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179
69
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106
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25
49
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49
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380
81
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114
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Akron/Family
20
40
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43
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39
88
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107
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249
125
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133
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306
82
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114
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326
123
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134
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1.7k
430
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534
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92
81
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92
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1.3k
159
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236
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Aqueous
184
161
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248
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665
286
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421
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51
102
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107
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Bela Fleck and the Flecktones
1.4k
488
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613
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33
32
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35
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238
278
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383
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Bernie Worrell
51
7
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7
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Bernie Worrell and the WOO Warriors
74
27
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29
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24
19
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27
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Big Something
378
351
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522
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2.4k
17
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62
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90.3k
539
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1,056
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76
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56
182
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Grateful Dead
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43.1k
57
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48.9k
78
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973
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57.3k
78
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50.3k
78
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20.8k
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42.6k
88
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12.7k
47
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34.7k
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27.2k
67
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23.5k
71
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38.9k
63
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29.7k
92
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70.7k
91
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21k
79
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37.7k
87
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227.3k
64
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419
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113k
45
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298
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7.7k
25
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84.4k
42
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324
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76.7k
75
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445
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58.4k
88
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361
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33.7k
82
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357
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38.9k
101
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376
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28.6k
112
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326
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7.4k
41
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125
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1967
2k
23
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55
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1966
5.7k
32
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78
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618
2
shows
2
tapes
1988
SBD
12/31
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
163
4:07:00
11
tapes
12/29
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
95
2:44:50
9
tapes
12/28
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
328
2:35:46
8
tapes
12/11
SBD
Long Beach Arena
Long Beach, CA, USA
197
2:07:05
4
tapes
12/10
SBD
Long Beach Arena
Long Beach, CA, USA
178
2:36:12
4
tapes
12/09
SBD
Long Beach Arena
Long Beach, CA, USA
179
2:22:18
6
tapes
10/21
SBD
Reunion Arena
Dallas, TX, USA
133
2:30:00
7
tapes
10/20
SBD
The Summit
Houston, TX, USA
45
2:17:42
7
tapes
10/18
SBD
Keifer Lakefront Arena
New Orleans, LA, USA
126
2:49:57
10
tapes
10/16
SBD
Pelletier Farm
St. Helens, OR, USA
532
2:40:50
13
tapes
10/15
SBD
Bayfront Center Arena
St. Petersburg, FL, USA
82
2:29:32
12
tapes
10/14
SBD
Miami Arena
Miami, FL, USA
46
2:25:06
14
tapes
10/02
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
66
2:43:44
8
tapes
10/01
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
81
2:24:35
8
tapes
9/30
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
124
2:19:47
5
tapes
9/24
SBD
Madison Square Garden
New York, NY, USA
219
3:10:54
15
tapes
9/23
SBD
Madison Square Garden
New York, NY, USA
207
2:27:04
12
tapes
9/22
SBD
Madison Square Garden
New York, NY, USA
250
2:36:02
15
tapes
9/20
SBD
Madison Square Garden
New York, NY, USA
250
2:29:03
19
tapes
9/19
SBD
Madison Square Garden
New York, NY, USA
141
2:21:29
15
tapes
9/18
SBD
Madison Square Garden
New York, NY, USA
182
2:26:39
15
tapes
9/16
SBD
Madison Square Garden
New York, NY, USA
369
2:40:34
12
tapes
9/15
SBD
Madison Square Garden
New York, NY, USA
189
2:25:53
12
tapes
9/14
SBD
Madison Square Garden
New York, NY, USA
157
3:34:54
14
tapes
9/12
SBD
The Spectrum
Philadelphia, PA, USA
376
2:30:42
8
tapes
9/11
SBD
The Spectrum
Philadelphia, PA, USA
90
2:45:17
14
tapes
9/09
SBD
The Spectrum
Philadelphia, PA, USA
30
2:29:04
10
tapes
9/08
SBD
The Spectrum
Philadelphia, PA, USA
104
2:31:45
17
tapes
9/06
SBD
Capital Centre
Landover, MD, USA
143
2:41:49
8
tapes
9/05
SBD
Capital Centre
Landover, MD, USA
30
2:24:46
13
tapes
9/03
SBD
Capital Centre
Landover, MD, USA
170
2:28:39
18
tapes
9/02
SBD
Capital Centre
Landover, MD, USA
59
2:38:52
11
tapes
8/28
SBD
Autzen Stadium, U. of Oregon
Eugene, OR, USA
114
2:31:32
8
tapes
8/26
SBD
Tacoma Dome
Tacoma, WA, USA
268
2:37:11
8
tapes
7/31
SBD
Laguna Seca Recreation Area
Monterey, CA, USA
166
2:32:04
5
tapes
7/30
SBD
Laguna Seca Recreation Area
Monterey, CA, USA
83
2:50:49
6
tapes
7/29
SBD
Laguna Seca Recreation Area
Monterey, CA, USA
173
2:37:17
8
tapes
7/17
SBD
Greek Theatre
Berkeley, CA, USA
312
4:28:06
14
tapes
7/16
SBD
Greek Theatre
Berkeley, CA, USA
78
4:20:09
14
tapes
7/15
SBD
Greek Theatre
Berkeley, CA, USA
509
3:54:33
18
tapes
7/03
SBD
Oxford Plains Speedway
Oxford, ME, USA
394
2:31:02
30
tapes
7/02
SBD
Oxford Plains Speedway
Oxford, ME, USA
881
2:55:31
37
tapes
6/30
SBD
Silver Stadium
Rochester, NY, USA
409
2:43:42
15
tapes
6/28
SBD
Saratoga Performing Arts Center
Saratoga Springs, NY, USA
365
2:47:49
16
tapes
6/26
SBD
Civic Arena
Pittsburgh, PA, USA
238
2:13:09
8
tapes
6/25
SBD
Buckeye Lake Music Center
Hebron, OH, USA
364
2:46:24
8
tapes
6/23
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
363
4:42:12
9
tapes
6/22
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
129
2:21:09
7
tapes
6/20
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
406
2:26:28
10
tapes
6/19
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
667
2:28:02
12
tapes
6/17
Metropolitan Sports Center
Bloomington, MN, USA
963
2:36:42
3
tapes
6/01
SBD
Unknown
Unknown, Unknown
830
51:37
1
tape
5/01
SBD
Frost Amphitheatre
Palo Alto, CA, USA
125
2:35:27
8
tapes
4/30
SBD
Frost Amphitheatre
Palo Alto, CA, USA
314
4:59:15
12
tapes
4/24
SBD
Irvine Meadows
Irvine, CA, USA
267
2:22:25
6
tapes
4/23
SBD
Irvine Meadows
Irvine, CA, USA
213
2:32:38
10
tapes
4/22
SBD
Irvine Meadows
Irvine, CA, USA
128
2:34:07
10
tapes
4/15
SBD
Rosemont Horizon
Rosemont, IL, USA
154
2:18:35
7
tapes
4/14
SBD
Rosemont Horizon
Rosemont, IL, USA
250
2:24:41
7
tapes
4/13
SBD
Rosemont Horizon
Rosemont, IL, USA
70
2:07:30
7
tapes
4/11
SBD
Joe Louis Arena
Detriot, MI, USA
111
2:13:36
5
tapes
4/09
SBD
The Centrum
Worcester, MA, USA
130
2:23:01
15
tapes
4/08
SBD
The Centrum
Worcester, MA, USA
70
2:04:58
11
tapes
4/07
SBD
The Centrum
Worcester, MA, USA
145
2:28:57
14
tapes
4/05
SBD
Hartford Civic Center
Hartford, CT, USA
171
