Bands
Featured
Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h55474
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k185
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k434
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.4k321
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k628
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.3k910
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.9k355
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.7k304
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h990112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k213
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.2k499
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k178
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k301
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.4k275
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k213
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k267
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.2k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.1k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h21723
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k505
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.2k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k258
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k192
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k190
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k170
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56972
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9114
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h49432
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h504
7d1368
30d63237
2 shows
2 tapes
1988
Sources
Transferrer: All Transfers and Mastering By Charlie Miller [email protected] March 12, 2024
2:27:18
SBD
Rating:
8.00 / 1 rating
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] March 12, 2024
SHNID:
gd1988-07-29.167172.ultramatrix.patched.miller.flac1644
Source:
Ultramatrix SBD > DAT (44.1k) > AIFF
Lineage:
AIFF > Samplitude Pro X6 Suite > FLAC
Taper Notes:
View NotesNotes: -- DDi Codec was used to dolby decode the patch source
Transferrer: Charlie Miller
2:27:49
SBD
Rating:
8.29 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-07-29.sbd.miller.106034.flac16
Source:
SBD -> Cassette Master -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Encore moved to end of Set 1 to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- There is some distortion on the low end of the recording -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Russ Cansler
1:22:03
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Russ Cansler
SHNID:
gd1988-07-29.set2.sbd.russjcan.105341.flac16
Source:
SBD > ? > ? > Cassette (Third Gen sbd cassette maxell XL II no nr)
Lineage:
3rd gen sbd > NakCR-3A > AudigySE > Audacity > CDwave > TLH
Source 4 of 8
2:23:28
SBD
Rating:
9.03 / 64 ratings
SHNID:
gd88-07-29.sbd.hayum.5395.sbeok.shnf
Source:
Soundboard( was labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW))
Taper Notes:
View NotesAud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook
Source 5 of 8
2:37:17
SHNID:
gd1988-07-29.158384.mtx.photoleon.flac16
Source:
Matrix created in Adobe Audition by Joe Noel
Taper Notes:
View NotesNotes: - fades were applied to the breaks in source 2 (s1) - s2t12 & s2t13 are Source 1 only Thanks to; - M.Watson & wklitz for the Schoeps source. - Dan Healy for recording the SBD source. - Charlie Miller for processing the SBD. - John Ammons & Jack Schlottman for the critique.
Taper: Greg Holtz
2:26:51
Rating:
8.00 / 8 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1988-07-29.fob.nak100.holtz.jaz.102903.flac16
Source:
Nakamichi CM-100 mics with CP-1 caps (Hand Held FOB) Sony WM-D6
Lineage:
Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
Taper: Russ Cansler
2:29:55
Rating:
8.67 / 6 ratings
Taper:
Russ Cansler
Transferrer:
Russ Cansler
SHNID:
gd1988-07-29.pzm.russjcan.93970.sbeok.flac16
Source:
Hat Mounted pzm's with Sony WMD6-C 45 feet away,Dead center Maxell MX-90 No nr
Lineage:
Master>D6>HD>Audacity>CDWave>TLH>FLAC
Taper Notes:
View Notes- No taping section for these shows - David Lindley and El-Rayo X opened
Transferrer: M Watson
2:37:12
Rating:
8.57 / 7 ratings
Transferrer:
M Watson
SHNID:
gd1988-07-29.schoeps.litzenberger.watson.86255.sbefail.flac16
Source:
Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat
Lineage:
Dat->Sony pcm R-500(playback)->vx pocket v2->SF6
Taper Notes:
View NotesThe volume of the right channel was a little lower than the left. I adjusted it 0.51db (106.06%). This was the only processing done to this recording. Disc II and Disc III can be reassembled seamlessly. There was no mic location info on the source dat but I would guess that this recording was done fob because there is not a lot of crowd noise and omni capsules were used. I would like to thank wklitz for loaning me his dats.