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Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h55374
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k163
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.4k292
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k275
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h4.1k590
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h7.2k895
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.5k308
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k141
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k179
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h67475
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k169
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.3k168
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.4k181
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k164
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.7k212
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h7.3k793
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k205
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k233
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h21k3k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.5k482
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h69167
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.4k970
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.9k507
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.4k295
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k171
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h3.3k333
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.1k346
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h802109
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13417
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h20310
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h442
7d1156
30d59235
2 shows
2 tapes
1988
4/22/88
01. Mississippi Half Step Uptown Toodleloo >
6:48
02. Feel Like A Stranger >
7:30
03. Franklin's Tower
7:46
04. New Minglewood Blues
8:13
05. Candyman
6:36
06. Queen Jane Approximately
6:24
07. When Push Comes To Shove
4:33
08. Let It Grow
12:27
09. Crowd
0:16
10. China Cat Sunflower >
5:53
11. I Know You Rider
4:49
12. Louie Louie
4:51
13. Estimated Prophet >
10:03
14. He's Gone >
9:27
15. Drums >
8:25
16. Space >
8:16
17. The Wheel >
4:06
18. Gimme Some Lovin' >
4:32
19. All Along The Watchtower >
4:42
20. Sugar Magnolia
9:46
21. Black Muddy River
6:09
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:34:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021
SHNID:
gd1988-04-22.152577.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This is 152289 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:34:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021
SHNID:
gd1988-04-22.152289.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: Darryl Hinko
2:32:05
SBD
Rating:
7.60 / 7 ratings
Transferrer:
Darryl Hinko
SHNID:
gd88-04-22.sbd-matrix.hinko.26818.sbeok.flacf
Source:
<b>flac16</b> SBD (Matrix) > MC > DAT > CD > EAC > FLAC
Taper Notes:
View Notes<b>flac16</b>; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
Taper: Don Crandall, Sean Weber-Small & Chris Huron
2:31:22
Taper:
Don Crandall, Sean Weber-Small & Chris Huron
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-04-22.164110.fob.schoeps.cmc4.mk41.mattes.miller.clugston.flac16
Source:
Don Crandall, Sean Weber-Small & Chris Huron's (FOB) Audience PCM (Nakamichi DMP-100); Schoeps CMC4/MK41 mics (ORTF) (Ted Mattes' equipment)
Lineage:
Master PCM (Sony ESX-HiFi/L-150)(Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 2023 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Don Crandall, Sean Weber-Small and Chris Huron for recording the show - Thanks to Ted Mattes for the master PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston March 2023
Taper: Gesine Lohr
2:21:32
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1988-04-22.151102.aud.lohr.vernon.flac2496
Source:
Nak mics > D6 > MAC
Lineage:
Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording notes: 1. tape flips 05, 11, 16
Taper: Gesine Lohr
2:21:32
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1988-04-22.151101.aud.lohr.vernon.flac1648
Source:
Nak mics > D6 > MAC
Lineage:
Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording notes: 1. tape flips 05, 11, 16
Taper: Alabama Bob
2:28:26
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1988-04-22.140443.senn-816.alabama-bob.flac1644
Source:
AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
Taper Notes:
View NotesNote: ID-16070 patches cover tape-flips; crowd end of Candyman 6:24 > 7:13, and Drums 9:07 > Space 1:40. With thanks to Brad125!
Taper: Alabama Bob
2:28:26
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1988-04-22.140442.senn-816.alabama-bob.flac2448
Source:
AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017
Taper Notes:
View NotesNote: ID-16070 patches cover tape-flips; crowd end of Candyman 6:24 > 7:13, and Drums 9:07 > Space 1:40. With thanks to Brad125!
Taper: Hale
2:30:57
Taper:
Hale
Transferrer:
Hale
SHNID:
gd1988-04-22.137944.dbx.hale.flac16
Source:
Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH
Taper Notes:
View Notes-Not sure of our seat numbers and my ticket stubs are in one of a mountain of boxes in a storage unit. The mics were set up on a giant mic stand that was actually made to hold one side of a PA system. It went up about 12-14'. The scene at the Irvine Meadows lot was way different than bay area shows. We flew in to LAX and rented this white station wagon. We wanted a van, but that's all they had. Anyway there wasn't much room to sleep. But who needs sleep. I have this "Fear and Loathing" sort of memory of too many cheap drugs available 24/7 in the lot and plenty of good acid for the ride to Mexico after the shows. We flew on these cheap comp plane tickets I bought off this Italian in Kansas City. No problem flying out of KCI, but the return trip out of LAX was a huge problem. Even in 1988 they were checking ID's when boarding at LAX. We clearly were not the guys attached to the Italian names on these tickets. We finally made it home after a few calls and with the help of a good friend who lined up booked and paid for the tickets which were not cheap same day. It took me a couple of months to pay him back. Anyway that's the short tame version of a very long story. What a long strange trip!!!!!!!!
Source 10 of 10
2:30:52
Rating:
8.18 / 11 ratings
SHNID:
gd88-04-22.aud.wiley.16070.sbeok.shnf