2:25:03
7
tapes
4/04
SBD
Hartford Civic Center
Hartford, CT, USA
252
2:19:58
7
tapes
4/03
SBD
Hartford Civic Center
Hartford, CT, USA
138
2:18:33
7
tapes
4/01
SBD
Meadowlands Arena
East Rutherford, NJ, USA
688
2:34:19
15
tapes
3/31
SBD
Meadowlands Arena
East Rutherford, NJ, USA
247
2:32:10
11
tapes
3/30
SBD
Meadowlands Arena
East Rutherford, NJ, USA
439
2:16:20
12
tapes
3/28
SBD
Hampton Coliseum
Hampton, VA, USA
254
2:46:11
16
tapes
3/27
SBD
Hampton Coliseum
Hampton, VA, USA
762
4:50:22
16
tapes
3/26
SBD
Hampton Coliseum
Hampton, VA, USA
309
2:42:07
22
tapes
3/24
SBD
The Omni
Atlanta, GA, USA
172
2:30:18
8
tapes
3/18
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
249
2:22:42
6
tapes
3/17
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
174
2:23:53
8
tapes
3/16
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
524
2:24:39
8
tapes
3/12
SBD
S.F Civic Auditorium
San Francisco, CA, USA
11
56:33
2
tapes
2/17
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
312
4:42:50
7
tapes
2/16
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
269
4:08:44
7
tapes
2/14
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
655
4:31:51
12
tapes
2/13
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
192
4:02:42
8
tapes
4/9/88
01 - Big Boss Man
4:45
02 - Walkin' Blues
8:03
03 - Far From Me
5:37
04 - Candyman
6:51
05 - Me And My Uncle >
2:42
06 - Mexicali Blues
5:55
07 - Tennessee Jed
7:50
08 - When I Paint My Masterpiece
5:00
09 - Deal
6:56
10 - Tuning
1:09
11 - Hell In A Bucket >
5:58
12 - Iko Iko
5:42
13 - Looks Like Rain >
9:04
14 - Terrapin Station >
11:10
15 - Drums >
6:11
16 - Space >
7:28
17 - Goin' Down The Road Feeling Bad >
5:36
18 - I Need A Miracle >
3:20
19 - Dear Mr. Fantasy >
5:36
20 - Hey Jude >
2:10
21 - Throwing Stones >
9:07
22 - Not Fade Away
7:59
23 - Not Fade Away
1:00
24 - One More Saturday Night
5:03
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:23:01
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller
[email protected]
March 11, 2022
SHNID:
gd1988-04-09.156453.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- Recorded by Don Pearson and Dan Healy -- Multiple Ultramatrix masters were used to make this show complete -- This is 156056 2496 > 1644.1
Taper: Recorded by Don Pearson and Dan Healy
2:23:01
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller
[email protected]
March 11, 2022
SHNID:
gd1988-04-09.156056.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- Recorded by Don Pearson and Dan Healy -- Multiple Ultramatrix masters were used to make this show complete
Transferrer: Charlie Miller
2:21:31
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-09.sbd.miller.91241.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View Notes
Patch Info: FM -> Cassette Master -> ? -> PCM -> Dat -> CD (shnid=15098) supplies: Space (6:16 - 6:24) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: See info file
2:20:09
SBD
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1988-04-09.mtx.tobin.91019.sbeok.flac16
Source:
SBD + AUD Matrix 3 Source Mix (50%-SBD/50%-AUD)
Lineage:
See info file
Taper Notes:
View Notes
Audio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller
[email protected]
April 7, 2008 Patch Info: FM -> Cassette Master -> ? -> PCM -> Dat -> CD (shnid=15098) supplies: Space (6:16 - 6:24) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN Note: While a "master reel" seems unlikely for 1988 (the VHS is more likely the master tape), the frequency spectrum suggests that this is indeed a pre-broadcast reel, with content above 15K Hz. AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. Notes: - Patches from Shn-ID 82671 cover tape flips as follows: - Masterpiece, 0:01 > 0:18. - Space, from 0:09 until mended at 0:33.964 (patch not complete). - NFA (crowd chant) 6:32 > NFA Reprise 0:01. - Disc break is seamless. - Alternate burn option: make Disc One as first set plus NFA Reprise and OMSN (59:40), make Disc Two as second set (79:56). - Soundforge used to make fades, add patches, and adjust levels. - TLH used for SBE-OK, FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by
[email protected]
- FLAC conversion 25-APR-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 30.988 seconds were missing from the SBD1 source and was filled in with audio from the AUD source. 2) At the beginning of Space, 39.533 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 3) During the crowd chant before the encore, 1 minute and 16.530 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 4) As this matrix was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 1. The AUD speed was almost identical to video so it was used as reference for set 2. The SBD1 source ran slightly slow at about .5% or .100 seconds per minute minute. Brokedown House Production
Taper: Recorded by Doug Lamarre a few days after the show
2:20:12
Rating:
10.00 / 1 rating
Taper:
Recorded by Doug Lamarre a few days after the show
