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June 10th
Years
1995
30.1k
PlaybackListensHours
48h56777
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k262
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k304
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k194
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h2.9k423
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.8k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.5k312
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k136
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k246
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h82894
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k195
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.6k655
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k156
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k150
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k239
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k298
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k214
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k254
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12k1.6k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h35237
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4.2k555
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k278
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k201
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k203
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k160
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h69387
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8814
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42427
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1988
4/9/88
01 - Big Boss Man
4:45
02 - Walkin' Blues
8:03
03 - Far From Me
5:37
04 - Candyman
6:51
05 - Me And My Uncle >
2:42
06 - Mexicali Blues
5:55
07 - Tennessee Jed
7:50
08 - When I Paint My Masterpiece
5:00
09 - Deal
6:56
10 - Tuning
1:09
11 - Hell In A Bucket >
5:58
12 - Iko Iko
5:42
13 - Looks Like Rain >
9:04
14 - Terrapin Station >
11:10
15 - Drums >
6:11
16 - Space >
7:28
17 - Goin' Down The Road Feeling Bad >
5:36
18 - I Need A Miracle >
3:20
19 - Dear Mr. Fantasy >
5:36
20 - Hey Jude >
2:10
21 - Throwing Stones >
9:07
22 - Not Fade Away
7:59
23 - Not Fade Away
1:00
24 - One More Saturday Night
5:03
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:23:01
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 11, 2022
SHNID:
gd1988-04-09.156453.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple Ultramatrix masters were used to make this show complete -- This is 156056 2496 > 1644.1
Taper: Recorded by Don Pearson and Dan Healy
2:23:01
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 11, 2022
SHNID:
gd1988-04-09.156056.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple Ultramatrix masters were used to make this show complete
Transferrer: Charlie Miller
2:21:31
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-09.sbd.miller.91241.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: FM -> Cassette Master -> ? -> PCM -> Dat -> CD (shnid=15098) supplies: Space (6:16 - 6:24) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: See info file
2:20:09
SBD
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1988-04-09.mtx.tobin.91019.sbeok.flac16
Source:
SBD + AUD Matrix 3 Source Mix (50%-SBD/50%-AUD)
Lineage:
See info file
Taper Notes:
View NotesAudio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 7, 2008 Patch Info: FM -> Cassette Master -> ? -> PCM -> Dat -> CD (shnid=15098) supplies: Space (6:16 - 6:24) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN Note: While a "master reel" seems unlikely for 1988 (the VHS is more likely the master tape), the frequency spectrum suggests that this is indeed a pre-broadcast reel, with content above 15K Hz. AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. Notes: - Patches from Shn-ID 82671 cover tape flips as follows: - Masterpiece, 0:01 > 0:18. - Space, from 0:09 until mended at 0:33.964 (patch not complete). - NFA (crowd chant) 6:32 > NFA Reprise 0:01. - Disc break is seamless. - Alternate burn option: make Disc One as first set plus NFA Reprise and OMSN (59:40), make Disc Two as second set (79:56). - Soundforge used to make fades, add patches, and adjust levels. - TLH used for SBE-OK, FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-APR-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 30.988 seconds were missing from the SBD1 source and was filled in with audio from the AUD source. 2) At the beginning of Space, 39.533 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 3) During the crowd chant before the encore, 1 minute and 16.530 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 4) As this matrix was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 1. The AUD speed was almost identical to video so it was used as reference for set 2. The SBD1 source ran slightly slow at about .5% or .100 seconds per minute minute. Brokedown House Production
Taper: Recorded by Doug Lamarre a few days after the show
2:20:12
Rating:
10.00 / 1 rating
Taper:
Recorded by Doug Lamarre a few days after the show
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 13, 2022
SHNID:
gd1988-04-09.156454.prefm.lamarre.miller.t.flac1644
Source:
Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S)
Lineage:
VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Doug Lamarre a few days after the show -- The station used an Ultramatrix SBD for the broadcast -- Patch source recorded by Don Pearson and Dan Healy -- This is 156419 2496 > 1644.1
Taper: Recorded by Doug Lamarre a few days after the show
2:20:12
Taper:
Recorded by Doug Lamarre a few days after the show
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 13, 2022
SHNID:
gd1988-04-09.156419.prefm.lamarre.miller.flac2496
Source:
Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S)
Lineage:
VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Doug Lamarre a few days after the show -- The station used an Ultramatrix SBD for the broadcast -- Patch source recorded by Don Pearson and Dan Healy
Taper: Doug Lamarre
2:20:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-04-09.140490.prefm.lamarre.berger.flac1644
Source:
source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy;
Lineage:
pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
Taper Notes:
View NotesDoug and Ted Dralle went to the WCUW 91.3 studio in Worcester and both dubbed the station’s original pre fm reels onto their hifi vhs decks (not pcm).
Taper: Doug Lamarre
2:20:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-04-09.140395.prefm.lamarre.berger.flac2496
Source:
source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy;
Lineage:
pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
Source 9 of 15
1:30:31
SHNID:
gd1988-04-09.127694.FM.set2.flac16
Source:
Set 2
Lineage:
WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned)
Taper: Da Weez
2:16:20
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1988-04-09.111691.daweez.d5scott.NeumannKMF4.flac16
Source:
Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones - 13th row-center > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View NotesThe first 2:20 of Big Boss Man was missing so I patched it from a different source. There is also short gap in Deal from a tape flip which is also filled in from the same source.. --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
2:13:22
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1988-04-09.nak300.morris.crazyfingers.106589.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) ; Recorded from Taper Section 101, Row CC, Seat 14
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Transferrer: Matrix by Kevin Tobin
2:20:09
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1988-04-09.dts.tobin.91632.flac
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes- Mixed by [email protected] - FLAC conversion 26-APR-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 30.988 seconds were missing from the SBD1 source and was filled in with audio from the AUD source. 2) At the beginning of Space, 39.533 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 3) During the crowd chant before the encore, 1 minute and 16.530 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 4) As the matrix was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 1. The AUD speed was almost identical to video so it was used as reference for set 2. The SBD1 source ran slightly slow at about .5% or .100 seconds per minute minute. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -0db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -0db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Ted Carpenter
2:19:23
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1988-04-09.nak300.carpenter.andrewf.90487.sbeok.flac16
Source:
Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Patches from Shn-ID 82671 cover tape flips as follows: - Masterpiece, 0:01 > 0:18. - Space, from 0:09 until mended at 0:33.964 (patch not complete). - NFA (crowd chant) 6:32 > NFA Reprise 0:01. - Disc break is seamless. - Alternate burn option: make Disc One as first set plus NFA Reprise and OMSN (59:40), make Disc Two as second set (79:56). - Soundforge used to make fades, add patches, and adjust levels. - TLH used for SBE-OK, FLAC compression, and making checksums.
Taper: Tony Suraci, Mike E.
2:10:48
Taper:
Tony Suraci, Mike E.
Transferrer:
Tony Suraci
SHNID:
gd1988-04-09.nakcm304.suraci.mike.82671.sbeok.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
NakCR5A.Luntaec V3>SD722
Taper Notes:
View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA.
Source 15 of 15
2:20:01
Rating:
8.00 / 8 ratings
SHNID:
gd88-04-09.pre-fm.braverman.15098.sbeok.shnf
Source:
pre-FM Master Reel> VHS (PCM)> DAT> CD> SHNvia Skip Jenkins, encoded by Peter Braverman
Taper Notes:
View Notespre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman