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Today In History
June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h50868
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k264
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k574
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.1k533
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k389
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k374
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.9k948
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k210
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.7k649
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k197
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.9k233
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h10k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k249
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.7k1.4k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h14.9k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h40842
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k515
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k717
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k379
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.9k216
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k207
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h53767
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14220
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h32024
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h302
7d956
30d61936
2 shows
2 tapes
1988
4/22/88
Tuning
1:04
Mississippi Half-Step >
6:54
Feel Like A Stranger >
7:40
Franklin's Tower
9:21
Minglewood Blues
8:52
Candyman
7:05
Queen Jane Approximately
6:34
When Push Comes To Shove
5:03
Let It Grow
12:55
China Cat Sunflower >
4:05
I Know You Rider
7:18
Louie Louie
5:04
Estimated Prophet >
9:44
He's Gone >
9:56
Drums >
9:14
Space >
7:43
The Wheel >
4:13
Gimme Some Lovin' >
4:35
All Along The Watchtower >
4:46
Sugar Magnolia
13:43
Black Muddy River
6:16
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:34:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021
SHNID:
gd1988-04-22.152577.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This is 152289 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:34:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021
SHNID:
gd1988-04-22.152289.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: Darryl Hinko
2:32:05
SBD
Rating:
7.60 / 7 ratings
Transferrer:
Darryl Hinko
SHNID:
gd88-04-22.sbd-matrix.hinko.26818.sbeok.flacf
Source:
<b>flac16</b> SBD (Matrix) > MC > DAT > CD > EAC > FLAC
Taper Notes:
View Notes<b>flac16</b>; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
Taper: Don Crandall, Sean Weber-Small & Chris Huron
2:31:22
Taper:
Don Crandall, Sean Weber-Small & Chris Huron
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-04-22.164110.fob.schoeps.cmc4.mk41.mattes.miller.clugston.flac16
Source:
Don Crandall, Sean Weber-Small & Chris Huron's (FOB) Audience PCM (Nakamichi DMP-100); Schoeps CMC4/MK41 mics (ORTF) (Ted Mattes' equipment)
Lineage:
Master PCM (Sony ESX-HiFi/L-150)(Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 2023 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Don Crandall, Sean Weber-Small and Chris Huron for recording the show - Thanks to Ted Mattes for the master PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston March 2023
Taper: Gesine Lohr
2:21:32
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1988-04-22.151102.aud.lohr.vernon.flac2496
Source:
Nak mics > D6 > MAC
Lineage:
Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording notes: 1. tape flips 05, 11, 16
Taper: Gesine Lohr
2:21:32
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1988-04-22.151101.aud.lohr.vernon.flac1648
Source:
Nak mics > D6 > MAC
Lineage:
Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording notes: 1. tape flips 05, 11, 16
Taper: Alabama Bob
2:28:26
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1988-04-22.140443.senn-816.alabama-bob.flac1644
Source:
AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
Taper Notes:
View NotesNote: ID-16070 patches cover tape-flips; crowd end of Candyman 6:24 > 7:13, and Drums 9:07 > Space 1:40. With thanks to Brad125!
Taper: Alabama Bob
2:28:26
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1988-04-22.140442.senn-816.alabama-bob.flac2448
Source:
AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017
Taper Notes:
View NotesNote: ID-16070 patches cover tape-flips; crowd end of Candyman 6:24 > 7:13, and Drums 9:07 > Space 1:40. With thanks to Brad125!
Taper: Hale
2:30:57
Taper:
Hale
Transferrer:
Hale
SHNID:
gd1988-04-22.137944.dbx.hale.flac16
Source:
Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH
Taper Notes:
View Notes-Not sure of our seat numbers and my ticket stubs are in one of a mountain of boxes in a storage unit. The mics were set up on a giant mic stand that was actually made to hold one side of a PA system. It went up about 12-14'. The scene at the Irvine Meadows lot was way different than bay area shows. We flew in to LAX and rented this white station wagon. We wanted a van, but that's all they had. Anyway there wasn't much room to sleep. But who needs sleep. I have this "Fear and Loathing" sort of memory of too many cheap drugs available 24/7 in the lot and plenty of good acid for the ride to Mexico after the shows. We flew on these cheap comp plane tickets I bought off this Italian in Kansas City. No problem flying out of KCI, but the return trip out of LAX was a huge problem. Even in 1988 they were checking ID's when boarding at LAX. We clearly were not the guys attached to the Italian names on these tickets. We finally made it home after a few calls and with the help of a good friend who lined up booked and paid for the tickets which were not cheap same day. It took me a couple of months to pay him back. Anyway that's the short tame version of a very long story. What a long strange trip!!!!!!!!
Source 10 of 10
2:30:52
Rating:
8.18 / 11 ratings
SHNID:
gd88-04-22.aud.wiley.16070.sbeok.shnf