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Today In History
June 13th
Years
1995
30.2k
PlaybackListensHours
48h58177
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h763114
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k449
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.2k696
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h6.6k834
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.8k372
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k358
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k146
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k564
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k207
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k423
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k184
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k156
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k246
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6.2k737
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k234
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k275
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h21.5k2.8k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28731
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k481
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.5k751
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k313
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k214
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.4k168
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k179
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h41953
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15119
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41530
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h181
7d1268
30d63237
2 shows
2 tapes
1988
4/22/88
Mississippi Half Step
6:57
Feel Like A Stranger
7:38
Franklin's Tower
9:21
New Minglewood Blues
8:48
Candyman
7:44
Queen Jane Approximately
6:34
When Push Comes To Shove
5:02
Let It Grow
12:49
China Cat Sunflower > I Know You Rider
11:38
Louie Louie
5:01
Estimated Prophet
9:41
He's Gone
9:54
Drums
9:17
Space
7:39
The Wheel
4:12
Gimme Some Lovin'
4:32
All Along The Watchtower
4:47
Sugar Magnolia
9:22
Encore Break
4:16
Black Muddy River
6:10
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:34:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021
SHNID:
gd1988-04-22.152577.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This is 152289 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:34:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021
SHNID:
gd1988-04-22.152289.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: Darryl Hinko
2:32:05
SBD
Rating:
7.60 / 7 ratings
Transferrer:
Darryl Hinko
SHNID:
gd88-04-22.sbd-matrix.hinko.26818.sbeok.flacf
Source:
<b>flac16</b> SBD (Matrix) > MC > DAT > CD > EAC > FLAC
Taper Notes:
View Notes<b>flac16</b>; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
Taper: Don Crandall, Sean Weber-Small & Chris Huron
2:31:22
Taper:
Don Crandall, Sean Weber-Small & Chris Huron
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-04-22.164110.fob.schoeps.cmc4.mk41.mattes.miller.clugston.flac16
Source:
Don Crandall, Sean Weber-Small & Chris Huron's (FOB) Audience PCM (Nakamichi DMP-100); Schoeps CMC4/MK41 mics (ORTF) (Ted Mattes' equipment)
Lineage:
Master PCM (Sony ESX-HiFi/L-150)(Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 2023 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Don Crandall, Sean Weber-Small and Chris Huron for recording the show - Thanks to Ted Mattes for the master PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston March 2023
Taper: Gesine Lohr
2:21:32
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1988-04-22.151102.aud.lohr.vernon.flac2496
Source:
Nak mics > D6 > MAC
Lineage:
Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording notes: 1. tape flips 05, 11, 16
Taper: Gesine Lohr
2:21:32
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1988-04-22.151101.aud.lohr.vernon.flac1648
Source:
Nak mics > D6 > MAC
Lineage:
Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording notes: 1. tape flips 05, 11, 16
Taper: Alabama Bob
2:28:26
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1988-04-22.140443.senn-816.alabama-bob.flac1644
Source:
AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
Taper Notes:
View NotesNote: ID-16070 patches cover tape-flips; crowd end of Candyman 6:24 > 7:13, and Drums 9:07 > Space 1:40. With thanks to Brad125!
Taper: Alabama Bob
2:28:26
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1988-04-22.140442.senn-816.alabama-bob.flac2448
Source:
AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017
Taper Notes:
View NotesNote: ID-16070 patches cover tape-flips; crowd end of Candyman 6:24 > 7:13, and Drums 9:07 > Space 1:40. With thanks to Brad125!
Taper: Hale
2:30:57
Taper:
Hale
Transferrer:
Hale
SHNID:
gd1988-04-22.137944.dbx.hale.flac16
Source:
Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH
Taper Notes:
View Notes-Not sure of our seat numbers and my ticket stubs are in one of a mountain of boxes in a storage unit. The mics were set up on a giant mic stand that was actually made to hold one side of a PA system. It went up about 12-14'. The scene at the Irvine Meadows lot was way different than bay area shows. We flew in to LAX and rented this white station wagon. We wanted a van, but that's all they had. Anyway there wasn't much room to sleep. But who needs sleep. I have this "Fear and Loathing" sort of memory of too many cheap drugs available 24/7 in the lot and plenty of good acid for the ride to Mexico after the shows. We flew on these cheap comp plane tickets I bought off this Italian in Kansas City. No problem flying out of KCI, but the return trip out of LAX was a huge problem. Even in 1988 they were checking ID's when boarding at LAX. We clearly were not the guys attached to the Italian names on these tickets. We finally made it home after a few calls and with the help of a good friend who lined up booked and paid for the tickets which were not cheap same day. It took me a couple of months to pay him back. Anyway that's the short tame version of a very long story. What a long strange trip!!!!!!!!
Source 10 of 10
2:30:52
Rating:
8.18 / 11 ratings
SHNID:
gd88-04-22.aud.wiley.16070.sbeok.shnf