 only Thanks to; - M.Watson & wklitz for the Schoeps source. - Dan Healy for recording the SBD source. - Charlie Miller for processing the SBD. - John Ammons & Jack Schlottman for the critique.
Taper: Greg Holtz
2:26:51
Rating:
8.00 / 8 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1988-07-29.fob.nak100.holtz.jaz.102903.flac16
Source:
Nakamichi CM-100 mics with CP-1 caps (Hand Held FOB) Sony WM-D6
Lineage:
Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
Taper: Russ Cansler
2:29:55
Rating:
8.67 / 6 ratings
Taper:
Russ Cansler
Transferrer:
Russ Cansler
SHNID:
gd1988-07-29.pzm.russjcan.93970.sbeok.flac16
Source:
Hat Mounted pzm's with Sony WMD6-C 45 feet away,Dead center Maxell MX-90 No nr
Lineage:
Master>D6>HD>Audacity>CDWave>TLH>FLAC
Taper Notes:
View Notes- No taping section for these shows - David Lindley and El-Rayo X opened
Transferrer: M Watson
2:37:12
Rating:
8.57 / 7 ratings
Transferrer:
M Watson
SHNID:
gd1988-07-29.schoeps.litzenberger.watson.86255.sbefail.flac16
Source:
Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat
Lineage:
Dat->Sony pcm R-500(playback)->vx pocket v2->SF6
Taper Notes:
View NotesThe volume of the right channel was a little lower than the left. I adjusted it 0.51db (106.06%). This was the only processing done to this recording. Disc II and Disc III can be reassembled seamlessly. There was no mic location info on the source dat but I would guess that this recording was done fob because there is not a lot of crowd noise and omni capsules were used. I would like to thank wklitz for loaning me his dats.