Transferrer:
All Transfers and Mastering by Charlie Miller
[email protected]
April 13, 2022
SHNID:
gd1988-04-09.156454.prefm.lamarre.miller.t.flac1644
Source:
Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S)
Lineage:
VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- Recorded by Doug Lamarre a few days after the show -- The station used an Ultramatrix SBD for the broadcast -- Patch source recorded by Don Pearson and Dan Healy -- This is 156419 2496 > 1644.1
Taper: Recorded by Doug Lamarre a few days after the show
2:20:12
Taper:
Recorded by Doug Lamarre a few days after the show
Transferrer:
All Transfers and Mastering by Charlie Miller
[email protected]
April 13, 2022
SHNID:
gd1988-04-09.156419.prefm.lamarre.miller.flac2496
Source:
Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S)
Lineage:
VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- Recorded by Doug Lamarre a few days after the show -- The station used an Ultramatrix SBD for the broadcast -- Patch source recorded by Don Pearson and Dan Healy
Taper: Doug Lamarre
2:20:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-04-09.140490.prefm.lamarre.berger.flac1644
Source:
source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy;
Lineage:
pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
Taper Notes:
View Notes
Doug and Ted Dralle went to the WCUW 91.3 studio in Worcester and both dubbed the station’s original pre fm reels onto their hifi vhs decks (not pcm).
Taper: Doug Lamarre
2:20:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-04-09.140395.prefm.lamarre.berger.flac2496
Source:
source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy;
Lineage:
pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
Source 9 of 15
1:30:31
SHNID:
gd1988-04-09.127694.FM.set2.flac16
Source:
Set 2
Lineage:
WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned)
Taper: Da Weez
2:16:20
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1988-04-09.111691.daweez.d5scott.NeumannKMF4.flac16
Source:
Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones - 13th row-center > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes
The first 2:20 of Big Boss Man was missing so I patched it from a different source. There is also short gap in Deal from a tape flip which is also filled in from the same source.. --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
2:13:22
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1988-04-09.nak300.morris.crazyfingers.106589.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) ; Recorded from Taper Section 101, Row CC, Seat 14
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Transferrer: Matrix by Kevin Tobin
2:20:09
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1988-04-09.dts.tobin.91632.flac
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes
- Mixed by
[email protected]
- FLAC conversion 26-APR-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 30.988 seconds were missing from the SBD1 source and was filled in with audio from the AUD source. 2) At the beginning of Space, 39.533 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 3) During the crowd chant before the encore, 1 minute and 16.530 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 4) As the matrix was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 1. The AUD speed was almost identical to video so it was used as reference for set 2. The SBD1 source ran slightly slow at about .5% or .100 seconds per minute minute. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -0db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -0db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Ted Carpenter
2:19:23
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1988-04-09.nak300.carpenter.andrewf.90487.sbeok.flac16
Source:
Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes
- Patches from Shn-ID 82671 cover tape flips as follows: - Masterpiece, 0:01 > 0:18. - Space, from 0:09 until mended at 0:33.964 (patch not complete). - NFA (crowd chant) 6:32 > NFA Reprise 0:01. - Disc break is seamless. - Alternate burn option: make Disc One as first set plus NFA Reprise and OMSN (59:40), make Disc Two as second set (79:56). - Soundforge used to make fades, add patches, and adjust levels. - TLH used for SBE-OK, FLAC compression, and making checksums.
Taper: Tony Suraci, Mike E.
2:10:48
Taper:
Tony Suraci, Mike E.
Transferrer:
Tony Suraci
SHNID:
gd1988-04-09.nakcm304.suraci.mike.82671.sbeok.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
NakCR5A.Luntaec V3>SD722
Taper Notes:
View Notes
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Source 15 of 15
2:20:01
Rating:
8.00 / 8 ratings
SHNID:
gd88-04-09.pre-fm.braverman.15098.sbeok.shnf
Source:
pre-FM Master Reel> VHS (PCM)> DAT> CD> SHNvia Skip Jenkins, encoded by Peter Braverman
Taper Notes:
View Notes
pre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman