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June 26th
10 shows
69 tapes
Years
1995
27.9k
49 shows
343 tapes
1994
15.9k
85 shows
460 tapes
1993
35.7k
83 shows
656 tapes
1992
40.8k
57 shows
539 tapes
1991
56k
78 shows
973 tapes
1990
64.6k
78 shows
1,139 tapes
1989
50.3k
78 shows
1,017 tapes
1988
27.8k
82 shows
882 tapes
1987
49.8k
88 shows
1,029 tapes
1986
14.9k
47 shows
684 tapes
1985
40k
73 shows
1,360 tapes
1984
30.4k
67 shows
1,081 tapes
1983
29.3k
71 shows
1,069 tapes
1982
23.6k
63 shows
753 tapes
1981
27.6k
92 shows
868 tapes
1980
81k
91 shows
794 tapes
1979
21.3k
79 shows
608 tapes
1978
37.5k
87 shows
592 tapes
1977
176.7k
64 shows
419 tapes
1976
138.5k
45 shows
298 tapes
1975
7.3k
25 shows
63 tapes
1974
89k
42 shows
324 tapes
1973
77.9k
75 shows
445 tapes
1972
42.7k
88 shows
361 tapes
1971
35.4k
82 shows
358 tapes
1970
38.3k
101 shows
376 tapes
1969
27.8k
112 shows
326 tapes
1968
7.3k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
5.1k
32 shows
78 tapes
1965
598
2 shows
2 tapes
1988
4/22/88
01 - Tuning
1:04
02 - Mississippi Half-Step Uptown Toodeloo
6:51
03 - Feel Like A Stranger >
7:36
04 - Franklin's Tower
9:17
05 - New Minglewood Blues
8:48
06 - Candyman
7:07
07 - Queen Jane Approximately
6:33
08 - When Push Comes To Shove
5:01
09 - Let It Grow
13:05
10 - China Cat Sunflower >
6:05
11 - I Know You Rider
5:14
12 - Louie Louie
5:02
13 - Estimated Prophet >
9:36
14 - He's Gone >
9:59
15 - Drums >
9:14
16 - Space >
7:34
17 - The Wheel >
4:13
18 - Gimme Some Lovin' >
4:35
19 - All Along The Watchtower >
4:42
20 - Sugar Magnolia
9:22
21 - Encore Break
4:16
22 - Black Muddy River
8:53
FIN
View on archive.org
Sources
Taper: Don Crandall, Sean Weber-Small & Chris Huron
2:31:22
Taper:
Don Crandall, Sean Weber-Small & Chris Huron
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-04-22.164110.fob.schoeps.cmc4.mk41.mattes.miller.clugston.flac16
Source:
Don Crandall, Sean Weber-Small & Chris Huron's (FOB) Audience PCM (Nakamichi DMP-100); Schoeps CMC4/MK41 mics (ORTF) (Ted Mattes' equipment)
Lineage:
Master PCM (Sony ESX-HiFi/L-150)(Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 2023 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Don Crandall, Sean Weber-Small and Chris Huron for recording the show - Thanks to Ted Mattes for the master PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston March 2023
Taper: Hale
2:30:57
Taper:
Hale
Transferrer:
Hale
SHNID:
gd1988-04-22.137944.dbx.hale.flac16
Source:
Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH
Taper Notes:
View Notes-Not sure of our seat numbers and my ticket stubs are in one of a mountain of boxes in a storage unit. The mics were set up on a giant mic stand that was actually made to hold one side of a PA system. It went up about 12-14'. The scene at the Irvine Meadows lot was way different than bay area shows. We flew in to LAX and rented this white station wagon. We wanted a van, but that's all they had. Anyway there wasn't much room to sleep. But who needs sleep. I have this "Fear and Loathing" sort of memory of too many cheap drugs available 24/7 in the lot and plenty of good acid for the ride to Mexico after the shows. We flew on these cheap comp plane tickets I bought off this Italian in Kansas City. No problem flying out of KCI, but the return trip out of LAX was a huge problem. Even in 1988 they were checking ID's when boarding at LAX. We clearly were not the guys attached to the Italian names on these tickets. We finally made it home after a few calls and with the help of a good friend who lined up booked and paid for the tickets which were not cheap same day. It took me a couple of months to pay him back. Anyway that's the short tame version of a very long story. What a long strange trip!!!!!!!!